Editorial rm mexico (32 Ergebnisse)

Paperback. Zustand: Good.

hardcover. Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Cloth. Zustand: Near Fine. Zustand des Schutzumschlags: No Jacket, As Issued. 200 pages. Hardcover, bound with illustrated paper covered boards and issued with no dustjacket. A very minor scratch to the back cover. Text in English. Illustrations in full color. Crisp and tight binding, with sharp corners and clean, unmarked interior. Published on the occasion of the exhibition held in Phoenix, San Diego, and Dallas between 2011-2012. Book.…

Cloth. Zustand: Fine Condition. Fine Condition. 208 pp., 163 illustrations in color. Text is in Spanish. Photography by Sebastián Saldívar. Dustjacket is protected with a mylar cover. Book.

hardcover. Zustand: New. **HARDBACK**.

Hardcover. Zustand: Good+. Zustand des Schutzumschlags: Good+. Translation; First Printing. 5.75 X 1.25 X 8.5 inches; 399 pages; B&W photographs. Light foxing on the exterior edges of textblock and inside the DJ. Very Good condition otherwise. No other noteworthy defects. No markings. ; Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.…

Hardcover. Zustand: Fine. New and unread, however there is some shelf wear on cover, including light marking and / or light creasing Shipped from the UK within 2 business days of order being placed.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. First edition, first printing. Hardcover. Photographically illustrated paper-covered boards, with matching dust jacket. Photographs and text (in Spanish) by Yvonne Venegas. Designed by David Kimura and Gabriela Varela. 84 pp., with 72 four-color plates beautifully printed on 150-gsm Lumisilk Matt art paper in China by Toppan Printing Company, Ltd. 10 x 7-3/4 inches. This first edition was limited to 1600 copies. New in New dust jacket. From the publisher: "María Elvia de Hank is a view from within that observes the life, family, and circle of María Elvia de Hank, the wife of the eccentric millionaire and former mayor of Tijuana Jorge Hank Rohn. As the axis of the project, the wife of one of the richest businessmen in Mexico is observed creating, with her perfectionist's touch, a social ideal that takes its place as an example in both public and private life. This feminine axis, perfectly administered, is portrayed against the background that supports it, occasionally awakening doubts in the spectator as to its veracity. A mansion, a collection of animals, a soccer team and its fans, a casino, a school, horses, elegant clothes, all seen through the light and dust of northern Mexico, the land that can be found in a ranch, or a zoo, or some half-built construction. This volume gathers a body of work reflecting the modes of thought that has brought the aforementioned elements to light, without making judgments and without meeting the expectations of others, be they subjects or viewers. This is a document that includes fragile moments, gestures, encounters between persons and animals: taken together, they depict a lifestyle to which we are seldom privy.". …

paperback. Zustand: New. Shipped from the UK within 2 business days of order being placed.

paperback. Zustand: Fine. New & unread, however may have light shelf wear to cover face, edges or corners. Shipped from the UK within 2 business days of order being placed.

Hardback. Zustand: Very good. 19 x 25cm 88pp very good hardback with an all-black velvet cover. Black and white reproductions throughout - the pieces are all derived from a pquantity of old nudist camp magazines bought apparently in Brick Lane market in East London.

First Edition. First edition and first printing. Hardcover. 96 pages. Features an essay by Colete Alvarez Urbajtel in English. Includes 63 color images. A fine copy cloth boards with color image inset into the front cover. No dust jacket as issued.

paperback. Zustand: New. Shipped from the UK within 2 business days of order being placed.

200 Fotos en blanco y negro. 16.9 x 22.2 cm Politics of the intervention 1969-1976-2015.

214 Ilustraciones. 22 x 24 Primera reimpresión 2010. Colección Perfiles. Número especial.

fest gebunden. Original cloth (only a little rubbed, otherwise impeccable copy). 35 x 27 cm. First edition. ---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- BITTE BEACHTEN: Auf Grund der absurden und irrsinnig teuren staatlichen Regelungen für die Entsorgung der Versandpappen in den nachfolgenden Ländern, kann ich leider nicht mehr liefern nach: Österreich, Griechenland, Polen. Kunden in ÖSTERREICH können sich aber an die einheimische Post wenden, dort unter Alles Post Deutschland. --- PLEASE NOTE: Due to the absurd and insanely expensive government regulations for the disposal of shipping cartons in the following countries, I can unfortunately no longer deliver to: Austria, Greece, Poland. However, customers in AUSTRIA can contact their local post office, there under Alles Post Deutschland. …

Tapa blanda. Zustand: Bueno. primera edicion 2009, tapa blanda, color y b/n, 160 paginas, un amplio repaso a la historia del comic mexicano XX.

