Mit press 2006 (48 Ergebnisse)
- Softcover
Anbieter: AwesomeBooks, Wallingford, Vereinigtes KönigreichAwesomeBooks
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Zustand: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfie…d. See all our books here, order more than 1 book and get discounted shipping. .
Sprache: Englisch
Verlag: MIT Press 04/08/2006, 2006
Serie: Buch 1 von 11 - Simplicity: Design, Technology, Business, Life
- Hardcover
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Zustand: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfie…d. See all our books here, order more than 1 book and get discounted shipping. .
- Hardcover
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Zustand: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfie…d. See all our books here, order more than 1 book and get discounted shipping. .
Sprache: Englisch
Verlag: MIT Press July 2006, 2006
Serie: Buch 1 von 11 - Simplicity: Design, Technology, Business, Life
- Hardcover
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Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good.
- Softcover
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Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.
Mobile Communication and Society: A Global Perspective (Information Revolution and Global Politics)
Manuel Castells, Jack Linchuan Qiu, Mireia Fernandez?ardevol, Araba Sey
Sprache: Englisch
Verlag: MIT Press 24/10/2006, 2006
Serie: Buch 3 von 6 - Information Revolution and Global Politics
- Hardcover
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Hardcover. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.
Sprache: Englisch
Verlag: MIT Press 04/08/2006, 2006
Serie: Buch 1 von 11 - Simplicity: Design, Technology, Business, Life
- Hardcover
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Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.
- Hardcover
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Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.
Weitere BilderVerlag: Cambridge, Mass.: MIT Press, 2006, 2006
- Hardcover
- Erstausgabe
Anbieter: Steven Wolfe Books, Newton Centre, MA, USASteven Wolfe Books
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In den Warenkorbvery good dust-jacket, very good light blue cloth, cover a bit soiled and lightly warped, text appears little used if at all. BRENDEL, DAVID H. Healing psychiatry: bridging the science/humanism divide. Cambridge, Mass.: MIT Press, 2006, 1st printing number line ending in 1, xxii, 178pp., . Series: Basic bioethics "Psychiatry tod…ay is torn by opposing sensibilities. Is it primarily a science of brain functioning or primarily an art of understanding the human mind in its social and cultural context? Competing conceptions of mental illness as amenable to scientific explanation or as deeply complex and beyond the reach of empirical study have left the field conceptually divided between science and humanism. In Healing Psychiatry David Brendel takes a novel approach to this stubborn problem. Drawing on the classical American pragmatism of Charles Sanders Peirce, William James, and John Dewey, as well as contemporary work of pragmatic bioethicists, Brendel proposes a "clinical pragmatism" that synthesizes scientific and humanistic approaches to mental health care. Psychiatry, he argues, must integrate scientific and humanistic models by emphasizing the practical, pluralistic, participatory, and provisional aspects of clinical diagnosis and treatment. Psychiatrists need to have the skill and flexibility to use scientific and humanistic approaches in a collaborative, open-ended clinical process; they must recognize the complexity of human suffering even as they strive for scientific rigor. This is the only way, he writes, that psychiatry can heal its conceptual rift and the emotional wounds of its patients." - CONTENTS: Science and Humanism in Psychiatry -- A Pragmatic Approach to Psychiatry -- Pragmatism in Action: Clinical Cases -- Pragmatism and the Mind/Body Problem -- Sigmund Freud: Scientist and Pragmatist -- Pragmatism in Neurology and Psychiatry -- Pragmatism in Psychiatric Diagnosis -- Pragmatism and the Future of Psychiatry. 9780262025942 ISBN 0262025949.
Weitere BilderVerlag: Cambridge, Mass. :: MIT Press, 2006, 2006
- Softcover
- Erstausgabe
Anbieter: Steven Wolfe Books, Newton Centre, MA, USASteven Wolfe Books
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In den WarenkorbPAPERBACK, top edge and margin of pages is somewhat wavy, otherwise very good copy. SEASHOLES, NANCY S. Walking tours of Boston's made land. Cambridge, Mass. :: MIT Press, 2006, 1st printing number line ending in 1, xiii, 212pp., . At its founding, Boston was a small peninsula; over the last 375 years the city has doubled in siz…e by filling in the surrounding tidal flats - areas covered with water at high tide and exposed at low. In Walking Tours of Boston's Made Land, historian Nancy Seasholes outlines twelve walks that trace where and why Boston's man-made land was created, and, along the way, uncovers fascinating and little-known pieces of Boston history. ISBN 9780262693394.
