Indiana u press (33 Ergebnisse)

Paperback. Zustand: Used: Very Good. 1st of this ed. Very good paperback, 371pp.

Paperback. Zustand: Used: Very Good. 1st ed. Very good paperback, 228pp.

Soft cover. Zustand: Fine. 1st Edition. 264 Pages Illus.

Paperback. Zustand: Used: Very Good. 1st pbk ed. Softcover, 312p, very good.

Hardcover. Zustand: Used: Very Good. 1st ed. Very good, DJ, 242pp.

Paperback. Zustand: Used: Very Good. Reprinted. Paperback, VG, 322pp.

Hardcover. Zustand: Used: Very Good. 1st ed. Very good, DJ sl. Creased, 366pp.

Hardcover. Zustand: Used: Very Good. 1st ed. Very good, DJ, 304pp. Signed. Signed by Author.

Hardcover. Zustand: Near fine. very good +. first edition. 6 x 9 in. Paper boards. Condition is NEAR FINE ; like near new on all points. DJ is VERY GOOD+ ; very clean, minimal wear. Mil. Stax.

Hardcover. Zustand: Very good. First Edition, First Printing. 6 x 9 in. Cloth boards. COndition is VERY GOOD ; covers clean, minimal shelf wear. Binding tight. PO's name on ffep, text unmarked. Hist. Stax.

Hardcover. Zustand: Fine. near fine. first edition. 6 x 9 in. Cloth boards. Condition is FINE ; like new on all points. DJ is NEAR FINE ; like near new. Mus. Stax.

Cloth. Zustand: VG. Zustand des Schutzumschlags: VG-. Near Fine in black boards in a VG- DJ which has been sunned yellow (from orange) at extremities. 184 pages.

Hardcover. Zustand: Very good +. very good +. first edition. 6 x 9 in. Cloth boards. Condition is VERY GOOD+ ; covers clean, a touch sunned at upper edges, no wear. Binding tight, text unmarked. PO's name on ffep. DJ is VERY GOOD+ ; very clean, minor wear. Hist. Stax.

Hardcover. Zustand: Used: Very Good. 1st ed. Very good, DJ, 378pp.

Hardcover. Zustand: Used: Very Good. 2nd ptg edition. Very good, hd & hl sl. Worn, DJ sl. Torn & creased, 250pp.

Hardcover. Zustand: Used: Very Good. 1st ed. Very good except a little of the DJ stuck to cover, 299pp.

Softcover. Zustand: Very Good. Second edition. Very good in stiff paper covers.

Hardcover. Zustand: Very good +. Zustand des Schutzumschlags: very good. first edition. 6 x 9 in. Paper boards. Condition is VERY GOOD+ ; minor shelf wear, covers clean. Binding tight and text unmarked. DJ is VERY GOOD ; clipped, very clean, spine mildly sunned. Poet. Stax.

Hardcover. Zustand: Very good. first edition. 6 x 9 in. Cloth boards. Condition is VERY GOOD ; mild shelf wear, covers a bit spotted. Text edges lightly foxed. Binding tight and text unmarked. Books. Stax.

XIV, 213, 2 Seiten mit einigen Abbildungen. Gr.-8vo. Leinen. Rücken und Ecken des vorderen Einbanddeckels minimal bestoßen. Sprache: Englisch Gewicht in Gramm: 660.

Hardcover. Zustand: Near fine. very good +. first edition. 11 x 11 in. Cloth boards. Lavish color plates. Condition is NEAR FINE ; like near new on all points. Text spotless. DJ is VERY GOOD+ ; very clean, no wear, spine moderately sunned. Art. Stax.

Ausgeschiedenes Bibliotheksexemplar m. Bibliotheksrückenschild hinter transparentem Klebestreifen, mehrfach gestempelt. Papier leicht gebräunt. Sprache: Englisch Gewicht in Gramm: 700 X, 309 Seiten. Gr.-8vo. Hardcover.

