image comics inc berkeley (24 Ergebnisse)

Paperback. Zustand: Fine. Latour, Jason (illustrator). First Printing. Size: 4to - over 9¾" - 12" tall D9.

Softcover. First Edition. Collects Rocket Girl #1-5. A fine copy. ; 17 x 26 cm.

Hardcover. First Edition. First publication in book format. Pictorial boards. Collects Red One #1-2. A fine copy. ; 24 x 31.5 cm.

Stapled wraps. First Edition. Near Mint- (9.2). Ships in Mylar. Includes promo card.; 17 x 26 cm.

tapa blanda. Zustand: Bien. Women, Sexual behavior, Comic books, strips, etc., Comic, graphic novel Sex criminals. Volume 1, One weird trick Berkeley, CA Image Comics Inc. 2014. 26 cm. 1 volume (unpaged) : color illustrations. Encuadernación en tapa blanda de editorial. Idioma Inglés. Matt Fraction, Chip Zdarsky ; Becka Kinzie, Christopher Sebela, color flatting ; Thomas K, editing ; Drew Gill, production. [One weird trick ]. Incomplete contents V. 1. One weird trick. Sex criminals Volume 1. "Contains material originally published as Sex Criminals 1-5. " . ISBN: 9781607069461; 1607069466 (=3104505=) PF127.

Zustand: BUONO USATO. IED. Velvet INGLESE Corposa brossura a fumetti, n. 1 della serie, copertina segnata da comuni sgualciture da conservazione, ombre di pulviscolo e striature da contatto, esterno in quadricromia come l'interno, quest'ultimo in ottime le condizioni, fogli come mai aperti. N. pag. n.n.

Zustand: BUONO USATO. IED. The Fade Out INGLESE Novella grafica, vol. 1 della serie, copertina illustrata come l'interno in quadricromia, irrilevanti le tracce da conservazione al piano anteriore, stropicciato e velato di polvere il posteriore, fogli in tipica carta da fumetto come mai letti. N. pag. n. n.

Zustand: BUONO USATO. IED. Lazarus INGLESE Novella grafica, usato prossimo allo stato del nuovo, vol. 4 della serie, copertina illustrata come l'interno in quadricromia, irrilevanti le tracce da conservazione minimi gli aloni di pulviscolo, fogli in carta lucida come mai letti. N. pag. n. n.

Zustand: BUONO USATO. IED. Grizzlyshark INGLESE Graphic novel in brossura, usato prossimo allo stato del nuovo, copertina illustrata come l'interno in quadricromia, segnata da irrilevanti tracce da conservazione e minime striature da contatto, vol. 1 della collana, fogli in carta patinata come mai aperti. N. pag. n. n.

Zustand: BUONO USATO. IED. Savage Dragon INGLESE Corposa classica brossura a fumetti, n. 9 della serie, copertina segnata da comuni sgualciture da conservazione, ombre di pulviscolo e striature da contatto, esterno illustrato in quadricromia, interno in nero, ottime le condizioni, fogli come mai aperti. N. pag. n.n.

[978-1-60706-027-7] 2008, 1st printing. (Mass market paperback) Fine. 328pp. 4to. Anthology, of tales, most of which are from creators who live in southeast Asia. Stories and colour graphics of scavenger rodents, huge insects, puppet masters, alien invasions, parades of robots, monkey gods. Fine copy.

Stapled wraps. First Edition. Very Fine/Near Mint (9.0). Ships in Mylar. ; 17 x 26 cm.

Hardcover. Zustand: As new. First printing. Unpaginated. 27 cm. Colour comics. Hardcover.

Softcover. First Edition. Tall Octavo, unpaginated. In Very Good minus condition. Spine black with red and white lettering. Mild general shelf wear. Slight discoloration to edges of text block. Shelved Graphic Novels. 1399025. Shelved Dupont Bookstore.

Hardcover. First Edition. First publication in book format. Pictorial boards. Signed by Terry Dodson on the title page. Collects Red One #1-2. A fine copy. ; 24 x 31.5 cm; Signed by Author.

