Folio publishers (32 Ergebnisse)

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Fine. No Jacket. 1st Edition. Inscribed by both authors on title page. x, 433 pp with diagrams, illustrations. With errata sheet. Blue gilt decorated lettered cloth. Inscribed by Author(s).

Paperback. Zustand: Brand New. 282 pages. 8.50x5.50x0.71 inches. In Stock.

Soft cover. Zustand: Very Good. 317pp. b&w illustrations.

Hardcover. 349 p. In very good condition. The pages are clean and free from markings. Slight signs of storage and wear. A sticker on the first page. Otherwise, a very good copy. 9789660355712 uk Gewicht in Gramm: 1000.

Hardcover. 316 p. In very good condition. The pages are clean and free from markings. Slight signs of storage and wear. A sticker on the first page. Otherwise, a very good copy. uk Gewicht in Gramm: 1000.

Hardcover. 316 p. In very good condition. The pages are clean and free from markings. Slight signs of storage and wear. A sticker on the first page. Otherwise, a very good copy. uk Gewicht in Gramm: 1000.

Gebundene Ausgabe. o.A. 316 S. Leichte Lager- und Gebrauchsspuren, innen wie außen ein sehr gutes Exemplar, Aufkleber auf Vorsatz. Die Leseseiten sind sauber und ohne Anstreichungen oder Knicke. 9789660355729 uk Gewicht in Gramm: 300.

Hardcover. 509 p. In very good condition. The pages are clean and free from markings. Slight signs of storage and wear. There is a sticker on the first page. Otherwise, a very good copy. 9789660357389 uk Gewicht in Gramm: 1000.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Printed in double column with many illustrations in colour and black and white. Maroon cloth, spine and upper board gilt. Pictorial dust-jacket. A fine copy.

Hardcover. 1. Aufl. ART MAGAZINE (Sehr gut erhalten! / in very good condition) Gewicht in Gramm: 1300.

Hardcover. 1. Aufl. Cover by Vasan Sitthiket (Sehr gut erhalten! / in very good condition) Sprache: Deutsch Gewicht in Gramm: 1500.

°°° FIRST ENGLISH EDITION (3rd in total), LARGESIZE SOFTCOVER ORIGINAL; translations by Beth O'Brien. - Glossy cover with slight scratches at rearpanel, sharpcorners of frontcover with smaller light creases, sharpcorners of the first pages minimally wavy; else a very good copy (no 'softcover-crease' at spine!). isbn 9059373804. …

Hardcover. Zustand: Very Good. Dust Jacket Included. 1st Edition. Printed in double column with over 850 illustrations within the text. Blue, red and white paper-covered boards with blue deorative endpapers. Lacks dust-jacket, slight wear to spine. A very good copy.

pp. 20; 20; 24; 24; 28; 28; 28; 28. Numerous illustrations. All stapled within original coloured wrappers, staples rusted, occasional mark on the covers and small tear at the spine edge, but very good copies overall. *With some important contributions - CECIL ALDIN provides many illustrations for the issues 2-7; others are by LAURENCE IRVING and FRANK ADAMS. Stories by FRANK BRIDGES, JOHN MASEFIELD, FRANK BOWEN and others. COPAC records various short runs at the BRITISH LIBRARY and the NLW - it appears to have started in December 1927 and to have run at least until 1930, latterly under the changed title of 'The Young Adventurer and the Friend Ship'.…

°°° FIRST EDITION, LARGESIZE HEAVY ORIGINAL IN THE BIBLIOPHILE LEATHER BINDING AND WITH SLIPCASE; NUMBERED (48 of 100) AND SIGNED BY MAILS with an additional orig.-drawing (decorated Indian's head) on a special dedication-page. - BEST CONDITION LIKE NEW. --- Also in stock: more Th. Mails signed collector's editions as well as other Americana Collector's-Editions (mainly by 'Easton-Press'). . . isbn 0933031467.…

°°° FIRST EDITION OF THE RARE FIRST VOLUME; largesize original cloth with dustjacket and clipcase. - BEST CONDITION LIKE NEW.

