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French flaps|Softcover. Zustand: AS NEW COPY. ART Art Theory -Art that seeks to produce situations in which relations are formed among viewers is placed in historical and theoretical context in key writings by critics and artists.The desire to move viewers out of the role of passive observers and into the role of producers is on…e of the hallmarks of twentieth-century art. This tendency can be found in practices and projects ranging from El Lissitzky's exhibition designs to Allan Kaprow's happenings, from minimalist objects to installation art. More recently, this kind of participatory art has gone so far as to encourage and produce new social relationships. Guy Debord's celebrated argument that capitalism fragments the social bond has become the premise for much relational art seeking to challenge and provide alternatives to the discontents of contemporary life. This publication collects texts that place this artistic development in historical and theoretical context.ParticipationÂbegins with writings that provide a theoretical framework for relational art, with essays by Umberto Eco, Bertolt Brecht, Roland Barthes, Peter Bürger, Jen-Luc Nancy, Edoaurd Glissant, and Fà lix Guattari, as well as the first translation into English of Jacques Rancià re's influential "Problems and Transformations in Critical Art." The book also includes central writings by such artists as Lygia Clark and Hà lio Oiticica, Joseph Beuys, Augusto Boal, Felix Gonzalez-Torres, Thomas Hirschhorn, and Rirkrit Tiravanija. And it features recent critical and curatorial debates, with discussions by Lars Bang Larsen, Nicolas Bourriaud, Hal Foster, and Hans-Ulrich Obrist.pp. 240 illusts #090226 Elizabeth's Bookshops have been one of Australia's premier independent book dealers since 1973. Elizabeth's family-owned business operates four branches in Perth CBD, Fremantle (WA), and Newtown (NSW). All orders are dispatched within 24 hours from our Fremantle Warehouse. All items can be viewed at Elizabeth's Bookshop Warehouse, 23 Queen Victoria Street\, Fremantle WA.
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Softcover. Zustand: Very Good +. ART Philosophy -The Optical UnconsciousÂis a pointed protest against the official story of modernism and against the critical tradition that attempted to define modern art according to certain sacred commandments and self-fulfilling truths. The account of modernism presented here challenges the v…aunted principle of "vision itself." And it is a very different story than we have ever read, not only because its insurgent plot and characters rise from below the calm surface of the known and law-like field of modernist painting, but because the voice is unlike anything we have heard before. Just as the artists of the optical unconscious assaulted the idea of autonomy and visual mastery, Rosalind Krauss abandons the historian's voice of objective detachment and forges a new style of writing in this book: art history that insinuates diary and art theory, and that has the gait and tone of fiction.The Optical UnconsciousÂwill be deeply vexing to modernism's standard-bearers, and to readers who have accepted the foundational principles on which their aesthetic is based. Krauss also gives us the story that Alfred Barr, Meyer Shapiro, and Clement Greenberg repressed, the story of a small, disparate group of artists who defied modernism's most cherished self-descriptions, giving rise to an unruly, disruptive force that persistently haunted the field of modernism from the 1920s to the 1950s and continues to disrupt it today.In order to understand why modernism had to repress the optical unconscious, Krauss eavesdrops on Roger Fry in the salons of Bloomsbury, and spies on the toddler John Ruskin as he amuses himself with the patterns of a rug; we find her in the living room of Clement Greenberg as he complains about "smart Jewish girls with their typewriters" in the 1960s, and in colloquy with Michael Fried about Frank Stella's love of baseball. Along the way, there are also narrative encounters with Freud, Jacques Lacan, Georges Bataille, Roger Caillois, Gilles Deleuze, and Jean-François Lyotard.To embody this optical unconscious, Krauss turns to the pages of Max Ernst's collage novels, to Marcel Duchamp's hypnoticÂRotoreliefs, to Eva Hesse's luminous sculptures, and to Cy Twombly's, Andy Warhol's, and Robert Morris's scandalous decoding of Jackson Pollock's drip pictures as "Anti-Form." These artists introduced a new set of values into the field of twentieth-century art, offering ready-made images of obsessional fantasy in place of modernism's intentionality and unexamined compulsions. pp. 366 illusts #290126 (name on ffep) Elizabeth's Bookshops have been one of Australia's premier independent book dealers since 1973. Elizabeth's family-owned business operates four branches in Perth CBD, Fremantle (WA), and Newtown (NSW). All orders are dispatched within 24 hours from our Fremantle Warehouse. All items can be viewed at Elizabeth's Bookshop Warehouse, 23 Queen Victoria Street\, Fremantle WA.