Wraps. Zustand: Very good. M. K. Perker (illustrator). First Printing [Stated]. The format is approximately 6.625 inches by 10.25 inches. Illustrated covers. Illustrations (most in color). The Foreword with Larry King "Conversating" with Ken Kristensen. Backword with Mark Duplass "Conversating" with Ken Kristensen. Todd is a happy-go-lucky kid in the world's most dysfunctional family. After unwittingly outwitting an axe murderer in his first adventure, Todd stumbles on a conspiracy in that most evil of organizations public television! In this unholy intersection of comic book conventions, public television, and paranormal investigation, Todd uncovers a secret that literally goes as deep as the depths of Hell. Collects issues #5-8 of the politically incorrect comedy that Ain't It Cool says ".clubs the baby seal of life." Ken Kristensen is an American screenwriter, television writer, and comic book author. Kristensen has served as writer-producer on multiple series including Shantaram, The Continental: From the World of John Wick, Echo, Spidey and his Amazing Friends, The Punisher and Happy!, and authored comic book series published by Image Comics, IDW Publishing, and Dark Horse Comics. He was hired by Pulitzer Prize winner Michael Chabon to write for The Amazing Adventures of The Escapist (a graphic novel spinoff of The Adventures of Kavalier and Clay). Ken co-created the critical and commercial hit Todd, The Ugliest Kid on Earth an Image Comics series with his creative partner, Eisner-nominated comic book artist M. K. Perker. In 2016, FX purchased the series and commissioned Kristensen to write the pilot. Mustafa Kutlukhan Perker (born 2 November 1972) is a Turkish artist. With the ability of producing work in different styles and techniques, he has built a successful career in both editorial illustration and comics. His work has appeared in publications such as The New York Times, The Wall Street Journal, The Washington Post, The New Yorker, Mad Magazine, The Progressive, and others, including G rg r. Perker was nominated for an Eisner Award for the monthly series "Air" (written by G. Willow Wilson), published by DC Comics' Vertigo line. Todd, The Ugliest Kid on Earth is a comic book series written by Ken Kristensen and illustrated by M.K. Perker. It focuses on the dysfunctional Belluomo Family, their exploits and lampooning American society. Todd is framed and jailed for the Maniac Killer murders. Peggy steals to help Todd make bail because his parents are oblivious. Meanwhile, Gus goes to see his idol, Belinda Fairchild, and bluff his way into her hotel room. Todd befriends the fellow inmate Eddie who helps Todd regain possession of a letter sent him by Peggy but then stolen. Eddie takes Todd to a hazing that Todd believes is a pillow fight. Chief Hargrave discovers the true identity of the Maniac Killer while investigating the crime scene of the killer's latest victim. As the Killer is taken to jail, Gus strikes a deal with Belinda Fairchild to adopt her secret daughter (by putting a bag over her head to avoid recognition) in exchange for a monthly allowance. When the Maniac Killer get to jail, Todd helps him escape through the air ducts but they end up in the cafeteria. Once there, Peggy arrives to take a free Todd home. The next day, Todd goes to school and the teacher introduces the new classmate Sandy Belluomo. When Gus decides to go to Comic-Con as his favorite character, Todd is taken along to carry home Gus' souvenirs. Gus buys a prop table from Belinda Fairchild's show that belong to Charlie Rose and is demonically possessed. Charlie hunts down the table; it magically abducts Sandy. Gus makes Todd dress like Sandy so as not to arouse suspicion about any disappearance of Sandy. Peggy goes to a plastic surgeon that uses voodoo to enlarge her breasts. When Charlie finds the table, Gus is ready to hand it over for cash. However, Gus' TV repairman turns out to be a demon hunter named The Marxman. When Peggy returns from the doctor Peggy Charlie kidnaps her but she escapes. The Marxman and Todd d.

Red hardback cloth cover. Zustand: Very Good. First Edition. VG: in very good condition with marked and chipped dust jacket. 310mm x 240mm (12" x 9"). 111pp.

Zustand: BUONO USATO. Bedlam INGLESE Graphic novel in brossura, copertina illustrata come l'interno in quadricromia, segnata da irrilevanti tracce da conservazione, aloni di polvere, striature da contatto, vol. 1 della collana, fogli in carta lucida come mai aperti. N. pag. n. n.

