national gallery of art yale university press washington and new haven (60 Ergebnisse)

259, (1)pp. 223 illus. (numerous color). Tall 4to. Wraps. Published in conjunction with an exhibition at the National Gallery of Art, Washington, D.C., March-May 1986.

First edition. Softcover. 164 pages. Features essays by Briony Fer, Hal Foster, Jeremy Gilbert-Rolfe, Alex Potts, Anne M. Wagner, and Jeffrey Weiss. Includes several illustrations. A fine copy in wrappers. As new.

First edition. Hardcover. 374 pages. Exhibition catalog for a show that ran March 30 through July 27, 1997 in Washington, D.C. and then September 10, 1997 through January 4, 1998 in Boston. Text contributions by Natasha Staller, Robert S. Lubar, Phillip Dennis Cate, Robert J. Bordingham, Jeffrey Weiss, Peter Read, Robert Rosenblum, Margaret Werth, Mark Rosenthal, and Ann Hoenigswald. Includes numerous color and black and white illustrations. A clean and tight near fine copy in a near fine dust jacket. This is a heavy and oversized book and will require extra shipping.

Profusely Illustrated (illustrator). First Edition. Near fine paperback copy; edges very slightly dust-dulled and nicked. Remains particularly and surprisingly well-preserved overall; tight, bright, clean and especially sharp-cornered.; 8vo 8" - 9" tall; 680 pages; Catalogue of a loan exhibition held at the National Gallery of Art, Washington, D.C., 3 Nov. 1985-16 March 1986. Text ed. by Gervase Jackson-Stops. Contents: Essays. Temples of the arts / Gervase Jackson-Stops -- The power house / Mark Girouard -- Portraiture and the country house / Oliver Millar -- The Englishman in Italy / Brinsley Ford -- The British as collectors / Francis Haskell -- The backward look / John Cornforth -- The last hundred years / Marcus Binney and Gervase Jackson-Stops -- The catalogue. From castle to country house -- The grand tour -- The gentleman collector -- The romantic vision. 680 p. : ill. (some col.), facsims., music, ports. ; 28 cm. Subjects: Art - Collectors and collecting - Great Britain - History. Art patronage - Great Britain - Exhibitions. 3 Kg.

231 pp.; 30.5 x 24.7 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at the National Gallery of Art, Washington, D.C., May 8 - September 5, 1994. Traveled to the Metropolitan Museum of Art, New York, October 11, 1994 - January 8, 1995, and to the Tate Gallery, London, February 15 - May 7, 1995. Essays by David Sylvester, Richard Shiff, and chronological catalogue compiled by Marla Prather. Includes a selected bibliography. Very Good / Fine. Light edge wear and a 3.2 cm. area of rippling to protective layer of covers and 5.2 cm. area of subtle surface loss on right side edge of recto. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Cloth. Zustand: Near Fine. Zustand des Schutzumschlags: Fine Condition. 259 pages 223 illustrations most in color. Previous owner's bookplate on the inside front board. Published on the occasion of the exhibition from the National Gallery of Art, Washington DC March 2-May 11, 1986, Amon Carter Museum, Fort Worth TX June 6-July 27, 1986 and Yale University Art Gallery, New Haven CT September 11-November 2, 1986. Lenders to the Exhibition. Illustrations. Index. Book.

Presumed first edition. Softcover. 208 pages. Features prefaces by Michael Govan and Jeffrey Weiss, forewords by Earl A. Powell III and Leonard Riggio and a text Tiffany Bell and an essay by Brydon E. Smith. Includes numerous illustrations, list of previous exhibitions, a selected bibliography, chronology, appendices, a checklist, and an index. A fine copy in French style wrappers. A lovely copy.

First Edition. Fine cloth copy in a good if somewhat edge-nicked and dust-dulled dust-wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: 229 pages : illustrations (some colour). Subjects: National Gallery of Art (Washington, D.C.) ; Exhibitions. Mauritshuis (Hague, Netherlands) ; Exhibitions. Vermeer, Johanees, 1632-1675 : exhibitions. Genre: History. Language: English. 1 Kg.

Zustand: Very good. - Quarto, 12 inches high by 9-3/4 inches wide. Softcover, bound in color pictorial wraps. The edges of the covers are lightly rubbed and the corners bumped. 231 pages, profusely illustrated in color and black & white. The top corners of a couple of pages are bumped. Very good. Published in conjunction with the exhibitions at the National Gallery of Art in Washington, The Tate Gallery in London and the Metropolitan Museum of Art in New York.