Hardcover. Zustand: Very Good. First edition. Illustrated by John T. McCutcheon. Very good. Former owner's name inside front cover.

Cloth. Zustand: Very Good. Zustand des Schutzumschlags: Good. First Edition. Hardback. First Edition. The Pianist's Guide to Pedalling. Slight shelf wear to D/J. Slightly sunned spine to D/J. Appropriate pedaling is the hallmark of the artistic and intelligent pianist. Pedaling - for colour, for sonority, for sustaining certain tones - is an art, but one that must be based on historical considerations and on an understanding of the composer's intent. In this book, the author and four distinguished contributors present a comprehensive view of the subject. After a short history of the piano's pedals, separate chapters are devoted to the mechanics and operation of each of the three pedals on the modern grand, The next several chapters are concerned with pedaling workds of selected composers and styles. The writers base their recommendations and suggested solutions to pedaling problems on the capabilities and sound quality of the instruments in use during the composers' lifetimes and on their individual systems of notation. In the case of Bach, although his works were not written for the modern piano, they are performed on it, and certain stylistic and acoustical principles should be observed. Some controversy surrounds pedaling in Haydn and Mozart, most of whose works were written for the early fortepiano. Two chapters are devoted to Beethoven's uses of the pedal, and Banowetz follows with suggestions for executing them on the modern grand. In the three chapters on Romantic composers, Maurice Hinson describes pedaling in Chopin, while Banowetz discusses Schumann and Liszt. Mark Hansen then outlines the teaching of the Catalan school and reflections of its principles of pedaling in the works of some of the Spanish masters. The final chapter details Walter Gieseking's ideas on pedaling in Debussy and Ravel, as recalled from his master classes by his student Dean Elder. Throughout this book the author and his associates stress that the performer's ear is the ultimate judge - that historical fact and the composer's intent may have to be modified by such ephermeral factors as the instrument at hand, the size and acoustics of the performance space, and even the mood of the player. Here are practical suggestions and musicological insights for teachers, performers, and serious students of the piano. 309 pp. (We carry a wide selection of titles in The Arts, Theology, History, Politics, Social and Physical Sciences. academic and scholarly books and Modern First Editions, Reference books ,and all types of Academic Literature.).…

Zustand: Very Good. VG Includes: The Folktale, by Nyerges; The Proverb, by Roberts; & The Riddle, by Taylor.

Zustand: Very Good. VG Includes: The Folktale, by Nyerges; The Proverb, by Roberts; & The Riddle, by Taylor.

Cloth. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. Hardback. Message to previous owner to inside cover. Sticker to inside cover saying 'From the Library of James M. Osborn'. Slightly sunned spine to D/J. Is biography a form of art? Is it basically inferior to autobiography? Is a biographer justified in telling all he knows about his subject? These are some of the key questions that are explored in three essays by distinguished scholars in eighteenth-century literature. Taken together, the pieces make up a remarkably complete survey of current theeories about biography and its methods. The essays are a persuasive reminder that biographical truth is a subtle entity, and that the biographer ultimately has the same problems as has the novelist or the poet in conveying experience concretely and memorably. 126 pp. (We carry a wide selection of titles in The Arts, Theology, History, Politics, Social and Physical Sciences. academic and scholarly books and Modern First Editions etc.).…

hardcover. Zustand: Very Good. Unclipped : very fine. First Edition. Presumed first ed.; both vols. clean and unmarked anywhere on strong paper only faintly age-toned; vol. 1, "From Port Arthur to Chanak, 1894-1922," 543 p./vol. 2, "From Washington to ^okyo, 1922-1945" 679 p.; bindings firm; boards and d.j.s have minimal wear, protection provided by mylar covers. A flaw detected on fore-edge of vol. 2--a small brown spot, and another small stray mark on upper edge block--otherwise this set would be "like new.".…

Zustand: Very Good. 1st ed. VG, DJ.

Zustand: Very Good. 1st ed. Very good, hd & hl sl. worn, dj sl. scuffed, torn & creased, 276pp.