london afterall (18 Ergebnisse)

First edition. Softcover. 165 pages. An interesting book that draws it's inspiration from Prince's work Untitled (couple) Includes additional illustrations of works by Prince along with a previously unpublished 1983 interview with Prince and text by Newman. A clean very near fine copy in wrappers.

Paperback. Zustand: Very Good. Paperback in very good condition. Light shelf wear only, content is as unread. LW.

1. Auflage. 94 Seiten. OBr., Oktav, 94 S.; tadellos erhaltenes Exemplar.

First Edition; First Printing. Fine copy in the original stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered.; 8vo 8" - 9" tall; 527 pages; Description: 527 p. : ill. (some col.), maps ; 25 cm. Subjects: Art, East European --20th century --21st century. 2 Kg.

First edition, first paperback printing. Fine paperback.

21 x 15 cm., 130 pag. LEA LAS CONDICIONES DE ENVIO DE LA LIBRERÍA. ENVIOS GRATUITOS HASTA 1 KILO, MAS DE 1 KILO SE COBRA SUPLEMENTO. Texto en ingles. Tapa blanda, buen estado de conservacion.

Paperback. 53 pp. plus 16 plates. "One Work". -(cover with slight signs of use, many ballpoint underlinings). ISBN 9781846380020.

8°, 109 S., einige Abb., Broschur, Tadell. Text. engl.An illustrated discussion of Fischli and Weiss's famous film The Way Things Go, marking the twentieth anniversary of its first screening, explores why this captivating work continues to fascinate viewers.The Way Things Go (Der Lauf der Dinge) is a thirty-minute film by Swiss artists Peter Fischli and David Weiss featuring a series of chain reactions involving ordinary objects. It is also one of the truly amazing works of art produced in the late twentieth century. Admired, even loved, by members of the public as much as it is praised by the more specialist audience of artists, critics, and curators, The Way Things Go was perhaps the most popular work shown at Documenta 8, Kassel, in 1987. The work embodies many of the qualities that make Fischli and Weiss's work among the most captivating in the world today: slapstick humor and profound insight; a forensic attention to detail; a sense of illusion and transformation; and the dynamic exchange between states of order and chaos. In discussing what makes The Way Things Go utterly compelling to its viewers--whether they have seen it one time or many times--Jeremy Millar leaves no doubt as to why this film was chosen for the One Works series. As everyday objects crash, scrape, slide, or fly into one another with devastating, impossible, and persuasive effect, viewers find themselves witnessing a spectacle that seems at once prehistoric and postapocalyptic. Millar tells us why this extraordinary film speaks to us at the beginning of the twenty-first century. If history is "just one thing after another," then The Way Things Go is truly a historic work. Jeremy Millar is an artist. He is the author of Place (with Tacita Dean) and has contributed to many artist's monographs. He has also curated many solo and group exhibitions internationally. Swiss artists Peter Fischli and David Weiss received Europe's most coveted art prize, the Roswitha Haftmann Prize, in November 2006. A major retrospective of their work, "Flowers and Questions," originating at the Tate, London, travels to Zurich and Hamburg in 2007 and 2008. 1100 gr. Schlagworte: Kunst - Monographien.

Paperback. Zustand: Very good. Paperback Octavo. wraps, 108 pp.

FIRST EDITION 8vo. black cloth hardback in unclipped dust jacket. 110pp., illustrated in b/w. A clean copy with no previous owners' markings or inscriptions. Slight wear to top and base of dust jacket, else a VERY GOOD COPY in VERY GOOD DUST JACKET. (Shelf 130) ISBN: 9781846380495 PLEASE NOTE: Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.** Pictures available upon request.** Visit our homepage for our shop opening hours. Over 20,000 books in stock - come and browse. PayPal, credit and most debit cards welcome. Books posted worldwide. For any queries please contact us direct.

