Nfs press (12 Ergebnisse)

Zustand: Very Good. *Price HAS BEEN REDUCED by 10% until Monday, Oct. 26 (weekend SALE item)* 54 pp., Paperback, faint soiling to covers else very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.…

Softcover. Zustand: Very Good. 1st Printing. 54 pp.; 6" x 8 1/4"; illustrated white wrappers; chiefly black & white photographs with text and some drawings. Two creases to cover at rear lower leading corner.

Paperback. Zustand: Very good. first edition as stated. 9 x 12 in. Paper wraps. Condition is VERY GOOD ; covers very clean, light wear to corners and spine ends. Binding tight, text clean, unmarked. Photo. RGR.

Softcover. Zustand: Near Fine. First Edition. First edition. 94pp. Printed wrapper. Fading on the spine, some rubbing, near fine. Poetry.

4°, OKarton. 118 S. mit zahlr. Fotos, Einb. gering abgegriffen, Kanten berieben, innen sauber Sprache: Englisch Gewicht in Gramm: 1050.

Paperback. Zustand: Fair. No Jacket. First Edition. First edition, first printing. Cover and binding are worn but intact. A reading copy in fair condition. Covers show shelf wear and scuffing to spine strip. Has scrapes and small tears t front cover. All pages intact, binding is sound. Secure packaging for safe delivery.…

Paperback. Zustand: Good. First Edition. B&W Photographs; 4to 11" - 13" tall; 112 pages; 1978 NFS Press. Oversize paperback in glossy pictorial covers. 1st edition, limited to 1200 copies. Soundly bound with no marks. Shelf top spill had left a dmap wave and light tea colred damp line across the bottom edge of the covers and all pages. The ripple and damp line does not intrude on image or text but is a significant flaw. No pages stuck together or and such issue. Otherwise light shelf evidence to cover edges. B&W photos on glossy stock throughout. With faults, Good only.…

Soft cover. Zustand: Very Good. 1st Edition. Soft cover. Copiously illustrated n B&W. Slightly soiled spine and covers; otherwise in very good condition. Clean and unmarked inside. 4to.

Zustand: Good. 8vo. Soft Cover. [62]pp. Very Good. Black and White Plates. Shelfwear on cover.

Zustand: Very good. First edition. Scarce first printing of the conceptual photographer's landmark work. Important document of Thomas's work as artist and critic. Thomas was a significant influence on a number of photographers belonging to or associated with the Photography and Language group, including Hal Fischer, Cindy Sherman, John Baldessari, Allan Sekula, and others; laid in to this copy is a contemporary order form for Fischer's GAY SEMIOTICS, the first book published by Thomas and Phillips's own NFS Press. 12'' x 9''. Original black and white wrappers. Introduction by John Brumfield. Design and production by Donna-Lee Phillips. Black and white plates throughout. 112 pages. With two original NFS Press book order forms laid in (for Hal Fischer's GAY SEMIOTICS and Wanda Hammerbeck's DEPOSITIONS). Creasing and scuffing to corners and spine ends, with moderate toning and soil to covers. …

Softcover. Zustand: Near Fine. Touch of soil to white covers. ; Pictorial white wrappers; black & white photographs and other reproductions throughout. ; 11.8 X 8.9 X 0.3 inches; 112 pages.

Paperback. Zustand: Very Good. First Edition. San Francisco, NFS Press, 1978. Quarto, 112 pages with numerous illustrations from photographs. Pictorial card covers a little rubbed, marked and creased; unobtrusive restoration to a couple of short tears at the foot of the spine; scattered light foxing; old gallery label on the rear cover; a very good copy. 'An influential figure in the Bay Area art scene in the late 1970s and early 80s, Thomas, aside from making and showing his work, also organized group exhibitions for local nonprofit art spaces and museums, and published books with Donna-Lee Phillips under the imprint NFS (Not-For-Sale) Press . "Structural(ism) and Photography", published by NFS in 1978, documents the body of photographs and installations that followed from [Thomas' earlier work] BLACK & WHITE. Concerned primarily with time, duration, and sequence, the work was guided by Thomas's distinctive gloss on Structuralist thought' (Erin O'Toole: 'Lew Thomas's Structural(ism) and Photography', in 'Aperture', Winter 2014). Introduction by John Brumfield; design and production by Donna-Lee Philips.…