duke university press apr 1997 (6 Ergebnisse)

Taschenbuch. Zustand: Neu. Neuware - 'Taking her (counter)cue from that celebrated sitcom of American life, 'The Reagan Years,' Lauren Berlant makes an exhilarating argument for a theory of 'comedic' citizenship. What happens when the collusive myths of the 'common culture' become obsessed and estranged by the fraying and freeing of the American people--plurally identified, demographically diverse, sexually ambivalent, culturally mongrel Berlant's wit and insight lie in going with the 'silliness' of everyday existence, inhabiting its persuasive, popular forms, and then, in ways you least expect, throwing up a devastating picture of the way we live now.'--Homi K. Bhabha.

Taschenbuch. Zustand: Neu. Neuware - In Dancing in Spite of Myself, Lawrence Grossberg-well known as a pioneering figure in cultural studies-has collected essays written over the past twenty years that have also established him as one of the leading theorists of popular culture and, specifically, of rock music. Grossberg offers an original and sophisticated view of the growing power of popular culture and its increasing inseparability from contemporary structures of economic and political power and from our everyday lives.In the course of conducting this exploration into the meaning of 'popularity,' he investigates the nature of fandom, the social effects of rock music and youth culture, and the possibilities for understanding the history of popular texts and practices. Describing what he calls 'the postmodernity of everyday life,' Grossberg offers important insights into the relation of pop music to issues of postmodernity and inton the growing power of the new cultural conservatism and its relationship to 'the popular.' Exploring the limits of existing theories of hegemony in cultural studies, Grossberg reveals the ways in which popular culture is being mobilized in the service of economic and political struggles. In articulating his own critical practice, Grossberg surveys and challenges some of the major assumptions of popular culture studies, including notions of domination and resistance, mainstream and marginality, and authenticity and incorporation.Dancing in Spite of Myself provides an introduction to contemporary theories of popular culture and a clear statement of relationships among theories of the nature of rock music, postmodernity, and conservative hegemony.

Taschenbuch. Zustand: Neu. Neuware - 'For three decades now, Wai-lim Yip has been a linking figure between American modernism (in-the-line-of-Pound) and Chinese traditions and practices form which that modernism has long drawn. His two classic American works--in the lovely way that classic, as a word and concept, can still resonate in Chinese context--are his Pound's Cathay and Chinese Poetry.'--Jerome Rothenberg, from the introduction to 'Between Landscapes: Poems by Wai-lim Yip'.

Taschenbuch. Zustand: Neu. Neuware - Indian Nation documents the contributions of Native Americans to the notion of American nationhood and to concepts of American identity at a crucial, defining time in U.S. history. Departing from previous scholarship, Cheryl Walker turns the 'usual' questions on their heads, asking not how whites experienced indigenous peoples, but how Native Americans envisioned the United States as a nation. This project unfolds a narrative of participatory resistance in which Indians themselves sought to transform the discourse of nationhood.Walker examines the rhetoric and writings of nineteenth-century Native Americans, including William Apess, Black Hawk, George Copway, John Rollin Ridge, and Sarah Winnemucca. Demonstrating with unique detail how these authors worked to transform venerable myths and icons of American identity, Indian Nation chronicles Native American participation in the forming of an American nationalism in both published texts and speeches that were delivered throughout the United States. Pottawattomie Chief Simon Pokagon's 'The Red Man's Rebuke,' an important document of Indian oratory, is published here in its entirety for the first time since 1893. By looking at this writing through the lens of the best theoretical work on nationality, postcoloniality, and the subaltern, Walker creates a new and encompassing picture of the relationship between Native Americans and whites. She shows that, contrary to previous studies, America in the nineteenth century was intercultural in significant ways.

Taschenbuch. Zustand: Neu. Neuware - In this intellectual history of British cultural Marxism, Dennis Dworkin explores one of the most influential bodies of contemporary thought. Tracing its development from beginnings in postwar Britain, through its various transformations in the 1960s and 1970s, to the emergence of British cultural studies at Birmingham, and up to the advent of Thatcherism, Dworkin shows this history to be one of a coherent intellectual tradition, a tradition that represents an implicit and explicit theoretical effort to resolve the crisis of the postwar British Left. Limited to neither a single discipline nor a particular intellectual figure, this book comprehensively views British cultural Marxism in terms of the dialogue between historians and the originators of cultural studies and in its relationship to the new left and feminist movements. From the contributions of Eric Hobsbawm, Christopher Hill, Rodney Hilton, Sheila Rowbotham, Catherine Hall, and E. P. Thompson to those of Perry Anderson, Barbara Taylor, Raymond Williams, Dick Hebdige, and Stuart Hall, Dworkin examines the debates over issues of culture and society, structure and agency, experience and ideology, and theory and practice. The rise, demise, and reorganization of journals such as The Reasoner, The New Reasoner, Universities and Left Review, New Left Review, Past and Present, are also part of the history told in this volume. In every instance, the focus of Dworkin's attention is the intellectual work seen in its political context. Cultural Marxism in Postwar Britain captures the excitement and commitment that more than one generation of historians, literary critics, art historians, philosophers, and cultural theorists have felt about an unorthodox and critical tradition of Marxist theory.

Taschenbuch. Zustand: Neu. Neuware - Socialist Realism without Shores offers an international perspective on the aesthetics of socialist realism -- an aesthetic that, contrary to expectations, survived the death of its originators and the demise of its original domain. This expanded edition of a special issue of the South Atlantic Quarterly brings together scholars from various parts of the globe to discuss socialist realism as it appears across genres in art, architecture, film, and literature and across geographic divides -- from the 'center', Russia, to various points at the 'periphery' -- China, Germany, France, Poland, remote republics of the former USSR, and the United States.