°°° FIRST EDITION, oversize hardbound limited original; inscribed and fully signed by Gonzalez ''Recuerdo afectuoso de la visita de Mr. R. F. Doublet a mi colecion . . .'' (dated 1956) on the front flyleaf. Loosely inserted is a 6-leafs-typescript about the subject (summary or transcription?, by Gonzalez or Doublet?). - Binding minimally rubbed, else in best condition.…

°°° FIRST EDITION OF THE LUXURIOUS EQUIPPED OVERSIZE FACSIMILE, #0520 of 1.000 copies; INDIVIDUALLY BOUND IN A MAGNIFICIENT PORTUGUESE LEATHER BINDING OF 18TH CENTURY STYLE: 1 blank sheet, pre-titlepage, Titlepage 'VIAGEM PITORESCA ATRAVÉS DO BRASIL' printed in black and red, 94 pages of text in Portuguese, 1 blank sheet; facsimile of the titlepage for the plate-section of 'VOYAGE PITTORESQUE DANS LE BRÉSIL' 1853, 100 singleside printed plates; facsimile of the main-titlepage 1853, 21 sheets with reduced (4 on 1 page) 48, 34, 51, 32 textpages of the French original; 1 blank sheet with colophone. - Spine and frontpanel-left somewhat sunned, inbound original softcover mit minimal crease; else in best condition.…

°°° FIRST EDITION, LARGESIZE SOFTCOVER ORIGINAL; Copy #73 (or 13?) of 90 on Paper 'Arches à la forme' (before 50 copies on 'Arches blanc'), lengthly INSCRIBED AND SIGNED BY THE AUTHOR in the year of publication. - A BEAUTIFUL COPY. --- The modernist poet Noel Bureau was a well-known figure in bohemian Montmartre and friend with many artists and poets such as Raoul Dufy, Marcel Gromaire, Jean-Gabriel Daragnes, Colette. It was former circus-artist Camille Bombois who inspired him to start this artist(ic) project which - like his other artist book 'MARCHÉ AUX PUCES'(1930) - was printed on the press of Seheur, Montmarte, who also worked for Vlaminck and Utrillo. - Many more inscribed and illustrated books by Noel Bureau in stock. . .…

°°° RARE GRAPHIC-ARTIST'S SKOVORODA-MEMORIAL-EDITION, COMPLETE WITH ALL 22 INDIVIDUALLY NAMED AND SIGNED WORKS; IN THE PUBLISHER'S CLOTH-BOX. - Box slightly spotty, corners slightly rubbed; THE CONTENT IN BEST CONDITION. --- 'TRIBUTES', according to Wikipedia: ''On 15 September 2006, Skovoroda's portrait was placed on the second largest banknote in circulation in Ukraine, the 500 UAH note. / The Hryhoriy Skovoroda Institute of Philosophy, founded in 1946, operates under the auspicies of the National Academy of Science of Ukraine (until 1991 Academy of Sciences of the UkrSSR). / IN THE VILLAGE OF SKOVORODYNIVKA IN KHARKIV OBLAST, UKRAINE, A MUSEUM OF SKOVORODA WAS LOCATED. The museum was operating in a building dated back to the 18th century, on an estate where Skovoroda was buried. ON THE NIGHT OF 6-7 MAY 2022 THE BUILDING WAS DESTROYED WITH A DIRECT RUSSIAN MISSILE STRIKE IN THE TIME THE RUSSIAN INVASION OF UKRAINE. The shell flew under the roof of the building, and A FIRE BROKE OUT. The fire engulfed the entire museum premises. AS A RESULT SKOVORODA NATIONAL MUSEUM WAS DESTROYED TOGETHER WITH THE HISTORICAL BUILDING.''.…