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Hardcover. Laminated boards. Zustand: FINE. PHILOSOPHY ART -For all of its iconoclasm, the Dada spirit was not without repression, and the Dadamovement was not without misogynist tendencies. Indeed, the word Dada evokes the idea of the male--both as father and as domineering authority. Thus female colleagues were to be seen not…heard, nurturers not usurpers, pleasant not disruptive.This book is the first to make the case that women's changing role in European and American society was critical to Dada. Debates about birth control andsuffrage, a declining male population and expanding female workforce, the emergence of the NewWoman, and Freudianism were among the forces that contributed to the Dadaist enterprise. Among thefemale dadaists discussed are the German à migrà Baroness Elsa von Freytag-Loringhoven; Berlindadaist Hannah Hà ch; French dadaists Juliette Roche and Suzanne Duchamp; Zurich dadaists SophieTaeuber and Emmy Hennings; expatriate poet and artist Mina Loy; the "Queen of Greenwich Village,"Clara Tice; Margaret Anderson and Jane Heap, the lesbian couple who ran The Little Review; andBeatrice Wood, who died in 1998 at the age of 105. The book also addresses issues of colonialist racism, cross-dressing and dandyism, and the gendering of the machine. The bibliography was compiled by the International Dada Archive (Timothy Shipe and Rudolf E. Kuenzli).Contributors : Eleanor S.Apter, Barbara J. Bloemink, Willard Bohn, Carolyn Burke, William A. Camfield, Whitney Chadwick,Dorothea Dietrich, Susan Fillin-Yeh, Paul B. Franklin, Renà e Riese Hubert, Marisa Januzzi, AmeliaJones, Marie T. Keller, Rudolf E. Kuenzli, Maud Lavin, Margaret A. Morgan, Dickran Tashjian,Elizabeth Hutton Turner, Barbara Zabel.pp. 686 illusts First Edition #300126 SCARCE Elizabeth's Bookshops have been one of Australia's premier independent book dealers since 1973. Elizabeth's family-owned business operates four branches in Perth CBD, Fremantle (WA), and Newtown (NSW). All orders are dispatched within 24 hours from our Fremantle Warehouse. All items can be viewed at Elizabeth's Bookshop Warehouse, 23 Queen Victoria Street\, Fremantle WA.
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Sprache: Englisch
Verlag: New York, San Francisco, London: Academic Press 1976. xxiv (i), 404 p./S., with many illustrations/mit zahlreichen Abbildungen. Orig. cloth/OLeinen. Gr.-8°., 1976
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In den Warenkorb= Studies in Archeology, ed. Stuart Struever, Evanston, Illinois. - With notes in pencil; mit Anmerkungen in Bleistift. - Vorgeschichte, Niltal, Archäologie, Ägypten - Paketporto; heavyweight, additional mailing costs (MG1a).
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Verlag: Weinheim: Verlag Chemie/Academic Press 1971. IX, 202 p., with 6 figures and 12 tables. OLeinen mit OSchutzumschlag. Gr.-8°., 1971
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In den WarenkorbSchutzumschlag leicht beschädigt, Besitzereintrag auf vorderem fliegenden Vorsatz, sonst gut. - Chemie, Oxonium, Oxonium-Ion, Hydroxonium, Hydronium, Oxidanium (PBS29a:).
