Mr éditeur (8 Ergebnisse)
- Softcover
Anbieter: medimops, Berlin, Deutschlandmedimops
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EUR 4,37
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Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
Verlag: Mr Raver éditeur Non daté
- Softcover
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Anbieter: Le-Livre, SABLONS, FrankreichLe-Livre
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenVerbandsmitglied: ILAB
Zustand: Gebraucht - Gut bis sehr gut
EUR 45,80
EUR 42,00 VersandVersand von Frankreich nach USAAnzahl: 1 verfügbar
In den WarenkorbCouverture souple. Zustand: bon. RO50064160: Non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 3 pages de partitions en noir et blanc. . . . Classification Dewey : 780.26-Partitions.
Sprache: Französisch
Verlag: Chez Ad.Mr.Schlesinger Libraire et Editeur de Musique (Unter den Linden No.24),
- Hardcover
Anbieter: Antiquariat KAMAS, Düsseldorf, NRW, DeutschlandAntiquariat KAMAS
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EUR 125,00
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In den Warenkorb110 (1) Seiten. Stempel "Königliches Polizei Präsidium Berlin" auf Titelblatt.Namenseintrag auf erneuertem Vorsatz.Titelblatt in Randbereichen restauriert.Einband an Kanten stellenweise beschabt.Kleiner Tintenfleck auf Seite 80 bis 89.Insgesamt noch gutes Exemplar der seltenen Ausgabe. Sprache: Französisch Gewicht in Gramm: 160…8° späteres rotbraunes Halbleinen (aus dem Ende des 19.Jahrhundert) ohne Betitelung.
Verlag: Paris, L. Maison, Libraire succ. de Mr. Audin, éditeur des Guides-Richard (P., Imprimerie de Fain et Thunot), s.d., vers 1840,, 1840
- Softcover
Anbieter: Harteveld Rare Books Ltd., Marly, SchweizHarteveld Rare Books Ltd.
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EUR 94,45
EUR 20,00 VersandVersand von Schweiz nach USAAnzahl: 1 verfügbar
In den Warenkorbpt. in-8vo, 4 p. sur papier jaunâtre de publicité de Guides-Richard + 2 ff. (faux-titre et titre) + 200 p. + 5 ?jolies vignettes en taille-douce? sur 3 planches + grande planche dépl. à la fin ?Nouveau plan de la Ville de Marseille?, rousseurs, brochure originale jaune imprimée. Illustrations a mi-page : Fontaine de la Place Roy…ale - Grand Théâtre - Hotel de Ville - N.D. de la Garde. Ill. a plein p.: Chateau DÎF (gravées par Ad. Hocquart)Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.
Weitere BilderSprache: Italienisch
Verlag: Paris: Chez Mr. Maupetit l'Editeur Cloitre St. Germaion l'Auxerrois, Madame Boivin Mde. rüe St. Honore à la Regle d'Or, Monsieur le Clerc, Md. rüe du Roule à la Croix d'Or, Monsieur le Clerc; Lyon: Monsieur de Brotonne, Marchand rüe Merciere. Avec Privilege du Roy, Paris, Lyon, 1748
- Hardcover
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Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USAJ & J LUBRANO MUSIC ANTIQUARIANS LLC
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EUR 1.019,97
EUR 10,76 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
In den WarenkorbFolio. Modern half dark brown calf with marbled boards, titling gilt to spine, marbled endpapers. 1f. (recto title, verso "Avertissement"), 27, [i] (blank) pp. Engraved throughout. Light uniform browning; occasional small stains and minor soiling; scattered foxing. Second edition. BUC p. 997. RISM T269 (recording two copies in t…he U.S., at Harvard and the Library of Congress). Tartini was an Italian composer, violinist, teacher and theorist. "{His] musical output is almost entirely limited to two instrumental genres, the solo violin concerto with string accompaniment and the violin sonata; the only exceptions are a few trio sonatas, a handful of sonate a quattro and some devotional vocal pieces. Furthermore, except for two flute concertos the instrumental music is all for string instruments. In a century in which practically every composer was obliged to write for the church and the theatre, this fact is in itself striking and significant. In the course of his conversations with De Brosses, Tartini found the opportunity to assert: 'I have been asked to write for the opera houses of Venice, but I always refused, knowing only too well that a human throat is not a violin fingerboard' . From an instrumental point of view, the Tartini school was based on the mastery of the bow. 'Your main exercise and study should be the bow, in such a way that you become a complete master of it, both in the "suonabile" and in the "cantabile" styles': this is the opening sentence of the letter to Maddalena Lombardini in which the study method is thoroughly described, a study applied mainly to the imitative movements of Corelli's op.5. Complete control of the bow is essential for the realization of the stylistic innovations of Tartini's music; only this control can make possible a correct cantabile performance of the instrumental melody, as well as of the embellishments through which the same melody can be even more fully characterized." Pierluigi Petrobelli in Grove Music Online.
