Critical editions (20 Ergebnisse)

Sprache: Englisch
Verlag: W. W. Norton & Company (edition Norton Critical Editions), 1993
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Paperback. Zustand: Fair. Norton Critical Editions. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Sprache: Englisch
Verlag: W W Norton & Co Inc (edition Norton Critical Editions), 1987
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Paperback. Zustand: Very Good. Norton Critical Editions. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

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paperback. Zustand: Very Good.
Verlag: Norton critical editions
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Piers Plowman: the Donaldson translation, Middle English text, sources & backgrounds, criticism.
LANGLAND, William; ed Elizabeth Robertson & Stephen H A Shepherd
Sprache: Englisch
Verlag: NY, Norton Critical Editions 2006.; xxviii, 644pp., 2006
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Paperback. Pb, sl scuffed.
Verlag: Norton Critical Editions, 1974
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In den Warenkorbpaperback. Zustand: very good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDMinor wear to edges of covers, email or call for further information.

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Zustand: New. In English.

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Taschenbuch. Zustand: Neu. Neuware - 'The Debordian analysis of modern life resonates more deeply and darkly than perhaps even its creator thought possible.' - The New Yorker'Never before has Debord's work seemed quite as relevant as it does now' - The Guardian'Guy Debord is a time bomb, and a difficult one to defuse.' - Michael LöwyFirst published in 1967, Guy Debord's stinging revolutionary critique of contemporary society, The Society of the Spectacle has since acquired a cult status. The Das Kapital of the 20th century. An essential text, and the main theoretical work of the Situationists. Few works of political and cultural theory have been as enduringly provocative. From its publication amid the social upheavals of the 1960's up to the present, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism, and everyday life.'In Society of the Spectacle, Debord sets out his best-known statement of how the categories of capitalism colonise everyday life to such an extent that we can barely imagine an existence beyond them.' - Sydney Review of Books'The Society of the Spectacle [is] about not just the clamor of images but also the silence of power, a silence which, since the seventies, has become deafening.' - McKenzie Wark'Never before has Debord's work seemed quite as relevant as it does now, in the permanent present that he so accurately foretold Open his book, read it, be amazed, pour yourself a glass of supermarket wine - as he would wish - and then forget all about it, which is what the Spectacle wants.' - Will Self'In The Society of the Spectacle, Debord made plain that a 'unified critique of culture' implied a critique of the social totality. This was his practico-theoretical method throughout his career as a revolutionary: he saw no distinction between cultural work and political work.' - Bruce Russell'I read [The Society of the Spectacle] again and I thought, 'This is a fucking amazing book!' I had forgotten how terrific it was, and it was actually quite different to how I remembered it. I insist that the key chapter is not the first one, on the spectacle itself, but the second to last - the chapter on détournement. To me, that concept is the great gift of the Situationists. [They] realized that one can exploit this critically - one can copy and correct in the direction of hope.' - Los Angeles Review of BooksAbout the authorGuy Debord (1931-1994) was a Marxist theorist, writer, poet, filmmaker, hypergraphist, cultural revolutionary and a founding member of the Lettrist International and Situationist International - groups that fused avant-garde art and politics as an anti-capitalist weapon. Few works of political and cultural theory have been as enduringly provocative as Debord's Society of the Spectacle, which decisively transformed debates on the shape of modernity, capitalism and contemporary life.…
Cane: Authoritative Text, Contexts, Criticism (Norton Critical Editions) by Jean Toomer (2011-03-01)
Verlag: Norton Critical Editions, 2011
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In den WarenkorbZustand: fine. fine Trade Norton Critical Editions 2011? edition paperback In stock shipped from our UK warehouse.

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Taschenbuch. Zustand: Neu. Neuware - 'One of the most vigorous thinkers of the age . the prophet of modern society.' The New York Times.
Weitere Bilder- Softcover
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Taschenbuch. Zustand: Neu. The Society of the Spectacle | Guy Debord | Taschenbuch | Critical Editions | Kartoniert / Broschiert | Englisch | 2021 | Critical Editions | EAN 9781922491282 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.…

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Taschenbuch. Zustand: Neu. Neuware -'The Debordian analysis of modern life resonates more deeply and darkly than perhaps even its creator thought possible.' - The New Yorker'Never before has Debord's work seemed quite as relevant as it does now' - The Guardian'Guy Debord is a time bomb, and a difficult one to defuse.' - Michael LöwyFirst published in 1967, Guy Debord's stinging revolutionary critique of contemporary society, The Society of the Spectacle has since acquired a cult status. The Das Kapital of the 20th century. An essential text, and the main theoretical work of the Situationists. Few works of political and cultural theory have been as enduringly provocative. From its publication amid the social upheavals of the 1960's up to the present, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism, and everyday life.'In Society of the Spectacle, Debord sets out his best-known statement of how the categories of capitalism colonise everyday life to such an extent that we can barely imagine an existence beyond them.' - Sydney Review of Books'The Society of the Spectacle [is] about not just the clamor of images but also the silence of power, a silence which, since the seventies, has become deafening.' - McKenzie Wark'Never before has Debord's work seemed quite as relevant as it does now, in the permanent present that he so accurately foretold Open his book, read it, be amazed, pour yourself a glass of supermarket wine - as he would wish - and then forget all about it, which is what the Spectacle wants.' - Will Self'In The Society of the Spectacle, Debord made plain that a 'unified critique of culture' implied a critique of the social totality. This was his practico-theoretical method throughout his career as a revolutionary: he saw no distinction between cultural work and political work.' - Bruce Russell'I read [The Society of the Spectacle] again and I thought, 'This is a fucking amazing book!' I had forgotten how terrific it was, and it was actually quite different to how I remembered it. I insist that the key chapter is not the first one, on the spectacle itself, but the second to last - the chapter on détournement. To me, that concept is the great gift of the Situationists. [They] realized that one can exploit this critically - one can copy and correct in the direction of hope.' - Los Angeles Review of BooksAbout the authorGuy Debord (1931-1994) was a Marxist theorist, writer, poet, filmmaker, hypergraphist, cultural revolutionary and a founding member of the Lettrist International and Situationist International - groups that fused avant-garde art and politics as an anti-capitalist weapon. Few works of political and cultural theory have been as enduringly provocative as Debord's Society of the Spectacle, which decisively transformed debates on the shape of modernity, capitalism and contemporary life. 128 pp. Englisch.…