flowers uk (11 Ergebnisse)

Paperback. Zustand: Near fine in wraps. First Edition. 17 x 23cm 407pp near fine paperback with an introduction by Glen Baxter and an interview with Eileen Daly. Contents divided into specific sections: 'People', 'Hughes on Hughes', 'Murray McDonald on Hughes', 'Things', 'Interviews', puntuated by some colour reproductions.

First Edition. 20.5 x 24cm. Ring-bound card covers, unpaginated [approx. 100pp]. Also includes a 21 x 21cm paperback brochure from 1989 marking the relocation of the gallery from Tottenham Mews to Richmond Road, Hackney, containing ten unpaginated pages of portrait photographs of artists Frank Creber, Simon Stringer, David Dawson, Christopher Fischer, Peter Ellis, Jenny Franklin, Charles Mason, Rosa Lee, Mary Maclean, and Dany Leriche. The illustrated 2014 book surveys the Flowers Gallery 'artists of the day' from 1983 to 2014, including artists Anthony Daley, Charlie Sheard, Angela Eames, Les Coleman, Sokari Douglas Camp, Dexter Dalwood, Jacqui Poncelet, Guy Hetherington, Terence Donovan, Sarah Medway, Billy Childish, and hundreds of others.

Hardback. First Edition. 26 x 30cm 334pp near fine hardback in dust jacket. A proclamation on the front jacket says:'I now understand why Damien Hirst regfards John Bellany and Freancis Bacon as the two greatest painters of the twentieth century', Simon Groom, Director of the Scottish National Gallery of Modern Art. Here you can see the playful, humorous works in colour reproduction. During the early 1960s,Bellany studied at Edinburgh College of Art, where he met other young Scottish artists to begin lifelong friendships and share ideals for a renaissance in Scottish arts. His contemporaries included Alan Bold and Alexander Moffat.[Bellany and Moffat studied under Robin Philipson. Their initial interest was in impressionism but with their common Scottish background they looked toward Alan Davie as a connection to a greater but more accessible artistic world. Near fine in near fine dustjacket.

First Edition. 21 x 21cm. Bi-fold exhibition leaflet printed on glossy card. Introductory text by Edward Lucie-Smith, with reproductions of the artist's work in black and white on front and rear.

Paperback. Zustand: Near fine in wraps. First Edition. 23 x 24cm near fine paperback exhibition catalogue with single page colour reproductions and a text: 'A Dystopian Sublime: Edward Burtynsky's Grand Tour' by Mark Mayer.

Soft cover. Zustand: Very Good. No Jacket. Revised Edition. Paperback copy, no dustjacket as issued. 214pp. Colour and b/w photographs. Signed by author in blue ink to inside front cover. Not library copy, no creasing to spine. (43/3). Signed by Author(s).

Paperback. Zustand: Near fine in wraps. First Edition. 21 x 27cm 30pp near fine exhibition caalogue with a conversation between Lynda Morris and Dennis Creffield. Black and white plus some colour reproductions. Dennis Creffield was a British artist with work owned by major British and worldwide art collections, including the Tate Gallery, The British Museum, Arts Council of England, the Government Art Collection,

Paperback. Zustand: Near fine in wraps. First Edition. 16 x 22cm near fine paperback exhibition catalogue with single page colour reproductions.

Hardback. Zustand: Very good. First Edition. 26 x 32cm 272pp very good hardback signed by the artist on the title page. According to the Flowers website:'For over six decades, British artist David Hepher has centred his work on the urban landscapes of south London. Exploring the scale and 'austere grandeur' of the expansive modern social housing estates built in the 1960s and 70s, Hepher was attracted to the formal beauty of their grid-like structures and by the physical and emotional traces of their many inhabitants. His multivalent work has both celebrated and mourned modernism in modes that are futuristic and nostalgic, utopian and entropic. ' Packed with colour reproductions. A heavy book, may need extra postage.

Paperback. Zustand: Very good in wraps. First Edition. 21 x 30cm 64pp very good exhibition catalogue signed by Paul Neagu on the title page, also signed by Mr. Michael Archer with stamps from the Generative Art Trust. Black and white reproductions throughout. Plus, 17 15 x 21cm colour postcards. And 'Hypen (1975-1985) A Sculpture by Paul Neagu' Visual Hermeneutics, London, 1985. A very good catalogue, some marks on the rear wrapper, and minor curl at top edge. A neatly-written name at top of front wrapper. Signed on the title page by Paul Neaugu and Mrs Michael Archer, together with a Generative Art Trust stamp. An exhaustive study with black and white reproductions showing sketches, and finished works developed at different points in time.

Card covers. Zustand: Very good in wraps. First Edition. 17 x 23cm good card-covere exhibition catalogue with an essay: 'Talking Rubbish' Junk is the theme - both Britain's culture of disposability and "disposable culture". Consisting of found object assemblages, junkyard photography, street art, and sundry material explorations of dereliction and detritus. With work by Can Altay, Keith Arnatt, Phyllida Barlow, Peter Blake, Derek Boshier, Edward Burtynsky, Helen Chadwick, Kimberly Clark, Susan Collis, Doug Fishbone, Neil Gall, Sophie Gerrard, Stephen Gill, Stuart Haygarth, Andy Hsu, Graham Hudson, David Hughes, Tim Lewis, Chris Littlewood/Toby Smith, Alastair Mackie, Lee Maelzer, Zed Nelson, Jason Oddy, Eduardo Paolozzi, Cornelia Parker, Robert Polidori, Savage, Jessica Stockholder, Mikhael Subotzky, Jennifer Taylor, and Gavin Turk.