Graeme murray edinburgh (34 Ergebnisse)

paperback. Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

First Edition. Very good paperback copy; edges somewhat slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; [43] p. : ill. ; 22 cm. Subjects; Graeme Murray Gallery Exhibitions. Art, Modern 20th century Great Britain. 1 Kg.…

First Edition. Near fine paperback copy; edges very slightly dulled. Remains particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; 45 unnumbered pages : illustrations (black and white) ; 22 cm. Notes; Catalogue of an exhibition, 6-28 October 1984 at the Serpentine Gallery, London. Subjects; Graeme Murray Gallery ; Exhibitions. Art, Modern ; Exhibitions. Artists' books ; Exhibitions. Art, Modern 20th century Great Britain ; Exhibitions. 1 Kg.…

Pappband. 0. gr. 8°, 66 S., Ill., Pappband, Buch sehr gut erhalten, Einband minimal berieben, kaum Gebrauchsspuren RW14R6 Sprache: Deutsch 0,520 gr.

Soft cover. Zustand: Very Good. First Edition. 1988. 119pp. B&W photographs. Produced to coincide with theGlasgow Garden Festival of 1988. Contents include - The Rim of Glasgow - Hidden Views by Thomas Joshua Cooper; Preface by Isabel Vasseur; Interview with George Mulvagh by Richard Cork; From Versailles to La Villette (notes towards a history of French Gardens and their ideology) by Yves Abrioux; Invasion from the Artist's studio by Walter Grasskamp; The Installations; 3 appendices. Very good condition with no inscriptions.…

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:0948274123. …

(28)pp. 11 plates. Oblong 4to. Ultrasuede boards. Edition limited to 1000 copies.

Zustand: Sehr gut. 66 S. Ein gutes und sauberes Exemplar. - Introductory essay by Martin Kemp entitled 'Works on sight'. - A sense of sight is central to Kate Whiteford's vision, just as the sense of sight itself is crucial to her artistic means. To say the sense of sight is crucial to a practitioner of the visual arts may seem to be the most unrewarding of truisms, but by referring to sight in relation to her art, I am not thinking just of artefacts made to be seen but more broadly of her exploitation of the act of seeing as a process which not only involves the optical aspects of our perceptual apparatus but also integrally embodies a rich series of allusions, associations, meanings and memories. She brings this rich amalgam of illusion and allusion into being through specific sites or locations - the sites which have survived as traces from the historic past, such as the haunting remains of the overwhelmed city at Pompeii, and the sites which she invents as new arenas in which we can exercise our compulsion to make sense of form and colour. Alois Reigl, the great nineteenth-century German art historian, talked of our Kunstwollen - our will to form - our propensity in works of art to express our experience through ordered configurations and archetypal shapes. Whiteford may, in a complementary manner, be seen as exploiting a will to meaning; that is to say, the proclivity through which arrangements of shapes and colours have, for generations of peoples in diverse civilisations, not only acted as conventional signs of transcendental truths, but also come to exert power in their own right. ISBN 0948274123 Sprache: Englisch Gewicht in Gramm: 550 Mit zahlr. auch farb. Abb. Fadengehefteter Originalpappband.…

Zustand: Gut. Unpaginated [40 p.], fig. A perfect copy. - AT THE SERPENTINE. GRAEME MURRAY GALLERY PRESENTS: ROGER ACKLING -- ALAN CHARLTON -- DOUGLAS COCKER -- THOMAS JOSHUA COOPER -- JAMES CRAMB -- * IAN HAMILTON FINLAY -- HAMISH FULTON -- EVAN PARKER -- EDDA RENOUF -- ULRICH RÜCKRIEM. 6-28 OCTOBER 1984, KENSINGTON GARDENS, LONDON. Sprache: Englisch Gewicht in Gramm: 550 Original brochure, 21,5*21,5 cm.…

n. pag. mit zahlr. Abb. Gutes Exemplar. Sprache: Deutsch Quer-4°, Orig.-Leinen mit mont. Deckelbild.

hardcover. Zustand: Good. Good Jacket. . Posted within 1 working day. 1st class tracked post to the UK, Airmail with tracking worldwide. Robust recyclable packaging. Picture is the actual item.

hardcover. Zustand: Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

First Edition. First edition. Oblong softcover. 119 pages. Features text contributions by Thomas Jackson Cooper, Isabet Vasseur, Richard Cork, Yves Abrioux, and Walter Grasskamp. Includes numerous illustrations and images. A very good plus copy in wrappers with some minor wear. Signed and warmly inscribed by Thomas Jackson Cooper to author and curator Peter Bunnell. A very nice copy. Signed.…

softcover. Zustand: Fine. 1st. 8vo, pp., Limited to 1000 copies. Former owner's blindstamp on the title page. Fine copy in nearly fine dust jacket. Well-illustrated (illustrator).

