deitch projects (49 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.01.

Hardcover. Zustand: As New. 1st Edition. As new copy. BP/Art History.

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Paperback. Zustand: Very Good. 9.5 X 0.5 X 11.25 inches; 181 pages; color and B&W illustrations throughout the book. Very minor shelf rubbing on the covers. Very Good condition otherwise. No other noteworthy defects. No markings. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.

Wrappers. Zustand: Fine Condition. Unpaginated (60 pp.), 51 illustrations 43 in color.

Hardcover. Zustand: As New. First Edition. Sterling condition hardcover copy, with unbruised tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear; not ex-library, with neither underlining nor highlighting anywhere. Bound quite handsomely in illustrated buckram cloth, oatmeal in color. Glorious evocative full-color, black-and-white and duotone illustrations throughout. 254 pp. Published to augment of the exhibition held at Deitch Projects, New York, in 2007, with texts in English and Italian, befitting the life and work of the Italian-born painter Francesco Clemente. This work features "skewed self-portraiture, witty wordplay and gestural figuration" in view of nearly a decade's worth of artistic production.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

0 Includes illustrations. Fine. includes the prices insert.

Zustand: Very Good. Very Good condition. (Art, modern art, Art Catalog, Art Exhibitions) A copy that may have a few cosmetic defects. May also contain a few markings such as an owner's name, short gifter's inscription or light stamp.

paperback. Zustand: Good. Paperback exhibition catalog! Book shows some shelf & handling wear. Pages are minimally worn from reading, but remain intact with unmarked interiors. Good reading copy!

1st edition. Fine copy in the original colour printed boards. Particularly and uncommonly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Physical description; 254 pages: illustrations (chiefly color); 30 cm. Notes; Published on the occasion of the exhibition held at Deitch Projects, New York, 3 May - 2 June 2007. Includes bibliographical references. Text in English and Italian. Summary; The Italian-born painter Francesco Clemente came to prominence in the mid-1970s when intensely subjective yet universal themes filtered into his skewed self-portraiture, witty wordplay and gestural figuration. This volume compiles a decade's worth of works on paper from those early days, many of which were inspired by Italy's political crisis at the time or fellow artists Alighiero Boetti and Luigi Ontani. The Italian artists of the 1970s were working in the context of the "terrorist generation." There was a crisis of capitalism and of Western societal values--both of which informed such major ideas in Clemente's early work as "fragmentation of self" and the "refutation of reason." Suddenly the body became a territory for artistic exploration; it became a border and led to the idea of travel. Here Clemente learned to trust geography over history, and his highly personal symbolism of the time bears proof of an itinerant life spent between homes in Madras (current-day Chennai, India), New York and Rome, with many trips to Dehli, Srinagar and various areas of Afghanistan mixed in.Published on the occasion of Clemente's recent exhibition at New York's Deitch Projects, this deluxe volume highlights the artist's concerns with process and concept--not technical perfection--and his obsession with paper's ephemeral vulnerability. Hints of Clemente's later forays into Surrealism and deep human psychology are also evident, and provide an essential view of the beginning of a masterful career. Subjects; Clemente, Francesco 1952- - Catalogs. Clemente, Francesco 1952- - Criticism and interpretation. Artists - [Late 20th Century - Italy]. Deitch Projects (New York). History of art & design styles: from c 1900 -. Painting & paintings. ART / Individual Artists / General. 1.2 Kg.

Zustand: Very Good. Very Good condition. Acceptable dust jacket. (art, sculptures) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: new.