*** FIRST EDITION, LARGESIZE HEAVY ORIGINAL OF THE ELABORATE-DESIGNED OEUVRE-CATALOGUE, WITH BINDING-FOLDER AND BOX. - Transport-box slightly used and beside the printed title at top with another handwritten title at one small side; folder slightly bumped at top-of-spine left-corner and rear-panel upper-left corner which leads to a slight bending (not 'folding') at upper sharp corner of the last sheets of the bookblock; A VERY GOOD COPY OF THE IMPRESSIVE PUBLICATION; *) some sources mention text-contributions by Ai Weiwei and Pi Li, however both are not mentioned in the introduction or the colophone. . . isbn 7536233000.…

°°° FIRST EDITION, LARGESIZE CLOTHBOUND ORIGINAL WITH SLIPCASE of the impressive monograph of one of the greatest chinese potters of the 20th century who is especially famous for his own creations of coloured shining glazes; 1 of only 500 numbered copies: 4 pages caligraphic title page and dedication, 52 plates of strong Japan-paper with singleside tipped on colour-plates, 20 pages illustrated japanese text with 4 plates of manuscript-facsimiles inbetween, 3 photographic plates with portrait and the artist at work, 6 p., 14 pages english text. - Slipcase slightly rubbed; the book itself as new.…

Zustand: gut. 2024. The Captivity In deutscher Sprache. pages.

°°° FIRST EDITION, CLOTHBOUND ORIGINAL OF THE RARE BOOK; with folder, complete: Titlepage in Japanese and English, halftransparent sheet with printed translation of the calligraphy on the following-, calligraphy-sheet, 2 sheets of Japanese text, large-foldout 'Map of showing the Distribution of National Parks'(Jap./Engl. Headline), 3 p. content in Japanese, 3 p. content in English, 4 p. Introdution in Japanese, 2 p. 'A short historical Outline of the National Parks in Japan.' and 'A few Characteristics of Japan and its National Parks.' by S. G. Strong, 11/9 p. with detailed lists of 'The Mountains in the National Parks of Japan.', 'The Waterfalls . . .', 'The Lakes and Marshes . . .', 'The Hot Springs', 'The historic Place[s,] The Sights and The natural Souvenir[s] . . .', 17 pages of Japanese Text; followed by descriptions of each National Park with seperate titlesheet, 4 pages of text including a map (and 8-20 singleside printed photographic plates): AKAN (8), DAISETSUZAN (10), TOWADA (11), NIKKO (13), FUJI - HAKONE (16), JAPANESE ALPS (20), YOSHINO & KUMANO (11), DAISEN (8), SETO INLAND SEA (10), ASO (9), UNZEN (9), KIRISHIMA (10); OVERALL 135 PLATES with 9 fold-out panoramas, 57 wholepage photographic plates, 39 pl. with 2 photos each, 10 pl. w. 3 photos, 19 pl. w. 4 photos, 1 pl. w: 5 photos; 255 PHOTOGRAPHIC VIEWS IN TOTAL. - Folder somewhat used, frontwing with clasps is loose; broad spine of the book partly rubbed at surface, few pages with a small foxy-spot in the lower blank margin; A BEAUTIFUL COPY.…

°°° FIRST EDITION, LARGESIZE CLOTHBOUND ORIGINAL OF THE PRICE-AWARDED PHOTOBOOK: 6 light-grey sheets with foretitlepage, titlep., Contents, Introduction (Annan) and Foreword (Tchang); 76 singleside printed colour-photographic sheets on 'Galaxi Supermat'(white) with the title to each image on the rear of the previous photograph; another 8 grey sheets with Map, Artist's Notes, photographical Index, German translations and Acknowledgements (with colophone). - CENTER OF FRONTPANEL-IMAGE WITH SHALLOW HUMIDITY-STAIN and slight rubbing, the heavy oblong-bookblock is inevitebly slightly hanging and touches the shelf with its foremost tip; else in best condition. --- ALSO IN STOCK, BY THE SAME ARTIST and the same publisher: DUST [- The polygon nuclear test site and Kurchatov, a closed Russian atomic City. / Priozersk, formerly 'Moscow 10', a closed military city.]; 2014. . . isbn 3775726837.…

