ditchling museum (23 Ergebnisse)

Zustand: Very Good. Picture Shown is For Illustration Purposes Only, Please See Below For Further DetailsCONDITION ? VERY GOOD - PAPERBACKlight wear and scuff marks to cover, pages in nice condition, shipped from the UK.

Paperback. Zustand: Very Good+. Card wrappers are clean with one or two faint handling marks on rear; binding is tight; pages are unmarked with black and white illustrations. One of a limited number of 1,000 copies. ; 7 x 0.25 x 10.6 inches; 47 pages.

Soft cover. Zustand: Very Good. Catalogue of the Eric Gill exhibition held at Ditchling with essays on his assistant Joseph Cribb and the Guild of St. Joseph and St. Dominic by the joint curators Ruth Cribb and Joe Cribb. Over 60 images from the exhibition are included in this book on Gill, both coloured and black and white. Catalogue of an exhibition held at Ditchling Museum, 9 June-7 Oct. 2007. Postcard of the Guild of St. Joseph and St. Dominic loosely inserted. 91 pages : illustrations (chiefly color), portraits ; 27 cm. Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.

Card Covers. Zustand: Very Good. Limited. 47 pages, colour & b/w illustrations. Edition of 1000. Essays by Anthony Hyne, Ewa Clayton, Derek Shiel. Minor wear, unmarked. [800] Size: 270mm. x 180mm.

Soft cover. Zustand: Fine. No Jacket. One of a limited edition of 1000 copies. Blue card covers. Condition: Fine, no inscriptions. 47pp. Several colour and b/w plates. Includes essays by Anthony Hyne, Ewan Clayton and Derek Shiel.

Card Covers. Zustand: Very Good. First Edition. 112 pages, colour illustrations. Published as part of The Village of Type 2016. Minor wear, unmarked. [797] Size: 240mm. x 170mm.

Soft cover. Zustand: Fine. Published on the occasion of the exhibition "Eric Gill: The Body" 29 April-September 2017 at the Ditchling Museum of Art + Craft. 58 pages : color illustrations ; 23 cm. Minimal shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.

Soft cover. Zustand: Fine. 1st Edition. Illustrations within the text and a sheet of 'additions' loosely inserted. A fine copy.

Soft cover. Zustand: Near Fine. 1st Edition. First edition, of which 1,000 copies were printed. Tall 8vo. 47pp. Card wrappers. With twenty-five photographs and reproductions, several in colour. A strip of light fading to the head of the rear wrapper, else in fine state.

Soft cover. Zustand: Fine. 1st Edition. Colour illustrations predominantly of sculpture, lettering, printing. Semi-stiff covers in white an russet, titled in black. A fine copy. Catalogue of an exhibition held at Ditchling Museum, 9 June-7 Oct. 2007.

Soft cover. Zustand: Fine. 1st Edition. Colour illustrations, examples of calligraphy, type specimens, portraits, etc. Semi-stiff covers. A fine copy. Developed from the exhibition "With Paper, Pen and Ink : Being Edward Johnston", held at Ditchling Museum in 2006.

Soft cover. Zustand: Fine. 1st Edition. Colour and black illustrations within the text. Calligraphic covers, titled in white. A fine copy. Principal contents: A History of Learning to Write, by Ewan Clayton; Two Journals, by Sally Teague; Italic Handwritig in the Twentieth Century, by John Nash; Handwriting: Everyone's Art, by Ewan Clayton.

Soft Cover. Zustand: Very Good. Paperback. 91pp. Several colour illustrations. A little edge wear to covers. A very decent copy. (an10).

Soft cover. Zustand: Fine. 1st Edition. First edition. Small 4to. Unpaginated [46pp]. Card wrappers. With an introductory essay by John Russell Taylor, an essay by Jennifer Holloway, and twenty-four colour plates, plus several further reproductions in the text. A fine copy. Uncommon. [A light item, UK postage will be produced].

Soft cover. Zustand: As New. 1st Edition. Printed in blue and black at the Cloister Press with photographic reproductions within the text. Blue card covers, titled in white with a photograph by david Bradford on the front. A fine copy.

Soft Cover. Zustand: Very good. No Jacket. Illus., some in colour; 64pp. folio paperback,

Sofcover. Zustand: Very Good. Book measures 26.5x20.5.cm. 95pp, illustrated. Bound in original publishers illustrated softcover. Covers lightly dirt marked, lightly bumped. Binding in good clean condition. Internally, pages clean. A nice clean copy.F Size: Large 8vo.

Soft cover. Zustand: Fine. 1st Edition. Well-illustrated study developed from the exhibition "With Paper, Pen and Ink : Being Edward Johnston", held at Ditchling Museum in 2006. 95 pages : illustrations (some color), portraits ; 27 cm. Minimal shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.

Paperback. Zustand: Good. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. FONT explores the relationship between calligraphy, type and the new digital technology through the work of one of the world's greatest typographers: the American Sumner Stone. A calligrapher by training, and now one of the leading figures in the application of the computer to type design, Stone has entered into a unique collaboration with Ditchling Museum and The Edward Johnston Foundation. The exhibition he has helped to create focuses on the development of a single new typeface, BASALT. Seen at every stage of its creation, BASALT is set alongside other work by Stone, together with examples of both historical and contemporary lettering he admires.2000 Edition. What looks like fading/sunning to covers may be deliberate for effect. Otherwise light signs of wear.

Soft Cover. Zustand: Very Good. 1st Edition. Released alongside an exhibition of the same name. Edward Johnston, CBE (11 February 1872 - 26 November 1944) was a Uruguayan-born British craftsman who is regarded, with Rudolf Koch, as the father of modern calligraphy, in the particular form of the broad-edged pen as a writing tool. This book exhibits his works alongside insightful articles and essays. Text in English. 95 pp. Fold in the top corner. Minor rubbing to the covers.

Soft Cover. Zustand: Fine. First Edition. 63 pp., includes bibliography, appendices of educational information and web resources; 9' x 9.5"; printed burnt orange & black wrapper; reproductions throughout. Published on the occasion of the exhibition by the same title. Featuring articles by Stone, on his Basalt typface; David Levy on Cyberspace; John Dreyfus', Watch This Space; Tom Perkins on The Geometry of Roman Lettering.

SOFTCOVER. Zustand: Fine. 1st Edition. Large 4to. in stiff card covers, 64pp on thick art paper, portrait frontispiece, illustrations in text, etc . [CONDITION: An extremely well preserved almost AS NEW unmarked copy 9some very slight sunning to covers) ] . . . . . . . . . . . .To see more of our books on Graphic Art and Design type DbbGRAPHIC in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Paperback. Zustand: Very good in wraps. 21 x 27cm 96pp very good exhibition catalogue with essays by Phil Baines and Ewan Clayton, developed from the exhibition: With Paper, Pen and Ink: Being Edward Johnston, held at Ditchling Museum in 2006. The exhibition, curated by Ewan Clayton, coincided with the centenary of the publication of Johnston s first book, Writing & Illuminating, & Lettering. Edward Johnston, was a Uruguayan-born British craftsman who is regarded, with Rudolf Koch, as the father of modern calligraphy, in the particular form of the broad-edged pen as a writing tool.