Oriel mostyn gallery (17 Ergebnisse)

Soft cover. Zustand: Very Good. El Anatsui Gawu is a compelling artwork that exemplifies the innovative use of recycled materials to create textured, large-scale sculptures. The piece reflects Anatsui's exploration of cultural identity and environmental concerns through intricate, shimmering assemblages. From the library of John Russell Taylor.…

Card Covers. Zustand: Very Good. First Edition. 48 pages, colour illustrations, catalogue of 26 works, biography, bibliography. Catalogue of the exhibition. Minor wear. [778] Size: 270mm. x 210mm.

Zustand: Used - Very Good. VG paperback. 2002 1st edition with numerous colour illustrations; spine and cover uncreased; a clean, tidy copy. Used - Very Good. VG paperback.

Soft cover. Zustand: Good. Slight grubbiness to cover; contents pristine.

paperback. Zustand: Acceptable.

Soft cover. Zustand: Very Good. Very good condition.

First Edition. First edition. Softcover. 47 pages. Essay by Emma Anderson. Includes numerous color illustrations, lists of previous exhibitions, awards and public collections. A fine copy in wrappers.

Paperback. Zustand: Very Good. Larger sized paperback in very good condition. Published on the occasion of the exhibition 'Will Roberts: A Retrospective, 1927-1992' at Oriel Mostyn Gallery, Llandudno, from 30 October to 4 December 1993. Covers are slightly scuffed and sunned. Edges and corners are a little bumped and rubbed. Binding is sound and pages are clear. LW. Used.…

Soft cover. Zustand: As New. 47pp.

Soft cover. Zustand: As New. 1st Edition. 47pp.

Paperback. Zustand: Fine. First Paperback Edition. 4to. pp 47. Large format paperback. Copiously illustrated in colour and black and white throughout. Published on the occasion of an exhibition at Oriel Mostyn Gallery, Llandudno, Wales, 2000. ISBN: 0906860458 Fine.

Soft cover. Zustand: As New. 47pp.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:0906860458.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:0906860458.

, 48 pages, colour illustrations throughout, artists include Peter Finnemore, Bethan Huws, Helen Jones, Marc Rees, Anthony Shapland, Bedwyr Williams, and Emrys Williams First Edition , book in very good condition , pictorial card covers 25 x 23 cm Paperback ISBN: 906860601.

SOFTCOVER. Zustand: As New. 1st Edition. Large 4to. in stiff card covers, 47pp on thick art paper, colour photos, etc. . [CONDITION: An extremely well preserved AS NEW unread and unmarked copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. First edition, first printing. Hardcover. Brown cloth-covered boards with title debossed on spine; with photographically illustrated dust jacket. Photographs by Paul Seawright. Text by Mark Durden and John Stathatos. Includes a list of works. Unpaginated (64 pp.), with 27 four-color plates and additional illustrations, beautifully printed in Italy by EBS, Verona. 9-3/4 x 12-1/8 inches. Published on the occasion of an exhibition at the Imperial War Museum, London. [Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London and New York: Phaidon, 2006).]. New. A Mint copy. From the publisher: "The Imperial War Museum commissioned two contemporary artists to respond to the terrorist attacks of September 11th and the war in Afghanistan. Paul Seawright was the first to go to Afghanistan, in June 2002. He has responded to the painful and extraordinary challenge of the situation in the country with profound imagination and sensitivity. Avoiding the trappings of an exoticising vision, typified by the media's portrayal of Afghanistan as a spectacle of ruins, Seawright's photographs are spare and understated. His response to these heavily mined desert landscapes, extends and reworks the distinctive aesthetic established by his earlier photographs of contested, politically contaminated landscapes in his home city of Belfast and more recently on the fringes of various European cities.".…