- Hardcover
Anbieter: Old Goat Books, Waterloo, ON, KanadaOld Goat Books
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Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: NF. Jacket Condition: 'NF' Condition: 'NF'.
Verlag: Cambridge, Mass. : MIT Press, 2006, 2006
- Softcover
Anbieter: Steven Wolfe Books, Newton Centre, MA, USASteven Wolfe Books
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In den Warenkorb, PAPERBACK, very good. SEASHOLES, NANCY S. Walking tours of Boston's made land. Cambridge, Mass. : MIT Press, 2006, xiii, 212pp., . At its founding, Boston was a small peninsula; over the last 375 years the city has doubled in size by filling in the surrounding tidal flats - areas covered with water at high tide and exposed at…low. In Walking Tours of Boston's Made Land, historian Nancy Seasholes outlines twelve walks that trace where and why Boston's man-made land was created, and, along the way, uncovers fascinating and little-known pieces of Boston history. ISBN 9780262693394.
Verlag: The MIT Press, Fall 2006, 138 pp., 2006
- Softcover
Anbieter: Antiquariaat Hortus Conclusus, Bergambacht, NiederlandeAntiquariaat Hortus Conclusus
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Paperback magazine, spine slightly wrinkled, else in (very) good condition. Text in English. Illustrated in black and white. Please see description or ask for photos.
Verlag: Cambridge, Mass.: MIT Press, 2006, 2006
- Hardcover
Anbieter: Steven Wolfe Books, Newton Centre, MA, USASteven Wolfe Books
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In den WarenkorbWegenstein, Bernadette. Getting under the skin: the body and media theory. Cambridge, Mass.: MIT Press, 2006, xxii, 211pp., very good dust-jacket, very good black cloth. "The body as an object of critical study dominates disciplines across the humanities to such an extent that a new discipline has emerged: body criticism. In Get…ting Under the Skin, Bernadette Wegenstein traces contemporary body discourse in philosophy and cultural studies to its roots in twentieth-century thought - showing how psychoanalysis, phenomenology, cognitive science, and feminist theory contributed to a new body concept - and studies the millenial body in performance art, popular culture, new media arts, and architecture." - CONTENTS: Making room for the body -- Body performances from 1960s wounds 1990s extensions -- How faces have become obsolete -- The medium is the body. 9780262232470 ISBN 0262232472.
- Hardcover
Anbieter: Antiquariaat Schot, Hendrik-Ido-Ambacht, NiederlandeAntiquariaat Schot
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Geb., met stofomslag, naam op schutblad, in nette staat, (X) 355 pagina's.
Sprache: Englisch
Verlag: Cambridge[MA]-London, MIT Press [Massachusetts Institute of Technology]. 2006, 2006
- Hardcover
Anbieter: Antiquariaat Schot, Hendrik-Ido-Ambacht, NiederlandeAntiquariaat Schot
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Original publisher's black covered boards, gilt title spine, pictorial red frontcover, 8vo: x, 356pp., tables, chapternotes & references, chronology christianity, glossary, index, table of contents. Very fine copy - as new.
Sprache: Englisch
Verlag: Cambridge (Massachusetts), London (England): The MIT Press. (2006)., 2006
- Hardcover
Anbieter: Antiquariat Schwarz & Grömling GbR, Berlin, DeutschlandAntiquariat Schwarz & Grömling GbR
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ca. 26cm x 21cm. 195,(3) p. Original boards (hardcover) with title to spine and to cover. Some staining on boards, inside in very good condition. This book was published on the occasion of the exhibition "Super Vision" at the Institute of Contemporary Art, Boston, 17 September - 31 December 2006. With numerous coloured illustrat…ions of the artworks on plates. Artists in the exhibition: Chantal Akerman, Ricci Albenda, Tony Cragg, Harold Edgerton etc. =================== LIEBE KUNDEN, WIR MACHEN UNSERE DIESJÄHRIGE SOMMERAKTION MIT 30% AUF DEN GESAMTEN BESTAND. DER RABATT WIRD NACH IHRER BESTELLUNG ABGEZOGEN, SIE ERHALTEN EINE EMAIL MIT DEN AKTUALISIERTEN ZAHLUNGSINFOS. WIR FREUEN UNS AUF IHR INTERESSE AN UNSEREN BÜCHERN, ARCHIVALIEN UND UNIKATEN. ===================.
