Hogarth arts (25 Ergebnisse)

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

hardcover. Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Illustrated. Minor shelf wear. Else a bright, clean copy. This story of one of the great graphic satirists and watercolour artists of the British School is based upon a mass of new research. Rowlandson kept no diary, wrote few letters, and occurs only infrequently in the memoirs of others. Source material is not abundant. But in more than a decade's research, using church and official records, newspaper reports, contemporary accounts, sales catalogues and consideration of his pictures, the authors shed new light on Rowlandson's family background, his education and art training in London and Paris, his personal and professional associations, his travels in Britain and abroad, and the work itself. Fully illustrated, this contribution to scholarship will appeal to the general reader and specialist alike and is destined to become the standard work on this benchmark British artist.…

hardcover. Zustand: Very Good. **HARDBACK** In unclipped dustjacket No stamps or inscriptions.

Hardcover. Zustand: Good. No Jacket. 1st Edition. hardback, large octavo, red cloth lettered gilt, no jacket. A tightly bound copy, a handful of pencil markings in a light and easily erasable hand and one inked annotation at the head of page 296. Illustrated, vi + 393pp.

Zustand: Gut. Erstauflage / First publication. Bll. + VI + 393 S. inkl. Anhang mit u.a. Bibliographie u. mit 145 s/w. Abb. im Text u. 32 farb. auf Tafeln (glac.-Papier). * (oder 1756-1827) englischer Maler u. Karikaturist. +++++ Bestellungen, die zwischen Donnerstag, dem 8. Oktober, und Sonntag, dem 11. Oktober, aufgegeben werden, werden am Montag, dem 11. Oktober, bearbeitet und versandt. Orders placed from Thursday, Oct. 8 to Sunday, Oct. 11 will be processed and shipped on Monday, Oct. 11. +++++ Sprache: Englisch Gewicht in Gramm: 965 Kl.-4° small, O(rot)-GanzLnw. mit Goldgepr.-Rückentitel u. OIll.-Umschlag. Gut erhalten.…

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. (6) 234 pages. Illustrated. 250x180mm. Original publisher's cloth, spine lettered gilt, with pictorial unclipped dust jacket. This radical re-examination of a crucial period of modern British and Irish art demolishes the idea that control of the art world passed after the War from rich individuals to faceless state institutions. Through analysis of unpublished private letters and manuscripts, the detailed machinations of committees, and contemporary newspaper sources, Adrian Clark demonstrates that the public school and Oxbridge elite retained its hold upon the levers of power within the new state-run art institutions. He reveals the intricate mechanisms whereby artists turned oil on canvas into money, or failed to do so. The book also explains how artists' reputations were made or broken and how they fought to survive against the powerful individuals, critics and gallery owners who controlled their destinies. Included amongst the the many artists and individuals discussed are Michael Ayrton, John Craxton, Patrick Heron, Patrick Hennessy, Thomas Bodkin, Robert MacBryde, Francis Bacon, Lucian Freud, Henry Moore, John Piper, Graham Sutherland, Gerard Dillon, Robert Colquhoun, Paul Nash, Victor Waddington, Jack Yeats, Keith Vaughan. A fine copy without any damage, library stamps, inscriptions or other markings. Images and further information available on request.…

hardcover. Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. 1st Edition. Unused copy.

1st edition. Fine cloth copy in an equally fine dust wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description: vi, 393 pages, 16 unnumbered pages of plates: illustrations (some colour); 26 cm. Notes: Bibliography: pages 373-376. - Includes index. Subjects: Rowlandson, Thomas 1756-1827. Rowlandson, Thomas (English caricaturist and watercolorist, born 1756 or 1757, died 1827). Artists England; Biography. Cartoonists Great Britain; Biography. Caricature England History 18th century. Caricature England History 19th century. Artists. Satirical Prints - [18th Century - United Kingdom]. Great Britain Politics and government 1760-1820 Caricatures and cartoons. England. Other names: Payne, James. Rowlandson, Thomas 1756-1827. Genre: Biographies. Biography. Illustrated. 2 Kg. …

First Edition. 25 x 18 cm 234 pp with b&w illustrations. Hbk. minor foxing to edges of text b;lock and back endpaper, o.w. very good in very good dustwrapper.

1st edn. 4to. Original black lettered grey cloth (Fine), dustwrapper (Fine, not price clipped). Pp. 313, illus with b&w photos and coloured plates (no inscriptions).

Paperback. Zustand: Near fine in wraps. First Edition. 21 x 30cm 103pp Glossy exhibition catalogue, well illustrated in colour. 6 essays by Martin Postle, John Milner and others.

