Sprache: Englisch
Verlag: Peepal Tree Press Ltd Jul 2021, 2021
ISBN 10: 1845235231 ISBN 13: 9781845235239
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - In musical, evocative language, her poems imagine the what-if-that-almost-was of Scotland's best-loved Bard, following Robert Burns into the life he might have lived as a plantation overseer in Jamaica-then seeing his enslaved granddaughter come back to Scotland to claim a life reserved for white women. Evie Shockley This collection is timely and timeless as it reframes the complicated genealogies created by colonialism. Erasure is one of the colonizer's most insidious tools and McCallum's gorgeous monologues serve to reclaim the voices ignored, unsaid, and unclaimed because of colonialism. Adrian Matejka A subtle, multi-layered verse narrative. The worlds it vividly presents beget reflections on creativity, history, slavery, race and many other issues. It is an exceptional work, a memorable achievement. Mervyn Morris Seemingly controlled words surge with echoes; poems keep double-entry accounts, striping the page, laddering like stockings. McCallum achieves an un-haunting. Characters are realer than real, less imaginary than re-storied. Like the returning dead, whom nothing 'will quench or unhunger', this work wants you, wants us, 'to begin again'. Vahni Capildeo.
Sprache: Englisch
Verlag: Peepal Tree Press Jul 2021, 2021
ISBN 10: 1845235177 ISBN 13: 9781845235178
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - In Zion Roses, her second collection, Monica Minott's poems grasp the reader's attention with a voice that is distinctively personal, both taut and musical--and tender and muscular when the occasion demands. Her language moves seamlessly and always appropriately between standard and Jamaican patwa, a reflection of a vision that encompasses a Black modernity still very much in touch with its aphoristic folk roots, where the ancestral meets Skype or a Jonkonnu band is stuck in a Kingston traffic jam. It is possible to see Minott's poems as being in a constant dialogue between four quadrants of engagement: with history, with landscape, with personal and family experience, and with the worlds of literature, music, and art. Minott's sense of history is deeply informed by a knowledge of the brutalities of commercial empire and of slavery and Black people's struggles against injustice and for selfhood. There is scarcely a poem that does not have some precisely described sense of the materiality of its circumstance and the interactions between the physical world and human feelings. You sense that what sustains a certain bravery of self-exposure and of risk is a sense of belonging to family. -- Amazon.