Sprache: Italienisch
Verlag: Chez Mr. Venier Editeur de plusieurs Ouvrages de Musique, rue St. Thomas du Louvre vis-à-vis le Chateau d'Eau. Et aux Adresses ordinaires. A Lyon, Mr. Castau Place de la Comedie. Avec Privilege du Roy. De l'Imprimerie de Richemme, Paris, 1767
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Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USAJ & J LUBRANO MUSIC ANTIQUARIANS LLC
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EUR 1.223,97
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In den WarenkorbFolio. Sewn. Engraved throughout. Titles within fine decorative double border. Uncut. Violino primo: 1f. (recto title, verso blank), [i] ("Catalogue de Musique Instrumentale que Mr. Venier a fait Graver depuis peu et qu'il continue journellement, A Paris Rue St. Thomas du Louvre vis-à-vis le Chateau d'Eau"), 2-13, [i] (blank) pp…. Violino secondo: 1f. (recto title, verso blank), [i] (blank), 2-13, [i] (blank) pp. Violetta: [i] (title), 2-12 pp. Basso: 1f. (recto title, verso blank), [i] (blank), 2-13, [i] (blank) pp. With small engraved contemporary bookseller's label within decorative border with small fleur-de-lis to upper corners to blank verso of title of first violin part: "A Lyon Chez Serriere Rue Syrene Vis a Vis la Rue Mulet ou l'on Trouve un Grand Mazagin de Musique Moderne." A few minor stains; bookseller's label slightly trimmed. A clear, bright impression; in exceptionally good condition. First Edition. Gerard 159-164, pp. 173-182. Lesure p. 56. RISM B3113. Although stated as "Opera 1a" on title, the present work is, in fact, Boccherini's opus 2. "A prolific composer, particularly of chamber music, with a distinctive and highly wrought style, [Boccherini] is the chief representative of Latin instrumental music during the Viennese Classical period." Christian Speck and Stanley Sadie in Grove Music Online A finely-printed collection.
Sprache: Italienisch
Verlag: Chez Mr. Venier Editeur de plusieurs Ouvrages de Musique rue St. Thomas du Louvre vis-à-vis le Chateau d'Eau. Et aux adresse[!] ordinaires. A Lyon Aux adresses ordinaires de Musique. Avec Privilege du Roi, Paris, 1771
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Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USAJ & J LUBRANO MUSIC ANTIQUARIANS LLC
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EUR 1.223,97
EUR 10,76 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
In den WarenkorbFolio. Disbound. In a marbled board portfolio with small rectangular manuscript title label to upper. Violino primo: 1f. (recto title, verso blank), [i] ("[Catalogue] De Musique Instrumentale que Mr. Venier a fait graver"), 2-13, [i] (blank) pp. Violino secondo: 1f. (recto title, verso blank), [i] (blank), 2-13, [i] (blank) pp.…Basso: 1f. (recto title, verso blank), [i] (blank), 2-13, [i] (blank) pp. Titles within decorative border. Engraved throughout. Light uniform browning; occasional minor soiling, small stains, and tears; first signatures detached; publisher's catalogue trimmed at upper margin, affecting title and just touching text at outer margin. A very good copy overall. First Edition. Gérard 89-94 (pp. 98, 99, 101-104). BUC p. 118. RISM B3075 (no copies recorded in the U.S.). "A prolific composer, particularly of chamber music, with a distinctive and highly wrought style, [Boccherini] is the chief representative of Latin instrumental music during the Viennese Classical period." Christian Speck and Stanley Sadie in Grove Music Online Boccherini designated the present work as an "opera grande" in his autograph catalogue. It became very popular and was published in four further countries in the following fifteen years.
Sprache: Italienisch
Verlag: Chez Mr. Venier Editeur de plusieurs Ouvrages de Musique rue St. Thomas du Louvre vis-à-vis le Chateau d'eau, et aux adresses ordinaires. En province, chez tous les Mdes. de Musique. A.P.D.R., Paris, 1775
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Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USAJ & J LUBRANO MUSIC ANTIQUARIANS LLC
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EUR 1.377,41
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In den WarenkorbFolio. Sewn. Engraved. Uncut. Violino primo: 1f. (recto title, verso blank), [i] Catalogue De Musique Instrumentale que Mr. Venier a fait graver, 2-25, [i] (blank) pp. Violino secondo: [i] (title), 2-25, [i] (blank) pp. Viola obligata: 1f. (recto title, verso blank), 21, [i] (blank) pp. Violoncello Io.: 1f. (recto title, verso b…lank), 21, [i] (blank) pp. Violoncello IIo.: 1f. (recto title, verso blank), 21, [i] (blank) pp. Slightly worn and browned; minor soiling and fraying to edges; occasional small stains, foxing, and small holes. In very good condition overall. First Edition. Gérard 271-276 (pp. 299, 301, 303, 304, 305, and 308). Lesure p. 57. BUC p. 116. RISM B3165 (one copy in the U.S. only, at Sibley Library, Eastman School of Music). Boccherini was a cellist and a prolific composer of string quartets, trios and other works. In 1770 he became chamber virtuoso and composer in residence at the court of the Infante in Madrid, who requested that he provide string quintets with two cello parts; Boccherini complied with more than 100 works in this genre. While in Spain he developed a highly idiosyncratic style that emphasized virtuosity and brilliantly dramatic effects. The fifth quintet in the present collection contains the music that come to be known as "Boccherini's Minuet." "The music [of the minuet from Op. 13, no. 5] does not appear to have aroused any special interest among those who heard it in the 18th century. Its vogue began in France in about 1878 for no obvious reason. So immediate and so great was its success that for nearly a century the name of Boccherini has been known to concert-goers only from this short piece which very few of them have heard in its original form. . The effect of this universal infatuation has been to place Boccherini once and for all - quite unjustifiably - in the category of 'petit maître galant' of the eighteenth century. In the words of M. Roland-Manuel: 'Boccherini's minuet has acquired for ever the reputation of usher and of the old-fashioned elegances of the eighteenth century: curtseys and fan-play and coquetry. . It has become a collector's piece, a specimen of faded embroidery, an example of antiquated grace.' Such, at least, is the spirit in which it has been used by film directors like Orson Welles, in The Magnificent Ambersons (1942), and Alexander Mackendrick, with unforgettable effect, in The Ladykillers (1955)." Gérard, pp. 306-307. An attractive uncut copy of the first edition of Boccherini's most iconic work.
