jmc ghb (10 Ergebnisse)

Softcover. Zustand: As New. [48] pp., illustrated, 4to, stapled self-wrapper. Published to coincide with an exhibition of vintage prints from David Levinthal and Gary Trudeau's book, "Hitler Moves East." A book composed of photographs and primary source material utilized in the creation of that book, originally published in 1977. As new copy.

Zustand des Schutzumschlags: dj. Terry Richardson (illustrator). First Edition. First edition. Softcover. From a total edition of 2000 copies this is one of 1000 of which were done in wrappers with a dust jacket by Terry Richardson. This volume contains three episodes from James Frey's novel "Bright Shiny Morning" one of which was left out of the published version. The book also includes numerous photographs by Richardson. An as new copy in photo illustrated wraps and still in the original shrinkwrap.

Hardcover. Zustand: Very Good. Matthew Barney (illustrator). 1st Edition.

Terry Richardson (illustrator). 48 pp.; 29.8 x 23 cm.; sewn bound; black-and-white & color; edition size 1000; unsigned and unnumbered; offset-printed Artist's book / exhibition catalogue published in conjunction with show held at Glenn Horowitz Bookseller, East Hampton, NY, August 12- September 16, 2006. Includes a text by John McWhinnie. "These pictures by Terry Richardson may be worth only 999 words - but who is counting? And who cares? Any way you add it up it amounts to the same thing: absolutely nothing. We're born. We die. In between there's school and work. When you are a teenager that's an adult truth you learn with your skin, whether you ink, scab or score it. And these kids, Richardson and his mates, denizens of Ojai, California's youth scene ca. early nineteen eighties, make the best of these existential bookends by raging with the machinery of their choice: music fueled by electric guitars, drum kits, juiced amps, alcohol and attitude. In the primitive mosh pits of the SSA (Signal Street Alcoholics, Richardson's crew) there's nothing but life, even if it's spinning, in some cases, headlong into oblivion. Or boredom. Kids with an attitude going anywhere fast: a new generation of holy goofs and angry outsiders that appear to parents merely as teenagers in trouble. But from the perspective of rock-n-roll high school, the only perspective that counts, it's an age when nothing matters and everything makes a difference. When there is such a thing as no future and plenty of time to figure it out, fuck it up or wait for it to happen: when you are styling your hair and your identity to avoid merely going with the flow. Richardson's photographs remind you that everybody was trying to be unique and looking remarkably similar. But that was the point of this the rebel cry: to be you and nobody else, but to do it in a way that gathered simpatico with like haircuts and frayed t-shirts into basements to strike similar chords. Three chords, three minutes. D.I.Y. It was also something more. Posturing? Yes. Not naive or innocent, not worldly either, but some attitude that embodied them both in the beginning of a worldly awareness. It was a punk worldview that gave the finger to everything in its way."--from McWhinnie's text. Fine. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Soft cover. Zustand: New. Zustand des Schutzumschlags: New. Richard Hell; Christopher Wool (illustrator). 1st Edition. First printing. A pristine unread copy, very fine, softbound edition, issued with French flaps, one of 1500 copies in the first printing (not numbered). SIGNED BY AUTHORS on title page (Richard Hell and Christopher Wool). They have signed their names only, without any inscription. Comes with dust jacket protector. Shipped in well padded box. Smoke-free. Defect-free. You cannot find a better copy. Signed by Author(s).

Hardcover. Zustand: Very good. First edition. This book marks the fourth installment in Matthew Barney's Drawing Restraint series. Volume IV includes surrealistic drawings that correspond to the making of Drawing Restraint 9, the film set on a whaling vessel in the Sea of Japan. The book also makes available the first published images from Barney's Drawing Restraint 13. The film shows Barney's continuing interest in dramatic encounters involving Westerners coming into contact with Japan. In the film, Barney assumes the role of General MacArthur, and acts out the landing on the beaches of the Philippines and the acceptance of the articles of surrender from Japanese officials on board the USS Missouri, ending the war. 74 pp; 25x17,5 cm.

Hardcover. Zustand: Gut bis sehr gut. 1. Auflage. B : 17,5 x 25 cm, 74 pages - This book marks the fourth installment in Matthew Barney s Drawing Restraint series. Volume IV includes surrealistic drawings that correspond to the making of Drawing Restraint 9, the film set on a whaling vessel in the Sea of Japan. The book also makes available the first published images from Barney s Drawing Restraint 13. The film shows Barney s continuing interest in dramatic encounters involving Westerners coming into contact with Japan. In the film, Barney assumes the role of General MacArthur, and acts out the landing on the beaches of the Philippines and the acceptance of the articles of surrender from Japanese officials on board the USS Missouri, ending the war.

Zustand des Schutzumschlags: dj. First Edition. First edition. Hardcover. Limited edition. Copy 22 of only 100 numbered copies. Text by James Frey taken from his novel "Bright, Shiny Morning." A provocative group of photographs by Terry Richardson and with a dust jacket featuring a photograph by Richard Prince. A very fine copy in cloth boards and in a in very fine dust jacket and in a near fine slipcase with some sunning to the edges of one side. Signed by Frey, Richardson and Prince on the title page. Signed.

pp. (48). Artist?s book, published on the occasion of Adam McEwen?s exhibition entitled ?Chicken or beef??, held at the Glenn Horowitz Gallery in New York, September 2008. In the show McEwen exhibited his text message works. The artist had a standard Nokia phone, then the most common phone in Europe, and got somebody to design a font that exactly matched that of his phone. They are supposedly all real texts, texted to McEwen or texted to friends of his who forwarded them to him. This artist?s book reproduces twenty-four of these Nokia text messages. For the exhibition, each enlarged text message was encased in graphite frames. McEwen has been making sculptures out of graphite since 2007. He selects unassuming, almost banal objects which he then transforms into solid graphite, such as an ATM machine. For this book, McEwen places his artist?s book within a heavy graphite sarcophagus. The case, made of solid graphite, is hinged on the top left corner, allowing the lid to rotate open. The actual book is housed within a recess in the case, with its white covers becoming marked and smeared with grey as the graphite lid closes across, presumably by design. The text messages are printed in pale grey. Published in an edition of only 10 copies, numbered, signed and dated by McEwen in the book. Plain white wrappers, housed in heavy grey graphite sarcophagus with sliding lid. Top of lid with a deep machine-engineered engraving of the title text message.

Zustand: Very Good. Limited Edition. Brown paper covered boards with debossed antler design to cover. Some sun tan to front cover (see image). No previous names or other defacements. Limited to 510 copies, this being one of the 450 unnumbered. 12 x 16.25 in (30.5 x 41.2 cm).