- Softcover
Anbieter: Rothwell & Dunworth (ABA, ILAB), Dulverton, Vereinigtes KönigreichRothwell & Dunworth (ABA, ILAB)
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8vo. Original pictorial card covers (softback) (VG). Pp. 443, with coloured and b&w illus (no inscriptions).
Sprache: Englisch
Verlag: Tucson, Arizona: Nazraeli Press, 2006, 1. Aufl., 125 S./pp, Bildband, 29,7 x 24,6 cm, OLeinen mit Schutzumschlag / Hardcover (cloth, with dust-jacket) (9781590051528), 2006
- Hardcover
- Erstausgabe
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1. Aufl. Die Reportage des amerikanischen Foto-Journalisten aus den Irak - vor und nach der US-Invasion 2003 . (Sehr gut erhalten - NEU, ungelesen / in very good condition) Sprache: Englisch Gewicht in Gramm: 1300 OLeinen mit Schutzumschlag / Hardcover (cloth, with dust-jacket).
Sprache: Englisch
Verlag: Milwaukee & Cambridge Milwaukee Art Museum, The MIT Press 2006, 2006
- Softcover
Anbieter: Librairie Vignes Online, Paris, FrankreichLibrairie Vignes Online
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Zustand: Très bon état. in-4, broché, couv. illustrée, 95 pp., nombreuses reproductions en couleurs. Textes en anglais de Joseph D. Ketner II, Janet Kraynak et Gregory Volk. Très bon état.
Verlag: Cambridge, MIT Press, 2006., 2006
- Softcover
- Erstausgabe
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In den Warenkorbxxv, 510 S., gr.okt., Kt. - [ Wirtschaftswissenschaft Volkswirtschaft Geld SpracheEN J| 2006 N| Guillermo A. Calvo | 84406 ].
Verlag: The MIT Press, Cambridge, 2006., 2006
- Hardcover
Anbieter: Rönnells Antikvariat AB, Stockholm, SchwedenRönnells Antikvariat AB
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In den WarenkorbXIII, (1), 426 pp. Publisher's cloth, dust jacket. Tail of spine and lower corner slightly bumped, interior with a couple of underlinings in pencil. Condition VG+.
Sprache: Englisch
Verlag: MIT Press, Cambridge (Mass.), London, 2006., 2006
- Hardcover
Anbieter: Antiquariat Stefan Wulf, Berlin, DeutschlandAntiquariat Stefan Wulf
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Gr.-Oktav. Org.-Ganzleinen mit illustr. Org.-SU, x, 395 (+1) S., mit vielen Abbildungen im Text in s/w. Sehr wohlerhaltenes Exemplar. Erste Ausgabe. - ISBN 9780262101165. - ENGLISH: Large octavo. Publisher's full cloth with publisher's illustrated DJ. x, 395 (+1) pp., with many illustrations along the text in b/w. A very well pr…eserved copy. First edition. Erste Ausgabe. - ISBN 9780262101165. - ENGLISH: Large octavo. Publisher's full cloth with publisher's illustrated DJ. x, 395 (+1) pp., with many illustrations along the text in b/w. A very well preserved copy. First edition. 1000 g.
