ediciones poligrafa barcelona spain (34 Ergebnisse)

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Zustand: Very Good +. Later Printing. 8vo - over 7¾" - 9¾" tall. Light edgewear to wrapper.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 79pp. N10.

Soft cover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. Hardcover 1988, 1st edition. Dust jacket and boards in fine condition. Binding firm. Pages unmarked and clean. (128 pages).

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. First thus. 128pp, copiously illustrated in full colour. Green paper-covered boards with gilt titles to spine. Ochre endpapers. 4to. Volume is neat, clean, bright and tight throughout. In its original, lightly shelf worn, dust wrapper, very slightly bumped at edges.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. First thus. 128pp, copiously illustrated in full colour. Pale green paper-covered boards with gilt titles to spine. Ochre endpapers. 4to. Volume is neat, clean, bright and tight throughout. In its original, lightly shelf worn, dust wrapper, very slightly bumped at edges.

Cloth. Zustand: Fine Condition. Zustand des Schutzumschlags: Fine Condition. First Edition. 159 pages. Hardcover, black cloth covered boards and wrapped in an illustrated paper dustjacket. Great condition. Dustjacket is protected with a mylar cover. Text in English, with 59 illustrations, 27 of which are in full color including 7 gatefolds. Book.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. 110 pp, illustrated in colour and b/w. Still shrinkwrapped 8434308819 4to.

First Edition. Presumed first edition. Hardcover. 639 pages. Text in English by Quasha and Stein. A fine copy in boards. No dust jacket as issued. An as new copy and still on the publisher's shrinkwrap. This is a heavy and oversized book and will require extra shipping.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. First thus. 128pp, copiously illustrated in full colour. Pale green paper-covered boards with gilt titles to spine. Ochre endpapers. 4to. Volume neat, clean, bright and tight throughout. Lightly shelf worn dust wrapper, very slightly bumped at edges.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. English Edition. Hardcover with complete Dj. 103 full-colour illustrations; 96 in b/w. 4to.

Hardcover. Zustand: Fair to Good. Zustand des Schutzumschlags: Fair to Good. First Edition. Jacket has moderate general wear, foxing to reverse and an 1.5cm x 8 cm stain to bottom rear. No tears. Some foxing to cloth. Moderate stain to bottom edge of page-block and bottom margin of pages. Text and plates clean. Binding tight. 128pp Size: 215mm x 300mm. Book.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Jacket has moderate general wear and no tears. Foxing to feps, half-title page and last page. Otherwise internally clean. Binding tight. Text in Spanish, English, French and German. 325pp NO INTERNATIONAL SHIPPING Size: 260mm x 275mm. Book.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good-. Edition Unstated. Size: 4to. Text is in multiple languages. Text body is clean and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. No date (1967?), text in Spanish, English, French and German. Pale yellow nubby cloth over boards with an illustrations of a horse and rider with lance on front cover, pictorial end papers, 267 pages, Bibliography, Index of Illustrations, illustrated in color and in b & w, part of the Biblioteca de Arte Hispanico. Top edge of pages toned, otherwise a Fine copy. In an illustrated dust jacket that is scuffed, clear plastic coating is bubbling in spots. Quantity Available: 1. Shipped Weight: 6 lbs 2 oz. Category: Architecture; Books; Pictures of this item not already displayed here available upon request. Inventory No: 005595. This is a heavy book and may require extra postage to International destinations.

Soft cover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. Fine with near fine dust jacket. Dust jacket is very lightly bumped at top of spine. Reduced price sticker on front fly leaf. 128 pages with lists of illustrations. 161 illustrations (133 in color). 4to size.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Profusely Illustrated (illustrator). Pale grey-green hardcover with title in black on spine. Condition: Very good, with just a hint of shelfwear to covers. Dustjacket condition: Very good, with very light shelfwear. 128pp. 104 colour illustrations. This book analyses the life and work of the American artist Robert Rauschenberg (1925-2008), and examines his bravery in pushing beyond technical and aesthetic frontiers as well as his influential dissemination of photography, film and television, which altered the genre of traditional painting.

Cloth. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 307 pp., 187 illustrations both some in color. Slight shelf wear to the bottom edge. A bit of wear and chipping to the edge and a two inch tear to the back, top center of the dustjacket cover. Dustjacket is protected with a mylar cover. Text is in French, German, Spanish and English.

Zustand: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. Light wear and minor foxing to jacket. No tears. Light foxing to top edge of page-block. Also minimal foxing to preliminaries. Otherwise internally clean. Binding tight. 310pp Size: 255mm x 320mm. Book.

Zustand des Schutzumschlags: dj. First Edition. First edition and first printing. Oblong hardcover. 218 pages. Features a preface by Harold Rosenberg. Includes numerous color and black and white illustrations, list of previous exhibitions, a list of museum and collections. and bibliographic information, and a checklist. A clean very near fine copy in cloth boards and in a near fine die-cut dust jacket that has some toning to the edges, some edge tears, and some unnecessary archival tape repairs/strengthening to the verso of the dust jacket at the spine ends. Still, a very nice copy of this attractive monograph. Please note that this is a heavy and oversized book and will require extra shipping.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 128pp. Hans Arp. O4.

Cloth. Zustand: Fine Condition. Zustand des Schutzumschlags: No Jacket, As Issued. Unpaginated (264 pp.), 192 illustrations in color. DVD attached to the inside front board.

Zustand des Schutzumschlags: dj. First Edition. First edition. Hardcover. Foreword and essay by Gloria Moure and with the text of her interview of Boltanski. Additional text by Boltanski, Jose Jimenez and Jean Clair. Includes 103 color and 96 black and white illustrations. A very near fine copy in a near fine dust jacket with some minor wear and Rizzoli sticker on the rear flap.

