Intellect aug 2026 (5 Ergebnisse)

Taschenbuch. Zustand: Neu. Neuware - A look at the vibrant punk scene that exploded in Yugoslavia during Marshal Josip Broz Tito's final years. In 1981, Demob, a young multiracial punk rock band from a stagnating provincial English city, recorded 'No Room For You,' a song that sold a few thousand copies before fading into history. The bass player was eighteen-year-old Barry Phillips, and in 2011, he received a Facebook message letting him know that the song was famous throughout the Balkans and had been covered by notable Yugoslavian punk bands. Hoping to understand how Demob's song had taken root in the communist-era Balkans, Phillips traveled to the former Yugoslavia to learn about the punk scene that emerged in the waning years of Josip Broz Tito's rule. From Ljubljana to Rijeka to Novi Sad, Yugoslavia boasted one of the most dynamic punk rock and new wave scenes in the world. Rooted not only in western punk rock but also in local Balkan folk music, its regional varieties each had a discernible DNA fused with Slavonian Tamburitza, Bosnian Sevdah, or the Dalmatian a cappella, Klapa. In Search of Tito's Punks includes interviews with Pankrti (Bastards), Darko Rundek, KUD Idijoti (Cultural Idiots), KBO!, Atheist Rap, and other heroes of Yugoslavian punk and post-punk music, as well as cultural commentators, journalists, filmmakers, authors, and punks. Phillips learns of border 'walls' and Brutalism, discovers the world's first fascist micro-state, sees the legacy of the NATO bombings and the impact of 'turbo-capitalism,' and hears the recurrent echoes of genocides and the Holocaust. He also describes a gig where the entire village, including the mayor, came out to party with punks, and uncovers an unlikely relationship between Yugoslav music fans and an independent record shop in Wales. The first English-language book devoted to the punk and post-punk scene in the former Yugoslavia, In Search of Tito's Punks is an accessible, humane, honest, and rigorous look at a cultural movement that flourished during a period of political upheaval.…

Taschenbuch. Zustand: Neu. Neuware - A cross-Canada journey into the studios of contemporary artists, revealing the studio as a vital window onto the thinking, learning, and creative processes shaping art today. Drawing on over one hundred studio visits and interviews with painters, this book offers a compelling exploration of the artist's studio--not as a static workspace, but as a dynamic, relational, and generative site of learning, thinking, and becoming. Alison Shields shows that the studio can be understood in four interwoven ways: as place, as process, as material thinking, and as dialogue with the world. As a place, it is where one dwells within subjective time and space, part of an active and interconnected ecosystem that, through artmaking, can transport us elsewhere. As a process, it is emergent, performative, generative, and always in a state of 'not knowing'. As material thinking, it bridges mind and matter, thought and feeling, allowing intuition to roam within embodied and often messy environments. As dialogue with the world, it is relational, imaginative, and responsive to the ongoing texture of lived experience. Rather than offering definitive conclusions, the book unfolds through a series of speculative propositions--drawn from the words and reflections of artists themselves--that illuminate the open-ended nature of creative processes. It invites not only artists but anyone curious about how we make, feel, and know to engage with the studio as a site of infinite possibility within an ever-changing ecology of practice.…

Taschenbuch. Zustand: Neu. Neuware - What if art is not just a mirror of the world but a factory for its future This project brings artists and writers into dialogue, exploring how both groups generate knowledge through distinct but complementary methods--philosophic fabulation on the one hand, perception and affect on the other. In an age where we are drowning in data yet starved for meaning, alternative futures argues that art is an urgent toolkit for survival: a laboratory of sensation and imagination that equips us to feel, not just forecast, the worlds to come. This conversation asks not how to predict the future, but how to inhabit it--together, creatively, critically, and sensuously. …

Buch. Zustand: Neu. Neuware - A cross-Canada journey into the studios of contemporary artists, revealing the studio as a vital window onto the thinking, learning, and creative processes shaping art today. Drawing on over one hundred studio visits and interviews with painters, this book offers a compelling exploration of the artist's studio--not as a static workspace, but as a dynamic, relational, and generative site of learning, thinking, and becoming. Alison Shields shows that the studio can be understood in four interwoven ways: as place, as process, as material thinking, and as dialogue with the world. As a place, it is where one dwells within subjective time and space, part of an active and interconnected ecosystem that, through artmaking, can transport us elsewhere. As a process, it is emergent, performative, generative, and always in a state of 'not knowing'. As material thinking, it bridges mind and matter, thought and feeling, allowing intuition to roam within embodied and often messy environments. As dialogue with the world, it is relational, imaginative, and responsive to the ongoing texture of lived experience. Rather than offering definitive conclusions, the book unfolds through a series of speculative propositions--drawn from the words and reflections of artists themselves--that illuminate the open-ended nature of creative processes. It invites not only artists but anyone curious about how we make, feel, and know to engage with the studio as a site of infinite possibility within an ever-changing ecology of practice.…

Buch. Zustand: Neu. Neuware - A reflection on the dynamic interplay between spatial experience and its representations in cinema and photography. Space in the Image focuses on cinematic and photographic portrayals of the built environment, from individual buildings to entire cities. It addresses a timely and relevant topic, reflecting the prominence of urbanization and the widespread use of digital audiovisual media in architecture, planning, and design. Bringing together scholars and practitioners working at the intersection of architecture, urbanism, and digital media, the volume engages with both contemporary practice and current debates in the field.In light of the growing ubiquity of media platforms and the immediacy of digital representation, the contributors critically examine the evolving relationship between spatial experience and its mediated forms. These inquiries are situated within the broader context of accelerating urbanization, making the book timely for architects, urban designers, planners, and media theorists alike. Rather than treating images as static records of the past, the volume interrogates their role as active participants in shaping contemporary urban life, identity, and memory.…