°°° FIRST EDITION, LARGESIZE CLOTHBOUND ORIGINAL: 3 dark-grey sheets with 2 doublepage black illustrations of trees with crows resp. their nests, 4 white sheets with titlepage and introduction; 48 singleside printed (1 doublepage) colour-photographic sheets on 'Galaxi Keramik, 170 g/m '(white) with the title to each image on the rear of the previous photograph; another 2 white sheets with text ('Dust'), Notes, Biography and Acknowledgements (incl. Colophone) and 2 more doublepage black illustrations of flying crows and trees with crows and nests (differing from the ones at front) on dark-grey paper; with an Appendix 'The Aral Sea'. - FRONTPANEL-IMAGE SLIGHTLY RUBBED, lower right corner of frontpanel slightly-, upper right corner minimally spotty; else in best condition. --- ALSO IN STOCK, BY THE SAME ARTIST and the same publisher: YANGTZE - THE LONG RIVER; 2010. . . isbn 3775738436.…

°°° FIRST EDITION, LARGESIZE CLOTHBOUND ORIGINAL WITH DUSTJACKET; BOLDLY INSCRIBED, SIGNED AND DATED in the following year BY THE ARTIST WITH BLACK INK-BRUSH in katakana- and kanji-characters to the Embassador of the German Democratic Republic ('GDR' [DDR, then East-Germany]) Horst Brie on the front flyleaf. - Collation: 143 (1) pages on thick medium-glossy paper, whole- and doublepage colour-illustrated throughout, 1 foldout-triple-page plate. --- BEST CONDITION; VOLUME 2 OF THE SERIES AND OTHER INSCRIBED HIGASHIYAMA-BOOKS FROM THE SAME SOURCE (Horst Brie) IN STOCK. . . --- HIS CLOSE RELATION TO GERMANY STARTED EARLY IN HIGASHIYAMA'S LIFE when he began his studies in Western-Art history at Berlin University in 1933 after studying Nihonga-painting at the Tokyo School of Fine Arts (now: 'Tokyo National University of Fine Arts and Music') from 1921 to 1931, graduating with commendation then entering the School's research department, where he spent two years training under Somei Yuki. He joined an art competition during the 1936 Summer Olympics in Berlin. Travelling a lot throughout his life he frequently visited central and northern Europe in general and Germany in particular. ''On January 12, 1985, Higashiyama together with Andy Warhol and Joseph Beuys participated in the 'Global-Art-Fusion' project . . ., in which a fax was sent with drawings of all three artist within 32 minutes around the worldfrom Düsseldorf (Germany) via New York (USA) to Tokyo (Japan), received at Vienna's Palais-Liechtenstein Museum of Modern Art. It was meant as a statement for peace during the Cold War in the 1980s. In 1953, he was selected to paint 27 fusama-e murals for the 'Shofuso Japanese House and Gardens' . . . in Nagoya for an exhibition at the Museum of Modern Art in New York. . . The Shofuso was moved to Philadelphia in 1958 where the murals were on view until they were destroyed by vandals in 1974. In 1960, he painted a large mural entitled 'Sun, Moon, and The Four Seasons', for the state dining room the To-gu- Palace of the Crown Prince. A second imperial commission followed, resulting in the 1968 mural, 'Tide at Daybreak' (>Asaake no Ushio<), which is part of the Nami-no-ma hall of Tokyo Imperial Palace. . .'' (see Wikipedia). His good relations with Germany were not only focussed on the Eastern part of the then divided country: In 1984 he became member of the Federal Republic of Germany's 'Pour le Mérite für Wissenschaften und Künste'; in ''1992 [he was] awarded the UNESCO Picasso Gold Medal. [In] 1990 [the] 'Higashiyama Kaii Gallery' was opened in Nagano Prefectural Shinano Art Museum; in 1994 [the] 'Higashiyama Kaii Art Gallery' was opened in 'Ichikawa City Life Learning Center'; [in] 2005 [the] 'Sakaide Kagawa Prefectural Higashiyama Kaii Setouchi Art Museum' was opened.''(see Wikipedia). . .…

