Mit press jul 2018 (5 Ergebnisse)

Taschenbuch. Zustand: Neu. Neuware - Audio journals that document Wojnarowicz's turbulent attempts to understand his anxieties and passions, and tracking his thoughts as they develop in real time.In these moments I hate language. I hate what words are like, I hate the idea of putting these preformed gestures on the tip of my tongue, or through my lips, or through the inside of my mouth, forming sounds to approximate something that's like a cyclone, or something that's like a flood, or something that's like a weather system that's out of control, that's dangerous, or alarming. It just seems like sounds that have been uttered back and forth maybe now over centuries. And it always boils down to the same meaning within those sounds, unless you're more intense uttering them, or you precede them or accompany them with certain forms of violence. from The Weight of the EarthArtist, writer, and activist David Wojnarowicz (1954 1992) was an important figure in the downtown New York art scene. His art was preoccupied with sex, death, violence,and the limitations of language. At the height of the AIDS epidemic, Wojnarowicz began keeping audio journals, returning to a practice he'd begun in his youth.The Weight of the Earthpresents transcripts of these tapes, documenting Wojnarowicz's turbulent attempts to understand his anxieties and passions, and tracking his thoughts as they develop in real time.In these taped diaries, Wojnarowicz talks about his frustrations with the art world, recounts his dreams, and describes his rage, fear, and confusion about his HIV diagnosis. Primarily spanning the years 1987 and 1989, recorded as Wojnarowicz took solitary road trips around the United States or ruminated in his New York loft,the audio journals are an intimate and affecting record of an artist facing death. By turns despairing, funny, exalted, and angry, this volume covers a period largely missing from Wojnarowicz's written journals, providing us with an essential new record of a singular American voice.…

Taschenbuch. Zustand: Neu. Neuware - How humans and technology evolve together in a creative partnership.In this book, Edward Ashford Lee makes a bold claim: that the creators of digital technology have an unsurpassed medium for creativity. Technology has advanced to the point where progress seems limited not by physical constraints but the human imagination. Writing for both literate technologists and numerate humanists, Lee makes a case for engineering creating technology as a deeply intellectual and fundamentally creative process. Explaining why digital technology has been so transformative and so liberating, Lee argues that the real power of technology stems from its partnership with humans. Lee explores the ways that engineers use models and abstraction to build inventive artificial worlds and to give us things that we never dreamed of for example, the ability to carry in our pockets everything humans have ever published. But he also attempts to counter the runaway enthusiasm of some technology boosters who claim everything in the physical world is a computation that even such complex phenomena as human cognition are software operating on digital data. Lee argues that the evidence for this is weak, and the likelihood that nature has limited itself to processes that conform to today's notion of digital computation is remote.Lee goes on to argue that artificial intelligence's goal of reproducing human cognitive functions in computers vastly underestimates the potential of computers. In his view, technology is coevolving with humans. It augments our cognitive and physical capabilities while we nurture, develop, and propagate the technology itself. Complementarity is more likely than competition.…

Buch. Zustand: Neu. Neuware - The first history of the deaccession of objects from museum collections that defends deaccession as an essential component of museum practice.Museums often stir controversy when they deaccession works formally remove objects from permanent collections with some critics accusing them of betraying civic virtue and the public trust. In fact, Martin Gammon argues in Deaccessioning and Its Discontents, deaccession has been an essential component of the museum experiment for centuries. Gammon offers the first critical history of deaccessioning by museums from the seventeenth to the twenty-first century, and exposes the hyperbolic extremes of deaccession denial the assumption that deaccession is always wrong and deaccession apology when museums justify deaccession by finding some fault in the object as symptoms of the same misunderstanding of the role of deaccessions in proper museum practice. He chronicles a series of deaccession events in Britain and the United States that range from the disastrous to the beneficial, and proposes a typology of principles to guide future deaccessions.Gammon describes the liquidation of the British Royal Collections after Charles I's execution when masterworks were used as barter to pay the king's unpaid bills as establishing a precedent for future deaccessions. He recounts, among other episodes, U.S. Civil War veterans who tried to reclaim their severed limbs from museum displays; the 1972 Hoving affair, when the Metropolitan Museum of Art sold a number of works to pay for a Velázquez portrait; and Brandeis University's decision (later reversed) to close its Rose Art Museum and sell its entire collection of contemporary art. An appendix provides the first extensive listing of notable deaccessions since the seventeenth century. Gammon ultimately argues that vibrant museums must evolve, embracing change, loss, and reinvention.…

