mit press for the institute for architecture and urban studies cambridge ma (11 Ergebnisse)

120 pp.; 22.7 x 17.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Edited by Rosalind Krauss and Annette Michelson. Essays "On the Eve of the Future: The Reasonable Facsimile and the Philosophical Toy," by Annette Michelson; "Cinematographic Views," by Georges Méliès; "A Picturesque Stroll around Clara-Clara," by Yve-Alain Bois; "The Index of the Absent Wound (Monograph on a Stain)," by Georges Didi-Huberman; "Interview with Jonas Mekas," by Scott MacDonald "On First Hearing about Hermeneutics," by Joseph Rykwert. Fair / Poor. Significant water damage and staining of covers. Partial separation of pages 1-6 from spine and full separation of pages 7-14 from spine. Light wave to pages, contents otherwise clean and unmarked.

127 pp.; 22.8 x 17.7 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1984 issue of October, edited by Rosalind Krauss and Annette Michelson. Essays include: "Broadness and Diversity of the Ludwig Brigade," by Hans Haacke; "An Unpublished Text for an Unpainted Picture," by Walter Grasskamp; "A Conversation with Hans Haacke," by Yves-Alain Bois, Douglas Crimp and Rosalind Krauss; "The Art of Exhibition," by Douglas Crimp; "From Faktura to Factography," by Benjamin H. D. Buchloh and "Francis Picabia: From Dada to Pétain," by Yves-Alain Bois. Fair / Good. Significant water damage and staining and separating of some pages from spine. Light wave to interior pages, otherwise clean and unmarked.

133 pp.; 22.7 x 17.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue 28 of the periodical October. Edited by Rosalind Krauss and Annette Michelson. Contents include: "To Situate Sublimation," by Jean Laplanche; "Sexuality and Aesthetics," by Leo Bersani; "Freud's Reflexive Realism," by Perry Meisel; "Transference: Letters and The Unknown Woman," by Joan Copjec; "Uncertainty," by François Roustang; "Italian Freud: Gramsci, Giulia Schucht, and Wild Analysis," by Jennifer Stone and "Of Mimicry and Man: The Ambivalence of Colonial Discourse," by Homi Bhabha. Good. Light soiling and yellowing of covers. Underlining in pencil to pages 5-6 and 27-35. Contents otherwise clean and unmarked.

127 pp.; 22.8 x 17.7 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1984 issue of October, edited by Rosalind Krauss and Annette Michelson. Essays include: "Broadness and Diversity of the Ludwig Brigade," by Hans Haacke; "An Unpublished Text for an Unpainted Picture," by Walter Grasskamp; "A Conversation with Hans Haacke," by Yves-Alain Bois, Douglas Crimp and Rosalind Krauss; "The Art of Exhibition," by Douglas Crimp; "From Faktura to Factography," by Benjamin H. D. Buchloh and "Francis Picabia: From Dada to Pétain," by Yves-Alain Bois. Very Good. Light yellowing and scratching of covers with light rubbing of cover corners. Pages 115 to 130 have separated from the spine. Light yellowing of page edges. Contents clean and unmarked.

107 pp.; 23 x 17.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 18 of the periodical October. Edited by Rosalind Krauss, Annette Michelson, Douglas Crimp, and Joan Copjec. Contents include: "Nausea and Noesis: Some Philosophical Problems for Sartre," by Arthur C. Danto; "Flavit et Dissipati Sunt," by Joan Copjec; "Roland Barthes and the Moving Image," by Dana B. Polan; "The Originality of the Avant-Garde: A Postmodernist Repetition," by Rosalind Krauss; "Richard Serra: Sculpture Exceeded," by Douglas Crimp; "How Should Acconci Count for Us?," by Stephen Melville and "A Photographer in Jerusalem, 1855: Auguste Salzmann and His Times," by Abigail Solomon-Godeau. Good. Yellowing, dusting, and soiling of covers including a 2.4 cm. stain to recto. Underlinings and notations in red ink to pages 41-66.

