Planet earth press (9 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Includes dust jacket.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Taschenbuch. Zustand: Neu. Neuware.

Taschenbuch. Zustand: Neu. Neuware - 'A Powerful Memoir and Documentary History'By combining the intimacy of a personal memoir with the rigor of documentary history, Lydia Otero weaves together a rich narrative of identity, activism, and personal transformation. With meticulous attention to detail, Otero traverses the homes of family members to dancefloors, bustling work sites, and organizing spaces in search of brown and queer belonging. Through photographs, archival documents, and compelling storytelling, Otero crafts a passionate narrative of personal becoming amid the political and cultural currents of 1980s Los Angeles.Grounded in the philosophy that the personal is political, Otero portrays fellow organizers as strategists exploring previously unimagined avenues to address the needs of brown queers. The book traces Otero's transformations and blossoming sense of self, which often felt constrained by the binary gender assignments of the time, while it tells a documentary history of Lesbians of Color, Gay and Lesbian Latinos Unidos (GLLU), Lesbianas Unidas (LU) and Bienestar: A Gay Latino AIDS Project-groups central to the city's burgeoning queer, brown, and activist scene.Otero's parallel story of becoming an electrician offers a unique vantage point of a city in the midst of restructuring, as Otero's labor contributed to building some of the most iconic structures in Los Angeles, such as the Universal CityWalk, U.S. Bank Tower, and the Metro Rail.Meticulously researched, L.A. Interchanges invites readers to delve into the intricate interplay between personal experience and historical context. It is a testament to the complexity of intersectional identities, and the unwavering spirit of those who strive for justice and belonging in the face of adversity. …

Taschenbuch. Zustand: Neu. Neuware.

Buch. Zustand: Neu. Neuware - RECLAIMING A LOCAL STORY AND THE WOMAN THAT HISTORY CAST ASIDEIn the heart of downtown Tucson, Arizona, stands La Casa Cordova, an adobe structure located in the Tucson Museum of Art's Historic Block. Often described as the oldest building in the city, its story is far more complicated than timelines suggest.??In Storied Property: María Cordova's Casa, historian and memoirist Lydia R. Otero uncovers the layered history of a home that once belonged to María Navarrete Cordova (1895-1975), who considered herself the rightful heir and authority over the house and the surrounding area's history. Located within the original boundaries of the Presidio San Agustín del Tucsón, the property held both personal and historical significance.?For decades, María Cordova appeared in local newspapers, offering her version of the past and highlighting her family's contributions. She also ran the Cordova Brothers Smoke Shop with her family from their home. In 1972, under the banner of urban renewal, she was removed from the property through eminent domain. She and her family fought back in court, one of the few cases in Tucson where residents tried to resist condemnation. They lost. Their forced removal, however, cleared the way for preservationists to redefine the space. A few years later, the house reopened as a Mexican museum, complete with exposed adobe walls, packed earth floors, and borrowed period furnishings. María's presence was erased.?Storied Property returns María Cordova to the center of the story. Not as a symbol, but as a strategist, business owner, and property holder who understood the stakes. Through primary documents such as court records, maps, newspaper coverage, and María Cordova's own words, Otero offers a critical, unflinching account of the house's background, Cordova's claims, and the limits imposed by a society that relies so heavily on property deeds to validate history. It also traces how urban renewal and preservation efforts worked in tandem on a contested structure.?Written by a historian rooted in the community, Storied Property is both a critique and a reclamation of a local story about a woman who deserves more than a footnote. It asks what it means to preserve a structure while erasing the people who gave it life and reminds us that what is remembered and what is erased is never accidental. The book also includes a QR code that gives readers access to archival materials such as historical documents, articles, and drone footage of the area.…