Taschenbuch. Zustand: Neu. Neuware - How Canada became an empire in its own right and how Canadian life came to be mediated through mineral extraction.Extraction is the process and practice that defines Canada, at home and abroad. Of the nearly 20,000 mining projects in the world from Africa to Latin America, more than half are Canadian operated. Not only does the mining economy employ close to 400,000 people in Canada, it contributed $57 billion CAD to Canada's GDP in 2014 alone. Globally, more than 75 percent of the world's mining firms are based in Canada. The scale of these statistics naturally extends the logic of Canada's historical legacy as state, nation, and now as global resource empire. Canada, once a far-flung northern outpost of the British Empire, has become an empire in its own right. This book examines both the historic and contemporary Canadian culture of extraction, with essays, interviews, archival material, and multimedia visualizations. The essayists and intervieweeswho include such prominent figures as Naomi Klein and Michael Ignatieffcome from a range of fields, including geography, art, literature, architecture, science, environment, and business. All consider how Canadian life came to be mediated through mineral extraction. When did this empire emerge How far does it reach Who gains, who loses What alternatives exist On the 150th anniversary of the creation of Canada by Queen Victoria's Declaration of Confederation, it is time for Canada to reexamine and reimagine its imperial role throughout the world, from coast to coast, from one continent to another.Authors & Image ContributorsA Tribe Called Red, Allan Adam, Howard Adams, Yassin 'Narcy' Alsalman, Christopher Alton, Pedro Aparicio, Margaret Atwood, Aaron Barcant, Réal V. Benoit, Justice Thomas Berger, Hernán Bianchi Benguria, Susan Blight, Paula Butler, David Chancellor, Lianne Marie Leda Charlie, Jean Chrétien, Tiffany Kaewen Dang, Dene Nation National Office, Alain Deneault, Eriel Tchekwie Deranger, Diaguitas Huascoaltinos, Mary Eberts, Genevieve Ennis Hume, Georges Erasmus, Andy Everson, Pierre Falcon, Evan Farley, Alex Golub, David Hargreaves, Daniel Hemmendinger, Gord Hill, James Hopkinson, Hume Atelier, Michael Ignatieff, Hayden King, Thomas King, Naomi Klein, Erica Violet Lee, Kari Polanyi Levitt, Nina-Marie Lister, Ryan McMahon, Zannah Mæ Matson, Chris Meyer, Ossie Michelin, Jacob Moginot, Kent Monkman, Doug Morrison, James Murray, Joan K. Murray, Phoebe Nahanni, Charmaine Nelson, Eli Nelson, George Osodi, Maryanne Pearce, Barry Pottle, Moura Quayle, Tushar Rajyaguru, Louis Riel, RVTR, Olga Semenovych, Michelle St. John, Maurice Strong, Molly Swain, Ashley C. Thompson, Anna Lowenhaupt Tsing, John Van Nostrand, Chelsea Vowel, Mel Watkins, Sally M. Weaver, Patrick Wolfe, Rita Wong, The Wyrd Sisters, Sohyun Kate Yoon, Suzanne Zeller.…

Buch. Zustand: Neu. Neuware - The first book to present the common mathematical foundations of big data analysis across a range of applications and technologies.Today, the volume, velocity, and variety of data are increasing rapidly across a range of fields, including Internet search, healthcare, finance, social media, wireless devices, and cybersecurity. Indeed, these data are growing at a rate beyond our capacity to analyze them. The toolsincluding spreadsheets, databases, matrices, and graphsdeveloped to address this challenge all reflect the need to store and operate on data as whole sets rather than as individual elements. This book presents the common mathematical foundations of these data sets that apply across many applications and technologies. Associative arrays unify and simplify data, allowing readers to look past the differences among the various tools and leverage their mathematical similarities in order to solve the hardest big data challenges.The book first introduces the concept of the associative array in practical terms, presents the associative array manipulation system D4M (Dynamic Distributed Dimensional Data Model), and describes the application of associative arrays to graph analysis and machine learning. It provides a mathematically rigorous definition of associative arrays and describes the properties of associative arrays that arise from this definition. Finally, the book shows how concepts of linearity can be extended to encompass associative arrays. Mathematics of Big Data can be used as a textbook or reference by engineers, scientists, mathematicians, computer scientists, and software engineers who analyze big data. …