Sprache: Englisch
Verlag: MIT Press, Cambridge (Mass.), London, 2006., 2006
- Hardcover
Anbieter: Antiquariat Stefan Wulf, Berlin, DeutschlandAntiquariat Stefan Wulf
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Gr.-Oktav. Org.-Ganzleinen mit illustr. Org.-SU, x, 395 (+1) S., mit vielen Abbildungen im Text in s/w. Sehr wohlerhaltenes Exemplar. Erste Ausgabe. - ISBN 9780262101165. - ENGLISH: Large octavo. Publisher's full cloth with publisher's illustrated DJ. x, 395 (+1) pp., with many illustrations along the text in b/w. A very well pr…eserved copy. First edition. Erste Ausgabe. - ISBN 9780262101165. - ENGLISH: Large octavo. Publisher's full cloth with publisher's illustrated DJ. x, 395 (+1) pp., with many illustrations along the text in b/w. A very well preserved copy. First edition. 1000 g.
Sprache: Englisch
Verlag: Tucson, Arizona: Nazraeli Press, 2006, 1. Aufl., 56 S./pp., Bildband, 30,7 x 31 cm, OLeinen mit Schutzumschlag / Hardcover (cloth, with dust-jacket) (9781590051788), 2006
- Hardcover
- Erstausgabe
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1. Aufl. Text in ENGLISH (Original-eingeschweisstes Ex. - verlagsfrisch! / new - in original wrapping) Sprache: Englisch Gewicht in Gramm: 1100 OLeinen mit Schutzumschlag / Hardcover (cloth, with dust-jacket).
Sprache: Englisch
Verlag: MIT Press Jul 2006, 2006
- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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Taschenbuch. Zustand: Neu. Neuware - A self-described failed filmmaker falls obsessively in love with her theorist-husband's colleague: a manifesto for a new kind of feminism and the power of first-person narration.In I Love Dick, published in 1997, Chris Kraus, author of Aliens & Anorexia, Torpor, and Video Green, boldly tore a…way the veil that separates fiction from reality and privacy from self-expression. It's no wonder that I Love Dick instantly elicited violent controversies and attracted a host of passionate admirers. The story is gripping enough: in 1994 a married, failed independent filmmaker, turning forty, falls in love with a well-known theorist and endeavors to seduce him with the help of her husband. But when the theorist refuses to answer her letters, the husband and wife continue the correspondence for each other instead, imagining the fling the wife wishes to have with Dick. What follows is a breathless pursuit that takes the woman across America and away from her husband and far beyond her original infatuation into a discovery of the transformative power of first person narrative. I Love Dick is a manifesto for a new kind of feminist who isn't afraid to burn through her own narcissism in order to assume responsibility for herself and for all the injustice in world and it's a book you won't put down until the author's final, heroic acts of self-revelation and transformation.
Sprache: Englisch
Verlag: USA: Nazraeli Press, 2006, 1. Aufl./ed. of 1.000 Ex., 64 pages, m. Abb. / illustr., 36 x 36 cm, OLeinen mit Schutzumschlag / Hardcover-casebound (cloth, with dust-jacket) (9781590051443), 2007
- Hardcover
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1. Aufl./ed. of 1.000 Ex. Text: Englisch (Sehr gut erhalten - NEU, ungelesen / in very good condition) Sprache: Englisch Gewicht in Gramm: 2100 OLeinen mit Schutzumschlag / Hardcover-casebound (cloth, with dust-jacket).
- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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Taschenbuch. Zustand: Neu. Neuware - Imagining a new self equal to the new art of modernism; primordial and futuristic fictions of origin in the work of Guaguin, Picasso, F. T. Marinetti, Max Ernst, and others.How to imagine not only a new art or architecture but a new self or subject equal to them In Prosthetic Gods, Hal Foster… explores this question through the works and writings of such key modernists as Gauguin and Picasso, F. T. Marinetti and Wyndham Lewis, Adolf Loos and Max Ernst. These diverse figures were all fascinated by fictions of origin, either primordial and tribal or futuristic and technological. In this way, Foster argues, two forms came to dominate modernist art above all others: the primitive and the machine. Foster begins with the primitivist fantasies of Gauguin and Picasso, which he examines through the Freudian lens of the primal scene. He then turns to the purist obsessions of the Viennese architect Loos, who abhorred all things primitive. Next Foster considers the technophilic subjects propounded by the futurist Marinetti and the vorticist Lewis. These 'new egos' are further contrasted with the 'bachelor machines' proposed by the dadaist Ernst. Foster also explores extrapolations from the art of the mentally ill in the aesthetic models of Ernst, Paul Klee, and Jean Dubuffet, as well as manipulations of the female body in the surrealist photography of Brassai, Man Ray, and Hans Bellmer. Finally, he examines the impulse to dissolve the conventions of art altogether in the drip paintings of Jackson Pollock, the scatter pieces of Robert Morris, and the earthworks of Robert Smithson, and traces the evocation of lost objects of desire in sculptural work from Marcel Duchamp and Alberto Giacometti to Robert Gober. Although its title is drawn from Freud, Prosthetic Gods does not impose psychoanalytic theory on modernist art; rather, it sets the two into critical relation and scans the greater historical field that they share.
