Lone goose press (15 Ergebnisse)

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Jennifer Maravillas (illustrator).

Zustand: FINE. First printing. Posthumously published collection of poems by this author described as an "artist, self-educated naturalist, bibliophile." 89 pp. Fine in glossy illustrated wrappers.

Paperback. Zustand: Brand New. 1st edition. 40 pages. 9.00x6.00x0.10 inches. In Stock.

Zustand: fine. Fine binding, hand-made book. #39 of 101 copies. Signed by authors and illustrator. As-new copy, in glassine bag. Please feel free to email for photos. tb/fine.

Zustand: Fine. Fine Binding, hand-made book. #21 of 50. Please feel free to email for photos. As-new copy. tb/fine.

Paperback. Zustand: GOOD. Limited Edition. 4to, stiff brown cards, paper label to front cover, 14 brown printed plates by Ron Schultz. Copy number 4 of an edition limited to 50. Fine press printing by Sandy Tilcock of lone goose press. Wrappers dampstained, broken thread on loosening final gathering. Interior contents otherwise clean and crisp. Signed.…

Zustand: Good. 4to. 40 pp. Oblong. Very Good+. Soft Cover. Typographical paper wraps. Extremely Scarce. One folded color poster 44 x 66 cm laid in.Why We Work Here is a partnership of The Ford Family Foundation and the Oregon Arts Commission, 2013. Artists: Tad Savinar and Jon Raymond.

hardcover. Zustand: As New. 1995; Oregon; signed by author on dedication page and signed by illustrator on last page; paper over cloth covered boards with white spine label; numbered 79/100; Interior is clean and unmarked; 16mo - over 5 3/4" to 6 3/4" tall; unpaginated. Signed by Author.

Paperback. Zustand: Very Good. Oblong 6.5 x 9.5", stiff wraps, unpaginated, very minor extremity bumping else a nice, clean copy. LIMITED TO 150 NUMBERED COPIES (this is #124), SIGNED BY THE AUTHOR, BARRY LOPEZ.

Paperback. Zustand: Very Good. Woodcut by Susan Lowdermilk, black lettering on light grey paper, oblong 10 x 14". "This broadside commemorates the May 1996 Voices of Place reading series in Eugene". Limited to 100 copies, this is number 39. SIGNED BY THE ARTIST SUSAN LOWDERMILK AND THE POET IVAN DOIG.…

Hardcover. Zustand: Fine. First Edition. First edition. Woodcuts by Susan Lowdermilk. Square 16mo. [24]pp. Quarter cloth with publisher's printed paper spine label and decorative paste-paper covered boards. A fine copy. Limited to 100 numbered copies Signed by Stafford and Lowdermilk. Uncommon. Signed. …

Hardcover. Zustand: Fine. SIGNED. Oblong octavo [18 cm] 1/4 red cloth with tan paper over boards. In a red cloth covered clamshell box with a paper title label on the spine. An essay which originally appeared in Northern Lights, based on remarks Lopez made at the Herbst Theatre in San Francisco, April 27, 1995, when he joined Ivan Doig, Gretel Ehrlich, William Kittredge, Page Stegner, and Terry Tempest Williams in an evening of testimony to honor Wallace Stegner. This limited edition of Barry Lopez's 1996 Pushcart Prize-winning essay was designed, printed and bound by Sandy Tilcock. It is printed from handset Perpetua types on Zerkall German Ingres paper using a Vandercook 219 proofing press. The edition size is 179 copies consisting of 150 numbered, signed, soft-cover copies and 29 deluxe, hardcover copies, signed and boxed, featuring an intaglio print by Suellen Larkin (#9/32). Of the deluxe edition 26 are lettered A through Z and 3 are designated as artist's copies. This copy is one of the 26 copies lettered A through Z, and signed by Barry Lopez. It is Copy E printed for Earle Henness, the late proprietor of The Beaverdam Press. Earle Henness printed using the old-fashioned method; from lead type, hand-feeding the paper to Chandler & Price platen presses. Sandy Tilcock's limited edition books have attained international recognition for their design, creative use of materials, precise typography, and attention to detail. Limited Edition (one of the 26 lettered copies). …

First edition. SIGNED. Quarto [32 cm] Accordion style binding. Boards covered with Lami Li handmade paper and sections of USGS topographic maps of Wyoming. 23 woodblock images by Robin Eschner printed as a single fold-out measuring nearly 22 feet long. The words of the essay, written by Barry Lopez, weave through the flow of images. In the original clamshell box. The Northern California painter and composer Robin Eschner has exhibited in galleries throughout the United States since 1975. Her award-winning artwork has been selected for publication in a number of books, and reproduced as posters, cards and prints. A limited edition artist's book. One of 66 copies signed by the author and artist. Includes a tire tread print from Lopez's Toyota 4-Runner, the vehicle used on the journey described in this work. …

Zustand: Fine. Eugene, OR: Lone Goose Press, 1994. Signed limited edition broadside of 85 copies of which this is no. 38. Sharp corners, excepting the uncut bottom of the handmade paper. A Fine copy of Welch's poem, best known from his first collection Riding the Earthboy 40.

Zustand: Fine. Fine binding, hand-made book. #40 of 75 numbered and signed by both author and artist. Prtinted in the spring of 1992 by Sandy Tilcock at her press in Eugene. Text handset in Perpetua, relief images printed on Vandercook 219 proofing press. Text and cover papers made my Margaret Prentice from plant fiber abaca. As-new copy, in original slipcase.…