P n publications (12 Ergebnisse)

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

softcover. Zustand: Very Good. (n. p.): Mother's Hens Publications, (c. 1973). softcover. Very Good. Cover illustration by William F. Samulis. Unpaginated. Black and white illustrations. Former owner address label (small) on front free endpaper. Covers slightly sunned at edges. 040710A.

Paperback. Zustand: Good. First Edition. 8vo EX-LIBRARY with usual stamps and labels. 21pp library stiffened covers with yellowing to edges where sellotape under stiffening. Otherwise a good clean copy. Neil O'Hara (illustrator). Book.

Soft cover. Zustand: Fine. No Jacket. 1st Edition. Presumed first edition. "April 1996" stated. No additional dates, editions or printings indicated. Fine saddle stapled 38 page pamphlet. Only trivial signs of age/previous use, primarily to covers.

First Edition. The works presented in Shy Boy, She Devil, and Isis: The Art of Conceptual Craft, from the well-known California collection of Ronald C. And Anita L. Wornick, capture an exciting shift in the evolution of contemporary sculptural arts. Beginning in 1985, the Wornicks assembled a major collection of contemporary decorative arts, primarily by Americans but also including European, Australian, and Asian artists. This collection features works created after 1980 and represents a coming of age of the studio craft movement across the world. Working in clay, glass, metal, wood and fiber, the 107 artists featured in this book--including Dale Chihuly, Viola Frey, Peter Voulkos, John Cederquist and Mary Van Cline--are distinct in their move away from the functional and toward the "purely" sculptural. Matthew Kangas' introductory essay notes how these works surpass and overturn the arbitrary, misleading category of craft, while Gerald W. R. Ward and Julie Muniz discuss the material innovations shown by these artists, whose works, taken together, define the cutting edge of craft. The pieces in Shy Boy, She Devil, and Isis exemplify the skills and individualities of their makers; as a group, they suggest a bold conceptual shift and an erasure of the boundaries separating craft from fine art. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new; 8vo 8" - 9" tall; 183 pages; Description: 183 p. : col. Ill. ; 25 x 30 cm. Published on the occasion of an exhibition held at the Museum of Fine Arts, Boston, Sept. 11, 2007-Jan. 6, 2008. Includes bibliographical references (p. 180-181) and index. Subjects: Wornick, Ronald C. , 1932- --Art collections --Exhibitions. Wornick, Anita L. --Art collections. Museum of Fine Arts, Boston --Exhibitions 2 Kg.…

First Edition. The works presented in Shy Boy, She Devil, and Isis: The Art of Conceptual Craft, from the well-known California collection of Ronald C. And Anita L. Wornick, capture an exciting shift in the evolution of contemporary sculptural arts. Beginning in 1985, the Wornicks assembled a major collection of contemporary decorative arts, primarily by Americans but also including European, Australian, and Asian artists. This collection features works created after 1980 and represents a coming of age of the studio craft movement across the world. Working in clay, glass, metal, wood and fiber, the 107 artists featured in this book--including Dale Chihuly, Viola Frey, Peter Voulkos, John Cederquist and Mary Van Cline--are distinct in their move away from the functional and toward the "purely" sculptural. Matthew Kangas' introductory essay notes how these works surpass and overturn the arbitrary, misleading category of craft, while Gerald W. R. Ward and Julie Muniz discuss the material innovations shown by these artists, whose works, taken together, define the cutting edge of craft. The pieces in Shy Boy, She Devil, and Isis exemplify the skills and individualities of their makers; as a group, they suggest a bold conceptual shift and an erasure of the boundaries separating craft from fine art. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new; 8vo 8" - 9" tall; 183 pages; Description: 183 p. : col. Ill. ; 25 x 30 cm. Published on the occasion of an exhibition held at the Museum of Fine Arts, Boston, Sept. 11, 2007-Jan. 6, 2008. Includes bibliographical references (p. 180-181) and index. Subjects: Wornick, Ronald C. , 1932- --Art collections --Exhibitions. Wornick, Anita L. --Art collections. Museum of Fine Arts, Boston --Exhibitions 2 Kg.…

