Krupskaya (18 Ergebnisse)

paperback. Zustand: Good.

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Zustand: Fine. Softcover, 59 pgs. Fine.

Paperback. Zustand: Fine. Crisp, bright, clean; no owners' marks; as new.

First edition. 128 pp. Fine in illustrated wrappers; a trade paperback original. Poems. Farmer's fifth book.

Soft cover. Zustand: Near Fine. 1st Edition. Inscribed copy of this cerebral and structurally eclectic collection by the Bay Area poet. Signed and briefly inscribed by Albon on the title page. Perfect-bound in printed wraps; 5.5 x 8 in.; 94pp. Near fine, with two dog- eared upper corners. Inscribed by Author(s).…

First edition. 61 pp. Fine in glossy illustrated wrappers.

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Good. Fiction. African American Studies. Straddling fiction and poetry, Renee Gladman's writing operates on the level of the sentence, constructing suprise and oblique meanings at every turn, and somehow managing the supremely difficult trick of both engaging and pushing the reader. THE ACTIVIST begins in the middle of a revolution.There is a bridge that may or may not have been bombed. People speak in nonsense and cannot stop themselves. In the mids of all this, the language of news reports mixes with the language of confession. The art of this beautifully written book is in how it touchingly illustrates that relations between humans and cities are linked in a more complex interface than most realize--Juliana Spahr.…

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Zustand: Very Good.

Zustand: Used - Very Good. VG paperback. 1st ed. A tidy copy in tight binding. Used - Very Good. VG paperback.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. Poetry. There are writers who don't split head & heart, and there's at least one who works right in the tension of that tension: Stephanie Young. Look for her new book URSULA OR UNIVERSITY to take us well away from the split, even as she is pulled into it. The book works with feeling, fact, and miltant action & reflection.--T.C. MarshallIf I had not been with my friends in the auditorium and bookstore and art space, how could I have known anything about the way they sit in chairs, or lean forward while listening, how could I know the way their hands hold a pen or move across the pages of a notebook? What was my hysterical mode of naming names if not a demonstration of the decisive weakness in my sentiment that the community existed, that I existed within it? What group? What was I, who were you, the mostly leftist poets I am and hang out with? Who do I leave out when I say mostly white? Mostly middle class? Which is it? Is that even true? Is the piece about self-involvement, or is it just self-involved? And shouldn't you be able to tell which it is? Was it always so? In the archive of my enthusiasms? Is it even possible to move the university reading series off campus? Does that sound na ve? Where was I? Was I at work? Was I reloading the page, clicking for mobile uploads on facebook, looking for images from the rally? Was I too tired? Was my heart heavy? Was I watching the news? Was I railing at the screens, the local affiliates, diagrams representing police on the move with white x's, protestors with yellow o's, circled, surrounded, so like the play by play illustrations of football? What did I do in the fall of 2010 anyways? What's real time? I kept getting tangled in these local arguments about the academy that showed up around both conferences, kept shouting stuff about spreadsheets, or muttering to myself, BUT I'M LIKE YOU, in the office 9-5, two things in my job, administrator and adjunct, feet snagged in these arguments, who were they even for? Was that it? I'd sit at the keyboard, hands to my head, what was I doing? What did it mean to take up authority? To slough it off? I called my friend on the phone immediately, did you feel that? Is the joke about misogyny, or is it just misogynist? And shouldn't you be able to tell which it is? What is this failure I'm writing, if not that which partakes of the never-ending self-criticism that the management of avant-garde groups more and more visibly engages in? And then we argued about this, what is and isn't action, how can it be separated from language? Is it really now or never-explosive time? Or deceptive time? Time in advance of itself (rushing forward)? How could it have been otherwise? Had it only been a year.…