Zustand: Gut. Unpaginated [20 p.], numerous ill. A very good and clean copy. - From the text by Sherilyn Shepperd: The Playful Past: Between Nursery Rhymes and Other Social Myths. The simplest memory game is the nursery rhyme. In the rhymes' structured form, the lines of prose offer an insight of the basic truths of human nature and humanity. The rhymes themselves are seemingly apparent but at its core they operate in a complex interspace of coded language. The child-like particularities of the formal aspects do not undermine the wisdom of its ageless teachings. As a past time for adolescence, amusement and play, the simplest verse provides a passage into the worlds of folk and myth. It is within this uncharted space where Japanese artist Koji Shimizu chose to locate his collaged sculptural installations. Exploring the locations of cultural identity and alienation, Shimizu presents a playful representation of these multiple histones. These mischievously entertaining drawings and sculptural objects present a faceted view of the worlds that it attempts to negotiate, closely operating like a nursery rhyme. Shimizu, unlike many members of his urban-bound generation, grew up outside the metropolis of Tokyo, Japan. Raised in a multi-generational household of farmers, Shimizu's grandparents played a pivotal role in forming the artist's perseption of events in the Second World War. Shimizu utilizes these detailed accounts and intertwines his own subjective history into the social and collective fabric. ISBN 0972799206 Sprache: Englisch Gewicht in Gramm: 550 Original brochure, stapled, 14*19 cm.

Hardcover. Zustand: Fine. 1st Edition. Hardcover, 31 pgs. 12.5 x 9.5 in. Essay, color illus. Catalogue for exhibition held November 5-December 17, 2005. Fine.

Soft cover. Zustand: Very Good. Close to new condition with no damage or markings to pages and only very light wear to cover. 2009 paperback. The photo is of the actual book you will receive. Fast dispatch from UK seller.

Zustand: as new. New York : Deitch Projects, 2007. Hardcover. 254 pp. 30 cm. - Includes bibliographical references. Contents : Francesco ante portas -- 1971 Rome -- 1972 Rome -- 1974 Rome -- 1974 Srinagar -- 1974 Delhi -- 1975 Rome -- 1976 Rome -- 1977 Rome -- 1977 Madras -- 1978 Rome -- 1979 Rome. English text. Condition : as new. - The Italian-born painter Francesco Clemente came to prominence in the mid-1970s when intensely subjective yet universal themes filtered into his skewed self-portraiture, witty wordplay and gestural figuration. This volume compiles a decade's worth of works on paper from those early days, many of which were inspired by Italy's political crisis at the time or fellow artists Alighiero Boetti and Luigi Ontani. The Italian artists of the 1970s were working in the context of the terrorist generation. There was a crisis of capitalism and of Western societal values--both of which informed such major ideas in Clemente's early work as fragmentation of self and the refutation of reason. Suddenly the body became a territory for artistic exploration; it became a border and led to the idea of travel. Here Clemente learned to trust geography over history, and his highly personal symbolism of the time bears proof of an itinerant life spent between homes in Madras (current-day Chennai, India), New York and Rome, with many trips to Dehli, Srinagar and various areas of Afghanistan mixed in.Published on the occasion of Clemente's recent exhibition at New York's Deitch Projects, this deluxe volume highlights the artist's concerns with process and concept--not technical perfection--and his obsession with paper's ephemeral vulnerability. Hints of Clemente's later forays into Surrealism and deep human psychology are also evident, and provide an essential view of the beginning of a masterful career. Condition : as new copy. ISBN 9788881586509. Keywords : ART, Clemente, Francesco, 1952-.

1st ed. The Los Angeles-based artist Matt Greene is becoming known for his ethereal landscapes of fleshy fungi and bushy bombshells, paintings that explore his favorite shelves in the library: vintage pornography, fairy tales, horticulture, horror films, nineteenth-century Symbolist art, and, of course, the history of Modernism. Greene`s canvases unite those disparate and sometimes deliberately kitschy interests--and the weighty themes of gender, sexuality and epistemology that accompany them--in his distinctly serious and polished practice, creating a compelling tension between the two aesthetics. In this case, that tension is a bit higher than usual, as the artist shifts his attention from vintage to contemporary pornography. This new suite of paintings, the heart of his recent first solo show at Deitch Projects, is inspired by video erotica and uses its screen images to address highbrow concerns such as surface, color and space. (Sehr gut erhalten - neuwertig / in very good condition - as new) Sprache: Englisch Gewicht in Gramm: 1100 ill. OLeinen / Hardcover (cloth).

Zustand: Very good.

Softcover. 132, XXXVII S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, kaum Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, few traces of use. 9780977868636 Sprache: Englisch Gewicht in Gramm: 1000.

Soft cover. Zustand: Very Good. 1st Edition. Clean, unmarked, pages crisp and tightly bound. In excellent condition with very minimal shelfwear. With color illustrations, 84 pages. Exhibition catalogue of Kahlhamer's portraits, with accompanying text by his subjects.

