Lithocrafters (5 Ergebnisse)

Hardcover. Zustand: Very Good. Very good hardcover. No DJ. VOLUMEs 14-16 in one book. Ex-Library with usual markings. Text is clean and unmarked. Covers show very minor shelf wear. Binding is tight, hinges strong.; 100% Satisfaction Guaranteed! Ships same or next business day.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Zustand: Fine copies. 1st. 8vo, Facsimile reprint of six volumes bound in two. Profusely illustrated (illustrator).

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Oversized hardcover with DJ. Bound in navy blue cloth with gold lettering across front cover and along spine. White DJ with red text across front cover and spine, B&W photos on covers. Corners bumped with small closed tears. Two prominent closed tears along bottom edge of back cover, each about an inch long. Slight discoloration along edges and hinges. All text remains clean and legible. No date on title page. Copyright page dated 1975, stated second printing. 199 pages, followed by 18 page appendix. All clean, crisp, and bright. B&W photos featured throughout. Binding is tight and secure. This is an oversized book, so extra postage will be necessary for priority or international shipping. Please email with questions or to request photos. Note: if there is a photo beside this listing, it's a STOCK photo that ABE put there (for reasons that we cannot understand or control) and might not match this actual book.…

Paperback. Zustand: Good in wraps. First Edition. 22 x 28cm good paperback, some browning to wrappers. an edition of 500 copies, typeset by the author. Signed on the title page: 'Thanks for helping me begin a new project, best wishes, Allen 6.83'. From the rear cover notes by Jeff Nuttall: 'His rag-bag of infomration about and impresions of, South London (with provincial interludes) is no academic spectacle with the items classified and labelled according to official attitudes. It resembles more the idosyncratic museum collections of Horniman and Sloane, ranging from the mediat - to the straight fact - and on to examine South London's concealed landscape. The Long poem demands a taxing degree of technical assurance. Fisher is an extrememly accomplished performer in this tradition.'.…