Hardcover. Zustand: New in publisher's shrink wrap. First edition. Quarto. 93.(1)pp. consisting chiefly of color Polaroid photos. Red cloth lettered in blue, mounted color photo on front cover. A fine, as new copy. Previously unpublished Polaroid photographs by Manuel Alvarez Bravo reproduced in the original Polaroid's dimensions.…

First Edition. First edition and first printing. Hardcover. Features the text of Christian Michael Filardo's interview of Juan Brenner in English. A striking collection of color photographs by Juan Brenner taken throughout Guatemala. A clean near fine copy with a small sticker shadow to the rear board. No dust jacket as issued. Surprisingly uncommon.…

117 S. Überwiegend Abbildungen. Sprache: Englisch. *-*-*-*-*-*- SHIPPING COSTS to other EU-COUNTRIES occasionally may be different than indicated (according to the weight). To OTHER COUNTRIES IN THE WORLD they may be different (sometimes less or rarely more, according to the weight). - ! ! ! ! NO SHIPPING TO USA ! ! ! ! -*-*-*-*-*-* Sprache: Englisch Gewicht in Gramm: 1001 OPb.; Einband leicht berieben und an den Kapitalen leicht gestaucht; sonst in gutem Zustand.…

Hardcover. Zustand: Fine. 1st Edition. 399 Pp. Illustrated Boards. First English Language Edition, First Printing, Hardcover Issue. Finel Gift Inscription To A Prominent Los Angeles Area Architect.

Hardcover. Zustand: New. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. Price is net to all; promotional discounts do not apply. First edition, first printing. Signed in ink on the half-title page by Friedlander. Hardcover. Full red cloth-covered boards, with offset reproduction mounted on the front cover; title stamped in blue and white on cover and spine; no dust jacket as issued. Photographs by Friedlander. Introduction [all texts in English] by Ignacio Baeza. Essay by Carlos Gollonet. Additional text "How He Sees" by Nicholas Nixon. An interview with Maria Friedlander by Jeffrey Fraenkel. Also includes a chronology compiled by Giancarlo T. Roma. Design and typography by Katy Homans. Binding by Superior Bindery. 384 pp., with numerous duotone plates, printed by Brizzolis, from separations made by Museoteca. 12 x 10 inches. Published on the occasion of the exhibition "Lee Friedlander" at Fundación MAPFRE, Madrid, October 1, 2020 to January 10, 2021 (traveled to C/O Berlin and Centro de Cultura Antiguo Instituto, Gijón). New (from Friedlander's personal archive). From the publisher: "One of the masters of contemporary photography, Lee Friedlander has dedicated his career to the documentation of everyday life in the United States. His images are characterized by a composition that utilizes the urban geometry of storefronts and street signs and later car windows and telephone poles as a framing technique. This catalog, published in conjunction with a retrospective organized by the Fundación MAPFRE in Madrid, surveys the wide scope of Friedlander's career from the 1960s to today. High-quality reproductions of all of the exhibited works are supplemented by text written by curator Carlos Gollonet and photographer Nicholas Nixon. The volume serves as a comprehensive guide to Friedlander's body of work, with personal insight provided through an interview between Maria Friedlander and gallery director Jeffrey Fraenkel, as well as a chronology of the artist's life by his grandson Giancarlo T. Roma. Lee Friedlander was born in Aberdeen, Washington, in 1934, and studied photography at the Art Center College of Design in Pasadena, California. In 1956 he moved to New York City, which quickly became both the setting and subject of the majority of his work. Friedlander was represented alongside Diane Arbus and Garry Winogrand in the 1967 New Documents exhibition at the Museum of Modern Art, now understood as a landmark event in American documentary photography. Friedlander still lives and works in New York, and is represented by the Fraenkel Gallery." Signed by Author. Signed.…

Hardcover. Zustand: New. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. SHIPPING NOTE: Due to size and weight (e.g., multi-volume sets), additional shipping fees apply (calculated at checkout). First edition, first printing. Limited edition of 25 copies (only 10 copies were distributed in the United States; this being #06/25), stamp-numbered and signed in black ink on the half-title page by Wall. Hardcover. Buff paper-covered boards with title stamped in gray on cover, with 11-inch photographically illustrated belly band; no dust jacket as issued; contained in publisher's cardboard shipping box (edition number is stamped on lower box closure tab). Photographs by Jeff Wall. Essay by Tobias Ostrander. Includes a biography, exhibition history, selected bibliography and a list of plates. Designed by David Kimura + Gabriela Varela. 56 pp., with 9 four-color plates and 7 black-and-white plates beautifully printed on 200-gsm Magno matt paper by Everbest Printing Company Limited, Hong Kong. 19-5/8 x 13-7/8 inches. This first edition was limited to 1000 copies. Published on the occasion of an exhibition at the Museo Tamayo Arte Contemporáneo, Mexico City. New in publisher's packaging. From the publisher: "Standing almost 14 inches wide by 20 inches tall, this exquisitely produced volume affords readers an unprecedented opportunity to study the work of the important Canadian artist/photographer Jeff Wall at the large scale for which his work is known. Informed by conceptual art, historical painting and avant-garde film, Wall began to produce large-format color transparencies, presented on light-boxes, in the late 1970s--a format that has become strongly identified with his work. This volume includes recent examples of this work, as well as large black-and-white prints--a format first incorporated into Wall's practice in 1996. Wall divides his photographs into two categories: documentary and cinematographic. A documentary photograph for Wall is tied to the traditional understanding of this term--a depiction of a specific time and place, without any overt manipulation on his part. A cinematographic photograph involves some form of intervention or restructuring by the artist. This category has ranged from slight movements of elements within a given situation to more elaborate approaches that involve the construction of sets and other aspects of stagecraft. Wall is best known for his cinematographic photographs, which have had a large influence on the expansion of notions of how the medium can be engaged. Rich in references to the natural environment and distinct urban character of Vancouver, where the artist lives and works, the photographs reproduced in this volume were primarily produced during the last seven years." Signed by Author.…