°°° FIRST EDITION, LARGESIZE CLOTHBOUND ORIGINAL; BOLDLY INSCRIBED, SIGNED AND DATED in the following year BY THE ARTIST WITH BLACK INK-BRUSH in katakana- and kanji-characters to the Embassador of the German Democratic Republic ('GDR' [DDR, then East-Germany]) Horst Brie on the front flyleaf. - COLLATION: 6 unnmbered pages of Text, 59 tipped-in wholepage - partly colour - plates of Paintings; (3) p. --- BEST CONDITION; OTHER INSCRIBED HIGASHIYAMA-BOOKS FROM THE SAME SOURCE (Horst Brie) IN STOCK. . . --- HIS CLOSE RELATION TO GERMANY STARTED EARLY IN HIGASHIYAMA'S LIFE when he began his studies in Western-Art history at Berlin University in 1933 after studying Nihonga-painting at the Tokyo School of Fine Arts (now: 'Tokyo National University of Fine Arts and Music') from 1921 to 1931, graduating with commendation then entering the School's research department, where he spent two years training under Somei Yuki. He joined an art competition during the 1936 Summer Olympics in Berlin. Travelling a lot throughout his life he frequently visited central and northern Europe in general and Germany in particular. ''On January 12, 1985, Higashiyama together with Andy Warhol and Joseph Beuys participated in the 'Global-Art-Fusion' project . . ., in which a fax was sent with drawings of all three artist within 32 minutes around the worldfrom Düsseldorf (Germany) via New York (USA) to Tokyo (Japan), received at Vienna's Palais-Liechtenstein Museum of Modern Art. It was meant as a statement for peace during the Cold War in the 1980s. In 1953, he was selected to paint 27 fusama-e murals for the 'Shofuso Japanese House and Gardens' . . . in Nagoya for an exhibition at the Museum of Modern Art in New York. . . The Shofuso was moved to Philadelphia in 1958 where the murals were on view until they were destroyed by vandals in 1974. In 1960, he painted a large mural entitled 'Sun, Moon, and The Four Seasons', for the state dining room the To-gu- Palace of the Crown Prince. A second imperial commission followed, resulting in the 1968 mural, 'Tide at Daybreak' (>Asaake no Ushio<), which is part of the Nami-no-ma hall of Tokyo Imperial Palace. . .'' (see Wikipedia). His good relations with Germany were not only focussed on the Eastern part of the then divided country: In 1984 he became member of the Federal Republic of Germany's 'Pour le Mérite für Wissenschaften und Künste'; in ''1992 [he was] awarded the UNESCO Picasso Gold Medal. [In] 1990 [the] 'Higashiyama Kaii Gallery' was opened in Nagano Prefectural Shinano Art Museum; in 1994 [the] 'Higashiyama Kaii Art Gallery' was opened in 'Ichikawa City Life Learning Center'; [in] 2005 [the] 'Sakaide Kagawa Prefectural Higashiyama Kaii Setouchi Art Museum' was opened.''(see Wikipedia). . . …

°°° FIRST EDITIONS, OVERSIZE CLOTHBOUND ORIGINALS WITH DUSTJACKETS AND SLIPCASES; 2 VOLUMES, COMPLETE. - Slipcases slightly rubbed, THE BOOKS IN BEST CONDITION (ISBN is for Vol. 1). isbn 4895112012.