280 pp.; 21.5 x 15.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Critical theory publication edited by Christian Rattemeyer. Texts by Wim Beeren, Charles Harrison, Harald Szeemann, Tommaso Trini, Claudia Di Lecce, Steven ten Thije. Introduction by Teresa Gleadowe. "Afterall Books' new Exhibition Histories series responds to an increased interest in exhibition history with its inaugural volume on two of the most famous exhibitions of the 1960s: Wim Beeren's 'Op Losse Schroeven' (Stedelijk Museum, 1969) and Harald Szeemann's 'Live in Your Head : When Attitudes Become Form' (Kunsthalle Berne, also 1969). Installation photographs allow the reader to envision the exhibitions, and chronologies detail the negotiations that steered them. Also provided are reprinted reviews, bibliographies and texts from the exhibitions, newly commissioned essays and interviews with artists Marinus Boezem, Jan Dibbets, Ger van Elk, Piero Gilardi and Richard Serra, and curators Wim Bereen, Charles Harrison, Harald Szeemann and Tommaso Trini. This volume is produced by Central Saint Martins College of Art and Design, London in association with the Academy of Fine Arts, Vienna, and Van Abbemuseum, Eindhoven." -- publisher's statement. Reference : "When Attitudes Becomes Forms : Bern 1969 / Venice 2013" by Germano Celant, Thomas Demand, Rem Koolhaas, Roelstraete, Claire Bishop, Piere Bal-Blanc, Francesco Stocchi, Boris Groys, Mary Anne Staniszewski, Charles Esche, Christian Rattemeyer, Anne Rorimer, Jens Hoffmann, Benjamin H.D. Buchloh, Gwen L. Allen, Chus Martínez, Terry Smith, Jan Verwoert, Glenn Phillips. Venice, Italy : Fondazione Prada, 2013. Very Good. Inked inscription on title page.

304 pp.; 21.5 x 15.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Forth book in Afterall Books'' "Exhibition Histories" series focusing on ?Magiciens de la Terre,'' an exhibition held in Paris in 1989 featuring over a hundred artists. Introduction by Pablo Lafuente. Text by Lucy Steeds, Jean-Marc Poinsot, Rasheed Araeen, Jean Fisher, Thomas McEvilley, Jean-Hubert Martin, Gayatri Chakravorty Spivak, Frédéric Bruly Bouabré, Barbara Kruger. Interview with Jean-Hubert Martin, Benjamin H.D. Buchloh, Alfredo Jaar, and Francisco Godoy Vega. Artists included Marina Abramovic, John Baldessari, Alighiero Boetti, Christian Boltanski, Stanley Brouwn, Daniel Buren, Francesco Clemente, Enzo Cucchi, Hans Haacke, Alfredo Jaar, On Kawara, Anselm Kiefer, Barbara Kruger, Richard Long, Claes Oldenburg and Coosje van Bruggen, Nam June Paik, Sigmar Polke, Nancy Spero, Lawrence Weiner, and many others. Includes authors biographies, selected bibliography, and index. Very Good / Fine. 6 mm. of light bumping to bottom left corner of verso and minimal bumping to the bottom corner of pages 281-304. Otherwise Fine, contents clean and unmarked.

Soft cover. Zustand: Near Fine. 1st Edition. Softcover, 280p, b/w illustrations, 22 cm. Very good/fine, clean, no internal marks, minimal shelf-wear. Scarce.

280 S.Mit teils ganzs., teils farb. Abb. 8°, illustr. Orig.-Broschur. Exhibiting Histories. - Mit Einleitungstext von Teresa Gleadowe. Enthält Essays von Wim Beeren, Charles Harrison, Claudia Di Lecce, Harald Szeemann, Steven ten Thije u. Tommaso Trini. Weiters Interviews mit den Künstler:innen Marinus Boezem, Jan Dibbets, Ger van Elk, Piero Gilardi u. Richard Serra. - The new art of the late 1960s was shown in two landmark exhibitions in 1969: Op Losse Schroeven and When Attitudes Become Form . This book reveals how each brought together Arte Povera, Anti-Form, Conceptual and Land art, whilst challenging such categories and introducing innovative curatorial strategies. Christian Rattemeyer offers a rich comparative analysis of the two exhibitions, exploring the related but differing approaches of the two curators - Wim Beeren and Harald Szeemann - in the two distinct institutional settings of the Stedelijk Museum in Amsterdam and the Kunsthalle Bern. Numerous installation photographs enable a virtual walk through of each exhibition, while meticulous chronologies detail the negotiations that shaped them. (Verlagsbeschreibung). - Sehr gut erhaltenes Exemplar. 1200 gr.

Zustand: Good. 8vo. 101 pp. Very Good+. Hard Cover. Black cloth covered boards. Dust Jacket Very Good+. Color and B&W plates. ISBN: 9781846380280 1846380286 9781846380273 1846380278.A study of Boetti's 1988 work Map, a tapestry map of the pre-postcommunist world made of brightly colored, painstakingly woven national flags; illustrated with many color images.

102 S., OKart., sehr gut erhalten Sprache: Englisch. Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.

Catherine Wood, Yvonne Rainer: The Mind is A Muscle, Afterall Books, London, 2007. 15cm x 21cm. Unisgned. Paginated 118 pp. Printed black on white in glossy wraps. Condition: Some minor scuffing and wear to covers, internally fine, overall very good +.

First edition. 8vo. 280 pp. Publisher's illustrated card covers. Numerous illustrations, mostly black and white. Some bumping to the extremities, else a decent copy.