Museumsetc aug 2025 (2 Ergebnisse)

Taschenbuch. Zustand: Neu. Neuware - In 1974, photographers Terry Dennett Jo Spence made repeated visits to 'illegal' Gypsy and Traveller sites in and around London. They got to know the people who lived there, documenting their lives in sound and image. The results of their project never formed a dedicated exhibition or a comprehensive publication, either then or since. Our Studio Was The World makes this powerful and still strikingly relevant work accessible to a new audience, with freshly scanned (and in some cases newly discovered) images and previously unpublished texts. As Dennett commented, Gypsies and Travellers were 'persecuted terribly. talk about the Nazis!' Today, they remain socially marginalised, over-policed and discriminated against. Together and individually, Terry Dennett and Jo Spence are among the most influential figures in radical British photography, with their impact extending far beyond image-making - into publishing, exhibiting, teaching and shaping photographic theory. Our Studio Was The World is the first in a ground-breaking trilogy of books - alongside Terry Dennett: The Crisis Project and Jo Spence: The Unknown Recordings - which explores their unpublished work, ideas and committed socialist perspective.…

Taschenbuch. Zustand: Neu. Neuware - Regarded as one of the most significant and far-reaching photobooks in the history of the medium, Street Life in London - first published in 1877 - is a ground-breaking work of social documentation which brought together for the first time images, analysis and the spoken word to provide a new kind of proximity to the conditions of poverty. This new edition presents these exceptional images in their original rich tones and remarkable detail, together with the full original text and a new historical introduction. When, in the 1870s, Street Life in London's authors, photographer John Thomson and journalist Adolphe Smith, set out to profile the people who worked and lived on the city's streets, they did not expect their project to last only a year. Both wanted to revolutionise the representation of poverty, each in his own way, and in many of their images and texts they succeeded - a quality which makes their book thrillingly innovative to today's readers, but which left Victorian viewers baffled.…