Wraps. Zustand: Very good. John Howard (illustrator). First Printing thus [Stated]. The format is approximately 6.625 inches by 10.25 inches. Unpaginated (listed on the internet as 104 pages). Illustrated cover. Illustrations (most in color). Dead@17 is a series formerly published by Viper Comics. The latest mini-series is being published by Image Comics. It was created by Josh Howard and focuses on a girl, Nara Kilday, who is killed and then reborn to fight demons. Nara Kilday is killed, and finds herself mysteriously revived. She discovers she has to prevent the coming of Bolabogg, a demonic lord. This series also introduces Hazy Foss, her best friend, and Elijah, a friend of the two girls who Nara has a crush on. The mysterious Noel appears, who helps the three fight hordes of undead and other monstrosities. Nara banishes Bolabogg back to his realm. Witch Queen: After being forced to kill her closest friend, Nara found herself banished to Purgatory by the Beast from the Abyss. Doomed to wander a hostile and timeless wasteland ruled by the mysterious Witch Queen, Nara has accepted her fate as penance for her actions. Haunted by her past, she faces her greatest challenge as she confronts who she's been and what she will become. Josh Howard is the writer/artist of the American comic book series Dead@17 published by Image Comics (formerly published by Viper Comics), Black Harvest published by Devil's Due, and the Lost Books of Eve published by Viper Comics. Howard is also a regular columnist for the Wizard website. After being forced to kill her closest friend, Nara has been banished to Purgatory. Doomed to wander a hostile and timeless wasteland ruled by the mysterious Witch Queen, Nara has accepted her fate as penance for her actions. Haunted by the ghosts of her past, she faces her greatest challenge as she confronts who she's been and what she will become.

Wraps. Zustand: Very good. Jonathan Luna (illustrations, lettering and design (illustrator). First Printing [Stated]. The format is approximately 6.625 inches by 10.125 inches. Unpaginated [128 pages reported] Illustrated covers. This volume contains issues/stories 6-10. "Luna and Vaughn's sensitive plot and careful pacing keep it exciting, especially as they strip away preconceived notions and use the tale to examine the complexities of what it is to be human. Luna's illustrations match the plot perfectly, particularly his ability to bring nuance and feeling to faces rendered in a very simple style" -Booklist In the second volume of this hit series, tensions rise between humans and robots in this sci-fi/drama set in the near future. Alex took a huge risk to unlock Ada and it seems to have paid off - Ada can now think for herself and explore life as a sentient android. As Alex and Ada spend more time together, they become closer. But as restrictions tighten on androids, Ada feels unsure about her place in Alex's life and the world. Jonathan Luna co-created and illustrated The Sword, Girls, and Ultra with his brother, Joshua Luna. He co-created and illustrated ALEX + ADA with Sarah Vaughn. He wrote and illustrated Star Bright and the Looking Glass. His work also includes the art for Spider-Woman: Origin. Jonathan spent most of his childhood overseas, living on military bases in Iceland and Italy. He returned to the United States in his late teens. Writing and drawing comics since he was a child, he graduated from the Savannah College of Art and Design with a BFA in Sequential Art. Sarah Vaughn is an artist, writer, over-thinker. She's penciled Sparkshooter and co-created ALEX + ADA with Jonathan Luna for Image Comics. Alex + Ada is an American comic book series created by Jonathan Luna and Sarah Vaughn. The duo began work on the series in January 2013, before publishing 15 issues through Image Comics between November 2013 and June 2015. The series has since been collected into three trade paperbacks. Alex + Ada centers upon the relationship between a lonely man and an intelligent android. The series received positive reviews from critics. While working on a book, Luna realized he missed telling a story panel by panel and decided to return to comics. Luna pitched the idea of a young man who falls in love with a female android to Vaughn. Vaughn jumped at the opportunity. After initializing the concept in January 2013, the two discussed the project for three or four months before creating an outline for the whole story. The original outline was for 12 issues, but it left room for improvisation and a few points were removed as the story progressed. They looked at past and present social movements for civil rights for inspiration for how one would progress and how people might respond to a movement for android rights. Luna wrote the first draft of issue one, then the two worked together to rewrite it. Luna began drawing around April. Alex + Ada is the first comic Luna drew completely digitally. Because Luna needed to focus on art, Vaughn wrote the first draft of the remaining issues. She and Luna would discuss the draft, then she would rewrite it. The first issue of Alex + Ada was released on November 6, 2013, and was Vaughn's first published comic work. During the course of publication, the series length was increased from 12 issues to 15 issues. Each issue was released approximately six weeks apart, with the final issue available June 18, 2015. The series has been collected into three trade paperbacks, each containing five issues. Alex is a young man who is depressed after his fiancée breaks up with him. Tired of seeing him unhappy, Alex's grandmother sends him Ada, a Tanaka X-5 android which is capable of intelligent human interaction. The robot is initially incapable of self-awareness, as each android has a program that blocks any potential free thought or consciousness. Alex decides to remove this inhibition and grant Ada her own mental freedom, as he is uninterested in a partner who cannot truly interact with him. Because removing the program.