Zustand: Near Fine. Staplebound book in printed grey wraps. 180x135mm. 10pp, unsigned, no edition size given. Condition: fading to edges of covers, very light rubbing to spine. Overall: Near Fine.

Paperback. Zustand: Near fine in wraps. First Edition. 24 x 31cm 120pp near fine paperback featuring text plus black and white reproductions showing illstallations by many different artists including Marc Chaimowicz, Richard Deacon, Ian Hamilton Finlay, Sophie Rtderm Tracy Mackenna.

Hardcover in full cloth. Zustand: Very good. First edition. Quarto (over size). Slight wear to edges and corners of boards, No dust jacket issued. Boards slightly curved. Small white line on cloth on back board. Slight scuffing to boards. SIGNED and inscribed by Cooper. Black and white photographs of unusual and attractive terrain.…

Hardback. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First. Very nice copy of this beautiful book. No inscriptions. Tight and clean. Dust jacket very slightly soiled and bumped along edges. Rear e/p is creased.

First Edition. Fine cloth copy in an equally fine dust wrapper, now mylar-sleeved. Particularly well-preserved overall; tight, bright, clean and strong. Physical description: 25cm. 48. 78 ill. Subject: Goldsworthy, Andy 1956- ; Exhibitions. 1 Kg.

(28)pp. 16 silkscreen plates. 4to. Wraps. One of 450 hand-numbered copies from the limited edition of 500.

Zustand: gut. Art in the Garden: Installations for the Glasgow Garden Festival In englischer Sprache. pages.

Zustand: gut. Unpainted Landscape In englischer Sprache. pages.

Softcover. Zustand: Fine. First edition. Quarto (10-1/2" x 8-3/4"). (12)pp. Plus 16 unnumbered silkscreen prints. Blind stamped stiffened gray wrappers. From a total overall printing of 500, this copy is limited to 1/50 with a signed print in color (this is #46) laid in at front. A fine, as new copy. "Published . on the occasion of the artist's exhibition at the Whitechapel Art Gallery from 25 November 1988 until 22 January 1989." (colophon).…

Zustand: Good. 4to. Very Good. Hard cover. 66 pp. Color plates. Heavy volume, additional shipping may apply.

Zustand: Very Good. Staplebound book in printed yellow wraps. Contents printed black on white stock with tracing paper interleaves. 202x127mm. Unsigned, unnumbered, edition of 3000, unpaginated. Condition: stains and surface wear to covers, crumpling to top left corner of covers, soiling to inside of back cover and final page, otherwise contents are fine. Overall: Very Good Only.…

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. One of 2000 copies done in black and red; illustrated with drawings done by Ian Hamilton Finlay and Ron Costley; reliefs carved in Portland stone by John Andrew. Photographs by Antonia Reeve. Black paper covers with printed dust-jacket inset with a photograph. A fine copy with a presentation inscription by John Andrew. Inscribed by Illustrator(s).…

Blue cloth with silver embossing and glued photograph, 25 x 31cm, pages not numbered, English text. *fine condition. Dreaming the Gokstadt 0 g.

unpaginiert, Original-Leinen in dunkelblauer Farbe mit montierten Deckelbild. Ecken und Kanten sind leicht berieben, Einband stärker berieben, Seiten insgesamt leicht nachgedunkelt, am Schnitt sind leichte Lagerspuren, innen sauber. Sonst ist das Buch in einem guten Zustand. Abgleich des Titelbildes bitte bei nika-books. 9780948274022 Sprache: Deutsch Gewicht in Gramm: 550 Quer-4°, gebundene Ausgabe, Leinen.…

14,3:14,3 cm. 48 unpag. S. mit 24 Zeichnungen. OBr. Original-Ausgabe. Eins von 500 Exemplaren. Unter Verwendung eines Standard Bleistiftgitters erkundete der Künstler alle Möglichkeiten subtiler Farbverschiebungen. Sehr feines Künstlerbuch. First edition. The artist used a standard pencil grid and, by means of subtle shifts in tone and colour explores all possibilities of regular pattern. VERSAND ERFOLGT NUR MIT SENDUNGSNACHWEIS. SHIPMENT ONLY WITH TRACKING NUMBER. …

Hardcover. Dust Jacket Included. 1st Edition. First Edition in the plain black dust-jacket, unclipped. Oblong format. Unpaginated. Original blue cloth with inlaid photograph to front board. Single page black and white photographs. A Fine copy. Cooper is an American photographer of Cherokee and Chinese descent. He was inspired by the works of the photographers of the f/64 group of the 1930s and 1940s, such as Ansel Adams. Book.…