171 pp.; 22.7 x 17.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Spring 1985 issue of October. Edited by Rosalind Krauss and Annette Michelson. Contents include: "Memoir of Hollis Frampton," by Barry Goldensohn; "A Portfolio of Photographs Letters from Framp 1958 - 1968 Erotic Predicaments for Camera," by Hollis Frampton; "Word Pictures: Frampton and Photography," by Christopher Phillips; "The Red and The Green," by Bruce Jenkins; "Interview with Hollis Frampton," by Peter Gidal; "Frampton's Lemma, Zorn's Dilemma," by Allen S. Weiss; "Propositions for the Exploration of Frampton's Magellan," by Brian Henderson and "Frampton's Sieve," by Annette Michelson. Very Good. Light rubbing, dust soiling, and scratching of covers with gentle bumping of corners. Contents clean and unmarked.

152 pp.; 22.8 x 17.8 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Summer 1982 special issue of October on Rainer Werner Fassbinder. Edited by Rosalind Krauss and Annette Michelson. Contents include: "In a Year of Thirteen Moons," by Rainer Werner Fassbinder; "Narrative and Sexual Excess," by Robert Burgoyne; "Fassbinder, Franz, Fox, Elvira, Erwin, Armin, and All the Others," by Douglas Crimp; "Bewitched by the Holy Whore," by Tony Pipolo; "Lili Marleen: Fascism and the Film Industry," by Thomas Elsaesser and "Rainer Werner Fassbinder: A Complete Filmography." Very good. Light yellowing of covers with light dust soiling. Contents clean and unmarked.

Printed Wrappers. Zustand: Near Fine. First Edition. 166pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this special thematic issue devoted to film books include: Philosophy and/as Film and/as if Philosophy - Arthur C. Danto; Reading Hitchcock - Fredric Jameson; The Anxiety of the Influencing Machine - Joan Copjec; Documenting the Left - Stuart Liebman; The Formalist's Dreyer - Nick Browne; Address to the Heathen - Noel Carroll. A handsome example showing just a bit of light wear and soiling. Journal.

Printed Wrappers. Zustand: Fine. First Edition. 132pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Broadness and Diversity of the Ludwig Brigade - Hans Haacke; An Unpublished Text for an Unpainted Picture - Walter Grasskamp; A Conversation With Hans Haacke - Yve-Alain Bois, Douglas Crimp & Rosalind Krauss; From Faktura to Factography - Benjamin H.D. Buchloh; Francis Picabia: From Dada to Petain - Yve-Alain Bois. A most handsome example. Journal.

Printed Wrappers. Zustand: Near Fine. First Edition. 120pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: An Introduction to the Notebook of Maya Deren, 1947 - Catrina Neiman; An Exchange of Letters - Maya Deren and Gregory Bateson; From the Notebook of 1947 - Maya Deren; On Reading Deren's Notebook - Annette Michelson; Letters from Mexico - Sergei Eisenstein; Bayreuth: The Centennial Ring - Annette Michelson; Chereau's Treachery - Jean-Jacques Nattiez; A Conversation - Pierre Boulez and Michel Fano. A bright, most handsome example showing some light sunning to the red ink along the spine. Journal.

Printed Wrappers. Zustand: Near Fine. First Edition. 138pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: De Stijl, Its Other Face: Abstraction and Cacophony, or What Was the Matter with Hegel? - Annette Michelson; The Judgment Seat of Photography - Christopher Phillips; The De-Politicization of Gustave Courbet: Transformation and Rehabilitation under the Third Republic - Linda Nochlin; Alienating Alienation: Fredric Jameson's Revisionary Romance - Perry Meisel; When Words Fail Rosalind Krauss; Documenta 7: A Dictionary of Received Ideas - Benjamin H.D. Buchloh. A most handsome copy. Journal.