Daylight books dez 2021 (5 Ergebnisse)

Buch. Zustand: Neu. Neuware - The rural south is a region in which every part of the past is very much its present. Peter Stitt's collection of photographs are an expressive study of a landscape that can be, at times, both particularly straightforward and subtly peculiar. Each image is a contemporary representation of a memory, a feeling, or a meditation on the small towns of the rural South.…

Buch. Zustand: Neu. Neuware - A look at lives and landscapes bearing secrets and scars of the atomic/nuclear era, Hanford Reach is a reflection upon the complexity of individual and collective memory, and upon the enduring nature of denial. Excerpts from original first-person narratives are interspersed with photographs taken in and around Hanford Nuclear Reservation, some within territories long removed from public access. Source interviews include Hanford scientists, Native elders, displaced farmers, and others variously impacted. Art intertwines with cultural documentary and political history.…

Buch. Zustand: Neu. Neuware - The Devil's Pool photographs explore a swimming hole in Philadelphia's Wissahickon Park and emphasize the value of access to green spaces within an urban setting. The project investigates how people relate to their environment and affirms a human need or impulse to commune with the natural world. The work pictures diversity, celebrating the human body interacting with nature, and looks at relationships among people, their bodies, and the environments that they inhabit. It recognizes a long tradition of bathing throughout art history (both indoors and out in nature) and the potential for a pictorial space where the body can be openly represented and honored. This work considers the reflexivity in viewing imagery of people fully taken by their physical and psychological surroundings. Devil's Pool stems from my love for the Wissahickon and the respite that it provides. People from all over are drawn to this urban swimming hole as a place to play and revel in physicality and nature. The images depict moments of coherence among our bodies and the world around us. At Devil's Pool, I am able to expand my admiring picture of everyday bodies, their owners absorbed in unselfconscious presence.…

Buch. Zustand: Neu. Neuware - Viewing Distance compiles and transforms declassified material from US government archives to examine photography as a tool of the military-industrial complex for reconnaissance, surveillance, and documentation of advanced technologies. While many of the source images for this body of work date back to the middle 20th century, they have only recently been released and much information remains secret. These pictures represent the decades-long time delay from when knowledge comes into being and when it becomes publicly accessible. The Cold War period that much of the material originates from is a significant turning point in photography's technological development and use for intelligence gathering. The book combines photographs pertaining to the clandestine innovations and operations of that era with contemporary documents and devices, connecting past and present. Processes including analog printing, digital collage, scanner manipulation, and data bending are used to animate the archival material. Through this disruption and layering, historical fragments are presented in a state of flux, open to alternate associations and implications. What we are allowed to know and see is often incomplete and indeterminate, encouraging speculation and critical vision.…

Buch. Zustand: Neu. Neuware - The Holocaust as history ended seventy-five years ago, about the span of a full human life; the Holocaust as culture is very much of the present, its meanings and lessons still actively in formation. For twenty-five years, Jason Francisco has wrestled with the afterlife of the genocide, creating a large number of photoworks and essays, including extensive work with the Galicia Jewish Museum in Kraków, Poland. At the center of his work work has been his long-term project Alive and Destroyed: A Meditation on the Holocaust in Time, begun in 2010. With a large format camera and antique lenses, Jason Francisco has undertaken a series of deep journeys extending from Berlin in the west to Kharkov in the east, Riga in the north to Bucharest in the south-for the sake of images that might carry the complications of remembering and forgetting in the places where the events we collectively call the Holocaust occurred. His destinations included the notorious sites of the genocide, such as Auschwitz and the ghettos of Warsaw and ¿ód¿, which often are taken to stand for the whole. And has made his way to hundreds of small, often remote concentrationary sites in Poland, Ukraine, Moldova, Belarus, Lithuania, Latvia, Russia, Hungary and Slovakia-massacre sites in forests, fields, riverbanks and cemeteries, deportation routes, subcamps, labor camps, transit camps, short-term ghettoes, escape routes, hiding places, not to mention countless sites of erstwhile Jewish life and civilization, some intact, more in ruins, vastly more in states of nothingness. Jason Francisco's decentralized approach follows recent scholarship, which has identified more than 42,500 locations in Nazi-occupied Europe where the Holocaust was perpetrated: venturing into the physical geography of the genocide venturing into the territory of remembrance and forgetting, and search for an image form that might carry register what he found and felt. In its method and form, Alive and Destroyed is an unconventional work of witness. Documentary in spirit and conceptualist in method, it does not use photography to 'capture' the worlds that the Holocaust left behind-to use the most common metaphor for the photographic act, itself reflecting a carceral understanding of photography as a medium. Rather Alive and Destroyed draws on the capacities of photography to test and redefine what we mean by presence and absence in memory and imagination. The photographs in Alive and Destroyed set out to release-to uncapture-the volatile mixture of incomprehension, argument, reclamation and loss that constitute the Holocaust as an inheritance for the living. Beyond being representations of sites in the world the Holocaust left behind, the images in Alive and Destroyed are themselves primary sites of meditation and mourning.…