Galerist (18 Ergebnisse)

ill. OPappband. / Hardcover. 1. Aufl. Weaving the Image, Touching the Image / Installation-Views . - Whenever Yesim Akdeniz Graf touches social history, gender, Hollywood and architecture in her promiscuous flight of butterflies, she is not up to make everything equal, she doesn`t want to dissolve borders. The mutual fertilization of the just mentioned is rather her gentle wish. In Yesim Akdeniz Graf`s mind maybe Marx dances at the glittering ball and changes once in a while his dancing partner. This time it`s as usual Ms. Woolf or Mr. Passoloni, then the church again or just one of all the numerous present actresses, rejuvenating him with their pirouettes. (Manuel Graf) / Sprache: Englisch (Verlagsfrisch! / new) Sprache: Englisch Gewicht in Gramm: 1100.…

Soft cover. Zustand: Fine. Paperback. Demy 8vo. (21 x 14 cm). In English and Turkish. 38 p., ills. Warhol in motion. Films and polaroids.= Warhol hareket halinde. Filmler, polaroidler.

Zustand: Fine. First edition. Hardback. Quarto. 184pp. New sealed hardback. Fine and unread in dust jacket.

Zustand: New. Editors: Translator: 190 pages.

Hardcover. Zustand: Fine. Limited Edition. Original pink cloth bdg. Small 4to. (26 x 20 cm). In English. 144, [2] p. Color and b/w ills. 1000 copies were printed. Haluk Akakçe's Reincarnation is published to coincide with the artist's solo exhibition in Istanbul, yet it is not conceived as a catalogue. Rather, it includes reproductions of new and earlier work, as well as a selection of texts that were developed in discussion with the artist. Contents: Foreword.; From skyscraper to butterfly: Metamorphosis in the work of Haluk Akakçe.; Reincarnation.; City of air.; Drawings, paintings and panels.; In conversation: Haluk akakçe and Nomi Rutz.; Video [installation].; Duration and simultaneity.; Installations and exhibitions.; List of works.; Chronology, solo and group exhibitions.; a hero with a thousand faces.…

Hardcover. Zustand: Very Good. 4to. 184 pages; in English and Turkish. Photography, some erotic. Copiously illustrated in colour. Original publisher's white boards, lettered silver on cover. Clean very good indeed in similar jacket. Bump at lower corner with some slight creasing topage corners not affecting text or illus.…

Zustand: New. Editors: Draz, Ayse Translator: 155 pages.

Zustand: New. Editors: Translator: 60 pages.

Hardcover. Zustand: Near Fine. Original bdg. HC. 4to. (28 x 20 cm). In English. [2], 64, [1] p., color and b/w photos. Mert & Marcus: Tales of the subconscious. [Album of photographs]. "Mert Alas and Marcus Piggott have made a shimmering impact upon our image culture over the past two decades. They have rewritten the rulebook for how to stage seductive voyeurism and activate our imaginations. They take the arena of fashion photography to one where social conventions and strictures can be suspended. The baton handed to them by their creative forebears Helmut Newton and Guy Bourdin, who dominated the well of French Vogue through the 1970s, centres on an understanding of human desire - of how to trigger it and, simultaneously, make us conscious of our viewership. We feel this in Mert & Marcus's images when we encounter the darkest stories as if glimpsed through a keyhole into a dreadful and potent other world. Mert & Marcus deploy an assembly of visual cues to stimulate our imaginations. References to radical art movements and notably the Symbolists and Surrealists staccato through their work. We see Gustave Moreau's Salome and Medea, Hans Bellmer's nightmarish dolls, George Platt Lynes's shadowed masculine forms, each recalibrated into contemporary scenes. Mert & Marcus are alchemists of sorts, who make new visual tales that can cause a chain reaction in our memory banks, leaving a far-reaching and indelible mark. Mert & Marcus's understanding of photography remains fundamentally as it began in the early 1990s - as a pluralistic medium grounded in experimentation. From the outset, their creative partnership has been about discovery and the challenge of how to visualise their imaginings. Their photographic signature shifts between the casual and elaborate - the glimpsed and strictly choreographed. At the heart of their modality is a shared history in the post-Punk environment of London where their partnership began in the early 1990s. They take the ultimate individualism of Punk - its defiance of conventions and dark romanticism - and reconfigure it in all of their iconic images. They customise and individualise everything with this sensibility and create fierce protagonists. Of course, they bring their own histories and experiences into play within the stories that they tell. We see, for instance, in their strong use of colour, a resonance with Mert Alas's Turkish heritage, encoded with pre-modern symbolism and ancient emotion. Marcus Piggott's absorption of his parents' connoisseurship of art and antiques is carried into the creative duo's sense of style that turns objects into subjects and stories - creating something new and tangible from what is old. Mert & Marcus are alchemists of sorts, who make new visual tales that can cause a chain reaction in our memory banks, leaving a far-reaching and indelible mark. (Excerpted from Charlotte Cotton's introduction to Mert Alas and Marcus Piggott).…