First edition. Softcover. 376 pages. Large exhibition catalog for a show that ran May 3 through August 16, 1998 in Washington, D.C. and then traveled to New York and Paris for additional dates. Text by Jeffrey Weiss and with additional contributions by John Cage, Carol Mancusi-Ungaro, Barbara Novak, Brian O'Doherty, Mark Rosenthal, and Jessica Stewart. Includes 116 color plates along with a number of other illustrations. A near fine copy in French style wrappers and with laid in folded gallery sheet as well. A very nice copy.

First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description : (229 pages) : illustrations (some color). Subjects : Vermeer, Johannes 1632-1675 ; Exhibitions. Painting, Dutch 17th century ; Exhibitions. 1 Kg.

Leinen. Zustand: Gut. 28,5 x 24 cm 512 S. : Ill. ; Gewebeeinband (Schwarzer Leinen) mit Schutzumschlag. Sprache: Englisch, Zustand: Sehr Gut, eher ungelesen (Innen); Einband (Außen) hat keine Gebrauchsspuren; Schutzumschlag ist an einer Stelle min. aufgeplatzt; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.

First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new, still in the publisher's original shrink wrap. Physical description; viii, 277 p. : ill. (some col.) ; 29 cm. Summary; Studies in the History of Art, Volume 77. This is a publication by the Center for Advanced Study in the Visual Arts (CASVA), the Gallery's research institute. The development of photography from the mid-nineteenth century onward transformed the conditions of appreciation, marketing, and distribution of works of art. The role of the photographic album in this history has not been previously explored in a published study. Here, in twelve collected essays, scholars discuss the many different types of albums that were pioneers in this change, the photographic processes they represent, and their relationship to older reproductive media, with examples drawn mainly from nineteenth-century France, Great Britain, and Germany. Subjects; Art and photography Congresses. Photograph albums Congresses. 2 Kg.

Original publisher's gray paper-covered boards, gilt title spine, gilt ornament frontcover, pictorial dustjacket, large thick 4to: pictorial endpapers, 672pp., 30 contributions with text-illustrations & references, catalogue of 569 items depicted and described, notes, bibliographical notes, references, credits, colophon. Very fine copy - as new.

Second printing. Hardcover. 376 pages. Published in conjunction with a traveling retrospective exhibition that ran May 3 through August16, 1998 at the National Gallery of Art in Washington, D.C. and then went on to the Whitney and Musee d'Art Moderne de la Ville in Paris for additonal dates. Text by Jeffrey Weiss, John Cage, Carol Mancusi-Ungaro, Barbara Novak, Brian O'Doherty, Mark Rosenthal, and Jessica Stewart. Includes numerous color and black and white illustrations. A very good copy in black cloth with some foxing and a slight forward lean to the spine and in a very good plus dust jacket with some slight foxing to the verso.

First edition. Oblong hardcover. 290 pages. Published in conjunction with a an exhibition that ran October 17, 2004 through January 2, 2995 in Washington, D.C. and then went on to three other locations for additional dates. Text by Gordon Baldwin, Malcolm Daniel, Sarah Greenough, Richard Pare, Pam Roberts, and Roger Taylor. Includes 174 illustrations with 96 in quadratone. A tight near fine copy with some slight bumping to the corners in a near fine dust jacket. Terrific book on this important 19th century photographer.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. Qto., 239 pages, colour illustrated. A Fine copy in a Fine dust jacket.

Softcover. Zustand: Very Good. First edition. Quarto. 259pp. Owner's name inked on front fly, spine crease, very good. Exhibition catalogue.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. First printing. A fine copy in a near-fine jacket. A clean copy in an unclipped jacket. Comes with archival-quality jacket protector. Note: Jacket has some tiny closed tears and light scratches (as pictured). Very light wrinkling to pages of an otherwise beautiful copy. Although not marked in any such way, this book came from the library of poet and literary critic J.D. McClatchy, from his estate in Stonington, Connecticut. This was the only art book in McClatchy's collection.

672pp. Prof. illus. Lrg. stout 4to. Cloth. D.j.

672pp. Prof. illus. Lrg. stout 4to. Cloth. D.j.

First edition. Hardcover. 231 pages. Monograph printed in conjunction an exhibition that ran May 8 through September 5, 1994 in Washington, D.C. and then went on the New York and London for additional dates. Features essays by David Sylvester and Richard Schiff and catalogue by Marla Prather. Includes numerous black and white illustrations as well as 84 color plates and a selected bibliography. A clean and tight very near fine copy in cloth boards and in a very near fine dust jacket.