First Edition. The works presented in Shy Boy, She Devil, and Isis: The Art of Conceptual Craft, from the well-known California collection of Ronald C. And Anita L. Wornick, capture an exciting shift in the evolution of contemporary sculptural arts. Beginning in 1985, the Wornicks assembled a major collection of contemporary decorative arts, primarily by Americans but also including European, Australian, and Asian artists. This collection features works created after 1980 and represents a coming of age of the studio craft movement across the world. Working in clay, glass, metal, wood and fiber, the 107 artists featured in this book--including Dale Chihuly, Viola Frey, Peter Voulkos, John Cederquist and Mary Van Cline--are distinct in their move away from the functional and toward the "purely" sculptural. Matthew Kangas' introductory essay notes how these works surpass and overturn the arbitrary, misleading category of craft, while Gerald W. R. Ward and Julie Muniz discuss the material innovations shown by these artists, whose works, taken together, define the cutting edge of craft. The pieces in Shy Boy, She Devil, and Isis exemplify the skills and individualities of their makers; as a group, they suggest a bold conceptual shift and an erasure of the boundaries separating craft from fine art. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new; 8vo 8" - 9" tall; 183 pages; Description: 183 p. : col. Ill. ; 25 x 30 cm. Published on the occasion of an exhibition held at the Museum of Fine Arts, Boston, Sept. 11, 2007-Jan. 6, 2008. Includes bibliographical references (p. 180-181) and index. Subjects: Wornick, Ronald C. , 1932- --Art collections --Exhibitions. Wornick, Anita L. --Art collections. Museum of Fine Arts, Boston --Exhibitions 2 Kg.…

First Edition. The works presented in Shy Boy, She Devil, and Isis: The Art of Conceptual Craft, from the well-known California collection of Ronald C. And Anita L. Wornick, capture an exciting shift in the evolution of contemporary sculptural arts. Beginning in 1985, the Wornicks assembled a major collection of contemporary decorative arts, primarily by Americans but also including European, Australian, and Asian artists. This collection features works created after 1980 and represents a coming of age of the studio craft movement across the world. Working in clay, glass, metal, wood and fiber, the 107 artists featured in this book--including Dale Chihuly, Viola Frey, Peter Voulkos, John Cederquist and Mary Van Cline--are distinct in their move away from the functional and toward the "purely" sculptural. Matthew Kangas' introductory essay notes how these works surpass and overturn the arbitrary, misleading category of craft, while Gerald W. R. Ward and Julie Muniz discuss the material innovations shown by these artists, whose works, taken together, define the cutting edge of craft. The pieces in Shy Boy, She Devil, and Isis exemplify the skills and individualities of their makers; as a group, they suggest a bold conceptual shift and an erasure of the boundaries separating craft from fine art. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new; 8vo 8" - 9" tall; 183 pages; Description: 183 p. : col. Ill. ; 25 x 30 cm. Published on the occasion of an exhibition held at the Museum of Fine Arts, Boston, Sept. 11, 2007-Jan. 6, 2008. Includes bibliographical references (p. 180-181) and index. Subjects: Wornick, Ronald C. , 1932- --Art collections --Exhibitions. Wornick, Anita L. --Art collections. Museum of Fine Arts, Boston --Exhibitions 2 Kg.…

Soft cover. Zustand: Very Good. No Jacket. No date or place of publication. Very good, perhaps near fine wraps/paperback. Moderate, if not minor signs of age/wear/previous use, primarily to spine folds, creases to spine, and rubbing/wear to covers.

8vo, pp. [41]-52; original blue printed wrappers; contains two articles: Sunspot activity during 1994 and Visual magnitudes of nova puppis 1942. Reprinted from the Publications of the Astronomical Society of the Pacific, Vol. 57, No. 334, February 1945.

Hardcover. Zustand: Fine. No Jacket. Limited Edition. Limited edition: 60/110 signed by author on bound-in glassine leaf. Fine, if not new hardback. No dust jacket.