- Softcover
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Taschenbuch. Zustand: Neu. Neuware - Artists and writers reconsider the relationship between the body and electronic technology in the twenty-first century through essays, artworks, and an encyclopedic 'Abecedarius of the New Sensorium.'The relationship between the body and electronic technology, extensively theorized through th…e 1980s and 1990s, has reached a new technosensual comfort zone in the early twenty-first century. In Sensorium, contemporary artists and writers explore the implications of the techno-human interface. Ten artists, chosen by an international team of curators, offer their own edgy investigations of embodied technology and the technologized body. These range from Matthieu Briand's experiment in 'controlled schizophrenia' and Janet Cardiff and Georges Bures Miller's uneasy psychological soundscapes to Bruce Nauman's uncanny night visions and François Roche's destabilized architecture. The art in Sensoriumwhich accompanies an exhibition at the MIT List Visual Arts Centercaptures the aesthetic attitude of this hybrid moment, when modernist segmentation of the senses is giving way to dramatic multisensory mixes or transpositions. Artwork by each artist appears with an analytical essay by a curator, all of it prefaced by an anchoring essay on 'The Mediated Sensorium' by Caroline Jones. In the second half of Sensorium, scholars, scientists, and writers contribute entries to an 'Abecedarius of the New Sensorium.' These short, playful pieces include Bruno Latour on 'Air,' Barbara Maria Stafford on 'Hedonics,' Michel Foucault (from a little-known 1966 radio lecture) on the 'Utopian Body,' Donna Haraway on 'Compoundings,' and Neal Stephenson on the 'Viral.' Sensorium is both forensic and diagnostic, viewing the culture of the technologized body from the inside, by means of contemporary artists' provocations, and from a distance, in essays that situate it historically and intellectually. Copublished with The MIT List Visual Arts Center.
- Softcover
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Taschenbuch. Zustand: Neu. Neuware - An examination of the pervasive anxiety about and fixation with time seen in 1960s art.In the 1960s art fell out of time; both artists and critics lost their temporal bearings in response to what E. M. Cioran called 'not being entitled to time.' This anxiety and uneasiness about time, which P…amela Lee calls 'chronophobia,' cut across movements, media, and genres, and was figured in works ranging from kinetic sculptures to Andy Warhol films. Despite its pervasiveness, the subject of time and 1960s art has gone largely unexamined in historical accounts of the period. Chronophobia is the first critical attempt to define this obsession and analyze it in relation to art and technology.Lee discusses the chronophobia of art relative to the emergence of the Information Age in postwar culture. The accompanying rapid technological transformations, including the advent of computers and automation processes, produced for many an acute sense of historical unknowing; the seemingly accelerated pace of life began to outstrip any attempts to make sense of the present. Lee sees the attitude of 1960s art to time as a historical prelude to our current fixation on time and speed within digital culture. Reflecting upon the 1960s cultural anxiety about temporality, she argues, helps us historicize our current relation to technology and time.After an introductory framing of terms, Lee discusses such topics as 'presentness' with repect to the interest in systems theory in 1960s art; kinetic sculpture and new forms of global media; the temporality of the body and the spatialization of the visual image in the paintings of Bridget Riley and the performance art of Carolee Schneemann; Robert Smithson's interest in seriality and futurity, considered in light of his reading of George Kubler's important work The Shape of Time: Remarks on the History of Things and Norbert Wiener's discussion of cybernetics; and the endless belaboring of the present in sixties art, as seen in Warhol's Empire and the work of On Kawara.