Hardcover. Zustand: Good. Dust jacket is fully intact. Pages are unmarked and uncreased. Otherwise, a good used copy. Publisher's note: A survey of the artist's watercolor career tracing his ideas, techniques, and feelings through each watercolor series. Size: 29 x 22 x 2.2 cm. 259 pp. Shipped Weight: 1-2 kilos. Category: Art & Design; Homer, Winslow, 1836-1910 -- Catalogues, Homer, Winslow, 1836-1910 -- Exhibitions, Homer, Winslow, (1836-1910) -- American watercolour paintings Homer, Winslow - Critical studies; ISBN: 0300036957. ISBN/EAN: 9780300036954. Add. Inventory No: 250602CC8111.

Wrappers. Zustand: Very Good. 680 pp., 677 illustrations 619 in color. Creasing to the spine, a bit of discoloration to the edges, consistent with age. Published on the occasion of the loan exhibition from November 3, 1985-March 16, 1986. Includes bibliography and index. Size: 9¾" X 12".

First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new, still in the publisher's original shrink wrap. Physical description; 424 pages : illustrations (some color), maps, music ; 29 cm. Summary; This spirited and challenging book presents dialogues between eminent art historians on current topics and dilemmas in the field. The essays consider world art of all periods, covering ancient Egypt, Mesopotamia, preconquest Mexico and Peru, Islam, China, Japan, Renaissance and baroque Italy, 18th- and 19th-century France, and the United States in the 20th century and today. The authors propose new readings as they challenge traditional systems of classification; interpret monuments in terms of their interaction with their environments; redefine the Italian Renaissance in light of the new vernacular sensibility that emerged in the Trecento; view portraiture both in close detail and in social and historical perspective; and point to the need to reconcile historical coherence with complexity in museum displays. Contributors include Svetlana Alpers, Elizabeth Hill Boone, Philippe Bordes, Betsy M. Bryan, C. Jean Campbell, Joseph Connors, Charles Dempsey, Marian H. Feldman, Finbarr Barry Flood, Hal Foster, Marc Gotlieb, Ewa Lajer-Burcharth, Michael Leja, Yukio Lippit, Joanne Pillsbury, Louise Rice, David J. Roxburgh, Jeffrey Weiss, Mariet Westermann, and Wu Hung. Subject; Art Congresses. 2 Kg.

Soft cover. Zustand: Very Good. No Jacket. Softcover. Condition: Very good, with just a very faint hint of shelfwear to covers. No inscriptions. 231pp. 84 colour plates and several b/w illustrations. This catalogue was produced to accompany the exhibition of work by Willem de Kooning (1904-1997) held at the National Gallery of Art, Washington, from 8 May to 5 September 1994. The exhibition then toured to the Museum of Modern Art, New York and the Tate Gallery, London. The exhibition focussed on a selection of 84 representative works by de Kooning, representing the finest accomplishments of his oeuvre over fifty years. The catalogue also includes essays by Richard Shiff and David Sylvester.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Rose madder pink colour cloth with title in black on spine. Condition: Very good, binding sound, no inscriptions. Dustjacket condition: Very good, with just a hint of shelfwear. 272pp. 144 colour and 149 b/w illustrations. This catalogue was produced to accompany the exhibition of work by the impressionist Edgar Degas (1834-1917) held at the National Gallery of Art, Washingtoton from 12 April to 12 July, 1998. Of all the impressionist painters who sought ways to represent and express the modern world, only Degas was consistently attracted to the world of horses and jockeys. During Degas's youth horse racing had grown to become of the most popular French spectator sports and he was introduced to horses while holidaying in Normandy in 1861. This book discusses in detail the importance of the horse in Degas' work. NB: A heavy book, will require extra shipping charges if to be sent outside UK.

paperbound, large 4to 231 pp., 82 fullpage color plates, num. ills. fine exhibition catalogue; essays, large reproductions in fullcolor; LIKE NEW condition.

Couverture rigide. Zustand: Très bon état. Zustand des Schutzumschlags: Very Good. In-4 25 x 31 cm. Reliure de l'éditeur pleine toile rouille sous jaquette illustrée en couleurs, 229 pp., reproductions en couleurs et en noir et blanc hors-texte et dans le texte, catalogue, appareil critique, bibliographie. Exemplaire en très bon état.

folio. 31cm, 376p., colour plate illustrations, chronology, index, etc., glazed colour stiff card wraps, fine (HoL). Retrospective exhibition catalogue. Latvian-born American abstract painter. He is best known for his color field paintings that depicted irregular and painterly rectangular regions of color, which he produced from 1949 to 1970. Although Rothko did not personally subscribe to any one school, he is associated with the American abstract expressionism movement of modern art.