FIRST EDITION4to. grey cloth hardback in unclipped dust jacket. 313pp., Indexed, profusely illustrated in b/w and colour. A clean copy with no previous owners' markings or inscriptions. A VERY GOOD COPY in VERY GOOD DUST JACKET. (Shelf 25) ISBN: 9780955406300 PLEASE NOTE: VERY HEAVY BOOK (1.8 kg+) Postage rates vary according to destination, weight and speed. For an accurate overseas quote PLEASE either call or email us before ordering. [AbeBooks shipping quote is based on items weighing up to 1 kilo only]. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.** Pictures available upon request.** Visit our homepage for our shop opening hours. Over 20,000 books in stock - come and browse. PayPal, credit and most debit cards welcome. Books posted worldwide. For any queries please contact us direct. …

Pp. Zustand: Sehr gut. 313 Seiten ; Ill. ; Sprache sehr guter Zustand, leichte Lagerspuren am Schutzumschlag Sprache: Englisch Gewicht in Gramm: 1780.

First Edition. Issued in slipcase. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved; tight, bright, clean and strong. Literally as new. Physical description; vii, 392 p. : ill. (chiefly col.) ; 31 cm. Subjects; Art Study and teaching Europe History. Art, European History. Painting Study and teaching Europe History. Influence (Literary, artistic, etc.) 1 Kg. …

Zustand: As New. First edition (hardback). 4to (30cm by 21cm), vi, 313pp. 86 colour plates, 247 text illustrations. Original grey cloth, dustwrapper. The book and the dustwrapper are in excellent condition. ISBN 9780955406300.

Soft cover. Zustand: Near Fine. 1st Edition. First Published by Hogarth. W13.

1st Edition. Fine cloth copy in an equally fine dust wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description: 313 pages, 80 unnumbered pages of plates: illustrations (some color), portraits; 31 cm. Contents: I: Hogarth, Thornhill, France and the French -- Hogarth among the French, and the patriotism of Mary Edwards -- Hogarth's French connections -- Hogarth Watteau, and Voltaire -- French art and theory -- Garrick as Richard III in context -- Plays and pictures 'in rehearsal' -- Art, theatre, and old masters, in Britain and France -- II: Hogarth's portraits and Augustan imitation -- Hogarth, sculpture, and the paragone -- Hogarth's histories: 'pretences and magnificences' -- Hogarth and Pope -- Hogarth's conversation pieces -- Hogarth and the sound of music -- The beggar's opera and A rake's progress -- Becoming British . and European. Subjects: Hogarth, William 1697-1764 Criticism and interpretation. Hogarth, William 1697-1764. Art and society France History 18th century. Art and society Great Britain History 18th century. Painting, British 18th century. Painting, French Influence. 2 Kg.…

Hardcover. Zustand: Very Good. 7.25 x 4.75", blue cloth, 56pp, covers lightly extremity-worn/sunned, spine a bit cocked, pp toned, in a toned (especially spine), lightly edge-worn but complete dustjacket. The New Hogarth Library Vol. XI.

Hardback in Dust Wrapper. Zustand: Very Good+. Zustand des Schutzumschlags: Very Good+. First edition (first printing). Signed copy. Hardback. Dust wrapper over blue boards with gilt titles to the spine; Measures 10" x 7" (1 kg); pp 234; Index; Bibliography; Signed by the author, in name only, on the first blank page without provenance. Includes: Black & white photographs, within the text; || The book is on the shelf, ready to be appropriately packed, and posted from the pastoral paradise of Peasedown St. John, Bath, by a real bookseller in a real book shop - with my personal guarantee and beady eye on the Consumer Contracts Regulations. REMEMBER! Buying my copy means the book shop Jack Russells get their supper! My Book #200966 ||.…

First edition, first printing. Near fine in near fine dustjacket.

Buch. Zustand: Neu. Neuware - Hogarth has long been viewed as an insular and chauvinistic individual, with a particular aversion to all things French. On the contrary, while Hogarth himself liked to project this image, his effective invention of British art was founded upon a profound knowledge of contemporary French art and theory. This lavishly illustrated book conjures up in great detail the French and wider European context within which Hogarth's art was formed. Robin Simon examines the ways in which Hogarth interacted with and influenced his contemporaries not only in painting and printmaking, but also in sculpture, poetry, the novel, the theater, public life, art education, copyright law, music and opera. In this wide-ranging but richly detailed book, full of analyses of individual works, the author draws upon a mass of new material, with fresh analyses of Hogarth's most famous and less well-known works alike, opening a window on to one of the most creative and formative periods in British life. Robin Simon, FSA, is Editor of The British Art Journal, having been Editor of Apollo magazine and a tenured university academic for many years before that. He is the author of many scholarly articles on British art, and his books include The Portrait in Britain and America (1987).…

Gr. 8°. VI, 393 S., [8] Bl. mit zahlr. Abb. OPb mit OUMschl. neuwertig. EA.