Soft cover. Zustand: New. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated wrappers; no dust jacket as issued. Photographs and text (in Spanish and English) by Julián Barón. Layout by Pablo Ortiz Monasterio. Unpaginated (80 pp.), with 51 four-color plates. 9-1/4 x 6-1/4 inches. This first edition was limited to 1000 copies. [Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume III. (London and New York: Phaidon, 2014)]. Out of print. Scarce. New in publisher's shrink-wrap. From the publisher: "In his photobook CENSURA Julián Barón presents a workbased on the style of 'broken camera,' using powerfulflashes that blind both the viewer and the photographedcharacter and transforming that photographic error intoa political language. In that big circus that politics is, photography andcensorship are allied to each other in order to manipulatepeople through the false use of image as a document,using large mass media to subtly but constantlymask those aspects that do not respond to the claims ofthe parties, blurring and distorting reality.However, by focusing in a different way on politicsand its leaders, trying to use the camera in decomposition,it is also possible to make photography censorcensorship and then, negative against negative, offersomething positive, some new perspectives on politiciansand their superficial status, revealing how the state theydefend so hardly vanishes with their actions, their imagesand all the paraphernalia that surrounds the ivory towerin which they believe they live in.". …

255 p Ilustraciones. 34 x 23 cm Biblioteca de ilustradores Mexicanos Nº 10. Encuadernación editorial en cartoné. Estado de conservación: Muy bien.

Zustand: Minor rubbing. VG. orig.boards Minor rubbing. VG. 22x15cm, 197 pp., Photographs by Adam Wiseman. Bilingual Spanish - English text. Consists chiefly of color photo illustrations mostly of commercial art found on packages of magical remedies sold in the Sonora market of Mexico City.

Folio, 33cm. Pp. 259, very numerous illustr. throughout (some full-page, several tinted or in colour), list of sources, index of illustrators. Hardbound, orig. pict. boards with giltl-lettered red cloth backstrip. Fine copy without flaws, as new.

Hardcover with illustrations. 255 pages, 33.5 x 23 cm. EN/ESP. ISBN 9789685208895. Features textin English and Spanish. Includes numerous color and black and white illustrations 0 g.

Hardcover. 1. Auflage. Casa Luis Barragan, Editorial RM&RM Verlag, Mexico City and Barcelona. Fundacion de Arquitectura Tapatia Luis Barragan; The Joseph and Anni Albers Foundation. First edition. Edition of 1000. Pages 52. Size: 24.3 x 24.2 cm In slipcase with additional paperslip. In very good condition.…

Soft cover. Zustand: New. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. First edition, first printing. Limited edition of 25 copies with an original Type-C print (image size 6 x 8-3/8 inches), signed and numbered verso by Barón. The print is contained in a black heavy cardstock folio. Soft cover. Signed and dated on the first page by Barón. Photographically illustrated wrappers; no dust jacket as issued; contained in a custom paper-covered clamshell box with title debossed in metallic red on lid. Photographs and text (in Spanish and English) by Julián Barón. Layout by Pablo Ortiz Monasterio. Unpaginated (80 pp.), with 51 four-color plates. 9-1/4 x 6-1/4 inches. This first edition was limited to 1000 copies. [Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume III. (London and New York: Phaidon, 2014)]. New in publisher's packaging. From the publisher: "In his photobook CENSURA Julián Barón presents a workbased on the style of 'broken camera,' using powerfulflashes that blind both the viewer and the photographedcharacter and transforming that photographic error intoa political language. In that big circus that politics is, photography andcensorship are allied to each other in order to manipulatepeople through the false use of image as a document,using large mass media to subtly but constantlymask those aspects that do not respond to the claims ofthe parties, blurring and distorting reality.However, by focusing in a different way on politicsand its leaders, trying to use the camera in decomposition,it is also possible to make photography censorcensorship and then, negative against negative, offersomething positive, some new perspectives on politiciansand their superficial status, revealing how the state theydefend so hardly vanishes with their actions, their imagesand all the paraphernalia that surrounds the ivory towerin which they believe they live in." Signed by Author.…