Hardcover. Zustand: Fine. Original cloth bdg. HC. 4to. (32 x 25 cm). 144 p. Color ills. In Turkish and English. Fine. Leyla Gediz biography: "Born in 1974, Leyla Gediz grew up in ¿stanbul. She moved to the UK to study art where she first took a foundation course at the Chelsea College of Art and Design. She then went on to study at the Slade School of Fine Arts, finally receiving her MA in Visual Arts from Goldsmiths College, University of London. Gediz is renowned for her narrative paintings and installations, inspired by her memories and experiences about growing up and living in ¿stanbul. Her first solo exhibition opened in ¿stanbul in 2002 followed by other various solo exhibitions in ¿stanbul and abroad such as Roberts & Tilton Gallery in L.A. and Fabian & Claude Walter Galerie in Zurich. Gediz also participated in national and international exhibitions such as the ¿Egofugal¿, 7th ¿stanbul Biennial, ¿stanbul (2001); ¿Where? / Here?, Turkish Art Today¿, The Museum of Modern Art Saitama, Saitama (2003); ¿Art For¿¿, Garanti Platform Contemporary Art Centre, ¿stanbul (2005); ¿Eindhoven ¿ ¿stanbul¿, Van Abbemuseum, Eindhoven (2005); ¿Urban Reality: Focus ¿stanbul¿, Martin-Gropius-Bau, Berlin (2005); ¿Save As¿, Triennale Bovisa, Milan (2008); ¿Last Things¿, Westfaelischer Kunstverein, Münster (2008). She was also the curator of several exhibitions in ¿stanbul between 2008 and 2009 and attended the HIAP Helsinki artist-in-residence program in 2010.".…

Zustand: New. Bringing together new works by Yalter, the exhibition takes its title from the material transformation of burnt sand into black, as observed at a foundry in the neighborhood of Hasköy, Istanbul. The blackness of this special material, the flames that transform it as well as the crater, known as the flaming Door to Hell, in the middle of the Karakum Desert are the source of the artist's investigation into images of darkness and closure. Focusing on a series of relationships that are central to art, science and mythologies such as those between the concepts of production and destruction, chaos-balance, black holes and universe(s), Nil Yalter observes Hasköy, a neighborhood in Istanbul currently undergoing a process of urban transformation, through its streets and its sand-casting foundry workshops. Travelling through the flaming hole inside one small workshop towards the center of the Earth, the artist sees Piet Mondrian's meticulous perfectionism and geometry in the metal machine of another master. Editors: Translator: 48 pages. …

Zustand: New. Editors: Translator: 155 pages.

Zustand: New. HC. Editors: Translator: 144 pages.

Zustand: New. HC. 20x29 cm. Galerist is delighted to announce Yusuf Sevincli's second exhibition at the gallery, titled 'Tumult,' running from January 12 to February 17, 2024. Accompanied by a homonymous photobook, Sevincli's eighth publication, the exhibition unfolds a polyphonic story with two simultaneously flowing narratives. Spectators glimpse into Sevincli's realm, where the internal and external run parallel, at times closer and further apart. Rational and serene landscapes engage in a dialogue with denser and more intimate inner sceneries. Sevincli's black and white photographs act as windows that open in both directions, embodying a dichotomy that encapsulates the harmony essential to life. Editors: Translator: pages.…

Zustand: New. Galerist is proud to present Oculus, the first solo show of Turkish artist Yusuf Sevincli at the gallery between December 15, 2017 January 27, 2018. The exhibition comprises analogue, black&white photographs taken mostly in France and Turkey. Taking its title from an old Roman architectural term for a small circular or oval window or the round openings found at the center of domes. Often an oculus allows a concentrated beam of light into an otherwise dark interior and so is threshold between a world of light and one of shadow. In Sevincli's images we are in a shadow-world in which light, meaning and beauty pass fleetingly, out of reach and into memory. There is a beautiful, poetic intelligence in Sevincli's photographs. They are, we are told images of actual things and places. The artist's sensibility, however, articulated through the elegant contingencies of the analogue photographic process; the framing of the shot, the manipulation of the negative, the quality of the printing, renders reality dreamlike. Editors: Translator: pages.…

Zustand: New. Editors: Translator: 143 pages.

Zustand: New. Distilled From Scattered Bluereflects the mysteries of the colour blue and the quest for what is yet undiscovered. It touches on wounds, memory, longing, loneliness, and distance,evoking a sense of creative pain. The exhibition borrows its title from a line in Lavinia Greenlaw's poemFrom Scattered Blue, expanding from the pale blue hues symbolising ethereal innocence to the vast blackness of the all-absorbing universe. That elusive place we can never reach, the knots in our stomachs, the pain we carry like a medal upon our chests perhaps they are all blue, demanding that we lower our guards while quietly permeating our skin.Centred around the melancholic connotations of blue, the exhibition brings together works by Abdülmecid Efendi, Murat Akagündüz, Erol Akyavaþ, Albert Bitran, Semiha Berksoy, Katrien de Blauwer, Hera Büyüktaþcýyan, Nejad Devrim, Marlene Dumas, Nermin Er, Max Ernst, Candeðer Furtun, Ahmet Doðu Ýpek, Fatoþ Ýrwen, Þahin Kaygun, William Kentridge, Onur Kýlýç, Gustav Klimt, Çaðla Köseoðullarý, Nermin Kura, Dora Maar, Basim Magdy, Kate MccGwire, Joan Miró, Mübin Orhon, Lara Ögel, Erman Özbaþaran,Anýl Saldýran, Sarkis, Léon Spilliaert, Yaþam Þaþmazer, Defne Tesal, Clare Twomey, Elif UrasandMasao Yamamoto. Editors: Translator: pages.…

Zustand: New. Editors: Translator: pages.