Zustand des Schutzumschlags: dj. First Edition. First edition. Hardcover. Includes numerous color and black and white illustrations. 4 page folded illustration list laid in. A tight near fine copy with some minor wear to the edges of the boards in a close to near fine dust jacket with some minor edge wear and a tiny chip to the base of the rear panel near the corner in a close to near fine glassine dust jacket that is somewhat rubbed. This is a heavy and oversized book and will require extra shipping.

Zustand: Very Good. First edition hard back binding in publisher's original ivory cloth covers, black title and author lettering to the spine. Folio 12'' x 10''. Contains 187 printed pages of text with 13 situation plans of the works and splendid colour photographs throughout. Just a little waviness to the paper and light marks to the covers. Very Good condition book in Fine condition dust wrapper. Member of the P.B.F.A. ISBN 8434308398 ART [Spanish].

Zustand: Good. Large square 4to. 560 pp., 1587 illus., 361 in color. Translated into English by Kenneth Lyons. As new in dust jacket and slipcase.

Zustand des Schutzumschlags: dj. First Edition. First edition and first printing. Hardcover. 274 pages. Features texts by Gloria Moure, Donald Kuspit, Charles Merewether, Mary Sabbatino, Ana Mendieta, and Raquelin Mendieta. Includes numerous color and black and white illustrations, biographical and bibliographical information and an index of reproductions. A clean near fine copy with some very slight tapping to the corners and in a near fine dust jacket with some very minor wear.

Zustand: Very Good. First English language edition hard back binding in publisher's original Farrows cream cloth covered boards, blocked and lettered gilt back. 4to. 12'' x 8½''. Contains 128 pp with 123 colour plates and 77 monochrome illustrations and photographs throughout. Just a little spotting to the covers. Very Good condition book in Fine condition dust wrapper. Dust wrapper supplied in archive acetate film protection. Member of the P.B.F.A. ART [Surrealism].

First Edition. First edition. Softcovers. Three volume set. Text in Spanish. Includes numerous black and white illustrations. All three books are clean near fine copies in French style wrappers and in an about very good cardstock slipcase that has wear and splitting. Uncommon.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Joaquim Gomis (Photographer) (illustrator). 56 pages, LXXX. Maps. Illustrations (some in color) Folding map at the back. Some DJ wear and soiling. The text is in Spanish, English, French and German. Laid in is a handwritten note on an Embassy of Spain card dated 2-3-01 which states guerido Frank: Uni vernamil gruaial por tu inestimisle coleborccion y daruelus parc el felix resultedo del viaje de le Reine Con i afecto in luerte abrezo Javier [Google translates this as Dear Frank: Thank you very much for your invaluable collaboration and thank you for the happy result of the Queen's journey. With my affection in a heartfelt hug Javier] Also laid in is a ticket for the Real Monasterio de el escorial celebrating its fourth centennial 1563-1963. Antoni Gaudí i Cornet (25 June 1852 - 10 June 1926) was a Catalan architect and designer, known as the greatest exponent of Catalan Modernism. Most are located in Barcelona, including his main work, the Sagrada Família church. Gaudí's work was influenced by his passions in life: architecture, nature, and religion. He considered every detail of his creations. His work combined crafts such as ceramics, stained glass, wrought ironwork forging, and carpentry. He introduced new techniques in the treatment of materials, such as trencadís. Under the influence of neo-Gothic art and Oriental techniques, Gaudí became part of the Modernista movement which peaked in the late 19th and early 20th centuries. His work transcended mainstream Modernisme, culminating in a style inspired by natural forms. Gaudí preferred to create three-dimensional scale models and moulding the details as he conceived them. Josep Lluís Sert i López (1 July 1902 - 15 March 1983) was a Catalan architect and city planner established in the USA after 1939. This church is part of an ambitious industrial complex, in the town of Santa Coloma de Cervello (Barcelona). A large textile factory that Eusebi Güell, the great patron of Gaudí, launched in 1890. Mr. Güell s goal with Colonia Güell was he wanted to be away from the city, where trade union movement was growing and build workers' houses beside the factory and integrate them into the same property, resulting in a village with its own personality that join social and economic life. As a distinctive feature of this colony, Güell wanted to give it cultural and sports facilities and, although initially not regarding building a church, a small existing chapel was used. When this chapel became too small for the growing population of the colony, Güell decided to instruct Gaudí to build a new church that could accommodate all the inhabitants. However, little did Güell imagine that Gaudí would make a proposal as sober, stern and radical. The architecture was based on the task of making Güell a place of worship, that harmonized with the unconventional architecture of the workers homes in Güell s Colony, and with the nearby forest and the slope of the hill where it would be projected. Although it is commonly called "Crypt Güell" actually there is none of the church that goes underground, since all the windows are facing the street. It is therefore the lower nave of the church, which remained unfinished, as reflected in the side porch stairs, that although currently do not lead anywhere, if the project had been completed, they would allow access to the upper part of the church. In 1909, ten years after the project began and the first stone of the church was put in place, they continued to build despite constant interruptions. Until various economic problems stalked Mr. Güell and the construction of the Güell s Crypt was paralyzed. In 1915, when the tempo was consecrated, they had only built the "crypt" or lower part of the church and the porch. The lower church, the starry polygonal floor, features a large central dome and it is supported by four hewn basalt columns. The ambulatory, where the altar is located, has the Catalan vaults on columns of brick and stone, from a quarry owned by Güell in the region near Garraf. A very rustic and.