Zustand: new.

Broschur. Zustand: Sehr gut. 28 Seiten, zahlr. Abb. Sehr gutes Exemplar mit leichten Gebrauchsspuren. / Very good copy with small signs of wear. - Published on the occasion of the exhibition by Deitch Projects, April 24-June 5, 2004. Text by Peter Carey. Catalogue Design by Jon Kessler. / Anyone who has ever put their hand on an electric fence and experienced that violent, almost concussive, pulse of energy will appreciate the effectiveness of Jon Kessler's invention of the ART FENCE, which is used to protect the sometimes fragile works in the present show. Although new to downtown Manhattan the ART FENCE dates from the artist's early years in Yonkers where, surrounded by dairy farmers, he saw the potential market for electric fences. At the age of fifteen Kessler was not only innovative but enterprising, having already produced plans for a suspension bridge and a FERAL KETTLE, the designs for which have since been lost. Fortunately the origins of the ART FENCE" (Carey) ISBN 9780964853096 Sprache: Englisch Gewicht in Gramm: 180.

First Edition. An exceptional copy; fine in the publisher's color-printed boards. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new.; 8vo 8" - 9" tall; 254 pages; Physical description; 254 pages : illustrations (chiefly color) ; 30 cm. Published on the occasion of the exhibition held at Deitch Projects, New York, 3 May - 2 June 2007. Includes bibliographical references. Text in English and Italian. Summary; The Italian-born painter Francesco Clemente came to prominence in the mid-1970s when intensely subjective yet universal themes filtered into his skewed self-portraiture, witty wordplay and gestural figuration. This volume compiles a decade's worth of works on paper from those early days, many of which were inspired by Italy's political crisis at the time or fellow artists Alighiero Boetti and Luigi Ontani. The Italian artists of the 1970s were working in the context of the "terrorist generation." There was a crisis of capitalism and of Western societal values--both of which informed such major ideas in Clemente's early work as "fragmentation of self" and the "refutation of reason." Suddenly the body became a territory for artistic exploration; it became a border and led to the idea of travel. Here Clemente learned to trust geography over history, and his highly personal symbolism of the time bears proof of an itinerant life spent between homes in Madras (current-day Chennai, India), New York and Rome, with many trips to Dehli, Srinagar and various areas of Afghanistan mixed in.Published on the occasion of Clemente's recent exhibition at New York's Deitch Projects, this deluxe volume highlights the artist's concerns with process and concept--not technical perfection--and his obsession with paper's ephemeral vulnerability. Hints of Clemente's later forays into Surrealism and deep human psychology are also evident, and provide an essential view of the beginning of a masterful career. Subjects; Clemente, Francesco 1952- Criticism and interpretation - Catalogs. Artists - [Late 20th Century - Italy]. Francesco Clemente [1952- ]Deitch Projects (New York). History of art & design styles: from c 1900 -. 2 Kg.

Zustand: New. KlappentextArtwork by Yoshitaka Azuma, Enlightenment, Koichi Enomoto, Taro Izumi. Text by Kentaro Ichihara.

First edition, first printing. Near fine paperback original.

Zustand: Sehr gut. No page numbers, brochure, with colour ill., the book is published in conjunction with the exhibition Table Turner at Deitch Projects, November 12 - December 18, 2004. Sprache(n)/language(s): enEinband mit sehr leichten Gebrauchsspuren, sonst tadellos.

Softcover. Zustand: Very Good. First Edition. Small square paperback. First printing. Title in small black lettering on white background. One-page poem by Yoko followed by pages of her photos, one per page, which were shown at the Deitch Projects in 2004. Front is faintly soiled and two corners have creases. Rear cover has a small patch of sticker lift and an oblong shape where the sticker was. 32mo. Unpaginated.

Hardcover. Zustand: Near Fine. Near Fine in white cloth boards & red print design, red endpapers, 59 pages -- just slight bowing to boards & bit of rubbing. From the library -- though not stated as such -- of the late Peter Schjeldahl.

Zustand: Good. Good condition. No Dust Jacket Cover lightly soiled. (Art, Drawings, Pictorial Works) NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.