Egremont press (11 Ergebnisse)

Paperback. Zustand: Good.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.

Hardcover. 1st edition. Siglio Press, 2012, 104 pages, 5.24 x 0.51 x 7.52 inches. NEW, in publisher's shrink-wrap. Ships from Hawaii with free Priority Mail upgrade within US. A remarkably poignant and tender portrait of a man she would never meet. (Mary Kaye Schilling T Magazine) The Address Book is never about one thing. One the one hand it is a simple character study and straightforward conceptual art project (task-based with a priori scheme, black-and-white documentation, and text). On the other, it's an unsettling confessional story with deeply erotic subject matter. It unnerves readers by striking a balance between submission and control, winding them through a maze of seduction and pursuit only to leave them deprived of fulfillment. (Lauren O'Neill-Butler LA Review of Books) Given the ease with which we can access the lives of strangers in 2012, Calle's snooping might register as a quaint trespass from another era, an analog and ultimately harmless kind of proto-Facebooking. But her old-school sleuthing is daring, more so than it was in her earlier projects, such as Suite venitienne, in which Calle followed strangers, and La Filature, for which she hired a detective to tail her. The Address Book's adventure is riskier and more unpredictable. (Heidi Julavits Bookforum).…

Hardcover. 1st edition. Siglio Press, 2020, 335 pages, 7.2 x 0.9 x 10.1 inches. NEW, in publisher's shrink-wrap. Ships from Hawaii with free Priority Mail upgrade within US. -- A revered classic of 1970s New York conceptualism, Bernadette Mayer's Memory synthesizes writing and photography in this prescient "emotional science project" In July 1971, Bernadette Mayer embarked on an experiment: for one month she shot a roll of 35mm film each day and kept a journal. The result was a conceptual work that investigates the nature of memory, its surfaces, textures and material. Memory is both monumental in scope (over 1,100 photographs, two hundred pages of text and six hours of audio recording) and a groundbreaking work by a poet who is widely regarded as one of the most innovative experimental writers of her generation. Presaging Mayer's durational, constraint-based diaristic works of poetry, it also evinces her extraordinaryâand often unheraldedâcontribution to conceptual art. Mayer has called Memory "an emotional science project," but it is far from confessional. This boldly experimental record follows the poet's eye as she traverses early morning into night, as quotidian minutiae metamorphose into the lyrical, as her stream of consciousness becomes incantatory. In text and image, Mayer constructs the mercurial consciousness of the present moment from which memory isâas she saysâ"always there, to be entered, like the world of dreams or an ongoing TV show." This publication brings together the full sequence of images and text for the first time in book form, making space for a work that has been legendary but mostly invisible. Originally exhibited in 1972 by pioneering gallerist Holly Solomon, it was not shown again in its entirety until 2016 at the Poetry Foundation in Chicago and then again in 2017 in New York City at the CANADA Gallery. The text was published without the photographs in 1975 by North Atlantic Books in an edition that has long been out of print. Bernadette Mayer (born 1945) is the author of over 30 books, including the acclaimed Midwinter Day (1982), a book-length poem written during a single day in Lenox, Massachusetts, The Desires of Mothers to Please Others in Letters (1994) and Work and Days (2016), which was a finalist for the National Book Critics Circle Award. Associated with the New York School as well as the Language poets, Mayer has also been an influential teacher and editor. In the art world, she is best known for her collaboration with Vito Acconci as editors of the influential mimeographed magazine 0 TO 9. new, in publisher's shrink wrap.…