Lsu press jun 2010 (2 Ergebnisse)
- Weitere Bilder
- Hardcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 60,00
EUR 62,38 VersandVersand von Deutschland nach USAAnzahl: 2 verfügbar
Buch. Zustand: Neu. Neuware - In this intriguing study, Robert Nowatzki reveals the unexpected relationships between blackface entertainment and antislavery sentiment in the United States and Britain. He contends that the ideological ambiguity of both phenomena enabled the similarities between early minstrelsy and abolitionism i…n their depictions of African Americans, as well as their appropriations of each other's rhetoric, imagery, sentiment, and characterization. Because the antislavery movement had stronger support in Britain and an association with the middle classes, Nowatzki argues, its conflicts with blackface entertainment largely stemmed from British and American nationalism, class ideologies, and notions of ''highbrow'' and ''lowbrow'' culture.Nowatzki examines the ideological clashes between representations of African Americans in the antislavery movement and in blackface entertainment, revealing their common ground. For instance, white abolitionists encouraged former slaves to relate their experiences in an exaggerated slave dialect that maintained the appearance of intellectual inferiority popularized by minstrel shows. Minstrelsy conflated African American culture with theatrical appropriations of it by white performers, but, as Nowatzki contends, the assumption that white actors could perform ''authentic'' blackness also undercut beliefs in racial essentialism -- the notion that racial groups possess distinctive essence.Combining cultural studies with literary analysis, Nowatzki considers this staging of African American identity through a variety of texts, including slave narratives, travelogues, minstrel song lyrics, stump speeches, and antislavery pamphlets, as well as the literary works of Dickens, Thackeray, and Carlyle on one side of the Atlantic, and Melville, Emerson, Sarah Margaret Fuller, and William Wells Brown on the other. A thorough and engaging analysis, Representing African Americans in Transatlantic Abolitionism and Blackface Minstrelsy reveals how the most popular form of theatrical entertainment and the most significant reform movement of nineteenth-century Britain and America helped define cultural representations of African Americans.
- Weitere Bilder
- Hardcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 66,79
EUR 62,59 VersandVersand von Deutschland nach USAAnzahl: 2 verfügbar
Buch. Zustand: Neu. Neuware - In this readily accessible study, political scientist Glenn J. Antizzo identifies fifteen factors critical to the success of contemporary U.S. military intervention and evaluates the likely efficacy of direct U.S. military mediation today -- when it will work, when it will not, and how to undertake…such action in a manner that will bring rapid victory at an acceptable political cost. Antizzo then tests his abstract criteria by using real-world case studies of the most recent fully completed U.S. military interventions -- in Panama in 1989, Iraq in 1991, Somalia in 1993--94, and Kosovo in 1999. Finally, he considers how the development of a 'Somalia Syndrome' affected U.S. foreign policy and how the politics and practice of military intervention have continued to evolve since the terrorist attacks of September 11, 2001, giving specific attention to the current war in Afghanistan and the larger War on Terror.