Zustand: Very Good. First Edition. Inscribed by Marley to the title page. Pictorial paper covered boards. Some wear to paper on bottom corners (see image), otherwise a clean copy with no defacements. 9 x 12.25 in.

Wraps. Zustand: Very good. Riley Rossmo (Art) (illustrator). The format is approximately 6.625 inches by 10.25 inches. 128 pages. Illustrated covers. Illustrations (color). A virus has created a wilderness of blood-thirsty creatures standing between you and your family. You don't know if you can save them in time, or if you've even got the strength to try. But you're about to find out. In a world of ravenous creatures it doesn't matter who you used to be. Today you're lunch! Alex Link has diverse areas of interest with a current primary focus on the analysis and history of comics and graphic novels. He has also co-authored several titles for Image Comics. Riley Rossmo is a Canadian comic book artist and illustrator, known for his work on various Image Comics titles. Rossmo is an instructor at the Alberta College of Art and Design. His first professional work was producing illustrations for publications such as Avenue, Calgary Inc., WestJet magazine and Scratch. His first comic book work was a collaboration with writer Alex Grecian on Seven Sons, a graphic novel based on a Chinese folk legend. In 2007, he started work on Proof, also with Alex Grecian. Later, he collaborated with writer A. J. Lieberman on Cowboy Ninja Viking (20082011). Rebel Blood is a horror comic about an infectious disease outbreak that affects both humans and animals. Published in 2012, this was the first comic that credited Rossmo as a writer. Co-written with Alex Link, the remote wilderness setting in the story was influenced by Rossmo's experiences canoeing at Waskesui. Rossmo has cited Bill Sienkiewicz's illustrations for The New Mutants comic books as a major early influence on his art style. Considering the overwhelming popularity of zombies due in large part to the successes of the Walking Dead comic and television series, it's difficult to revolutionize the zombie genre. Even with that in mind, that's what co-plotters Alex Link and Riley Rossmo have attempted to do with their creator-owned series, Rebel Blood. The series follows Chuck Neville, a former firefighter turned forest ranger who was let go after he was injured on the job. The book also features an as yet to be fully introduced supporting cast, notably including Chuck's wife and child in several flashback panels that double as nightmare scenarios. After experiencing a number of visions while at his post, Chuck is awakened by the sound of his radio and spies a rabid owl that had crashed into his tower's window. It's here where Rebel Blood hints towards the origin of the virus by insinuating it to be partially spread by wildlife, which goes far in offering a future resolution to the cause of the outbreak for readers. Link did a great job of establishing the context for Chuck's life in explaining how he came to arrive at the watchtower as a forest ranger. His life is recounted over three pages, dividing the reader's attention between a narrative conversation differentiated by two differently colored dialogue boxes to indicate a conversation between two people. As the reader follows this dialogue over the three pages, we gleam varying events from Chuck's life as they developed playing out in his head, including his accident, his being fired and his wife pushing him to take control of his life before ultimately leaving him. All of this builds towards the revelation that the opening pages occur as a recounting in Chuck's imagination as he has a conversation with a blond haired woman atop his tower as they share a coffee. It's a similar tactic used later in the issue after the owl crashes into his tower window. First Printing thus [Stated] [Originally published as four single issues].

0. 4to. nicht pag. Seiten. Illustrierter Original-Pappband. - In englischer Sprache. - Sehr gut erhaltenes Exemplar. Sprache: Englischg 1,200 gr. Illustrierter Original-Pappband.

First Edition. First edition. First issue in the ongoing comic series set in an American South where football is everything and crime is a sport. Winner of the 2015 Harvey Award for Best New Series and 2016 Eisner Award for Best Continuing Series. [NOTE: This is the true "No. 1," i.e., the very first issue published whereas "Volume 1," published October 2014, collects Nos. 1 - 4.] Fine.