comédie française paris (19 Ergebnisse)

Paperback. Zustand: Wie neu. oktav paperback. Neuwertig. ungelesen; 196 seiten; représentée pour la première fois au théâtre louis-jouvet le lundi 27 février 1933 - en francais, in französischer sprache.

Couverture souple. Zustand: Très bon. Broché, 208 p. Collection du Répertoire. Création à la Comédie-Française le mercredi 17 décembre 1980 - Mise en scène de Maurice Béjart. Exemplaire à l'état neuf.(C71) Size: 11 x 20. Livre.

A theatre programme. /// Paperback, 36 pp., 12° (13.5 x 18 cm), cover slightly worn and dusty, condition: good Book Language/s: French.

21x12. Encuadernación rústica (tapa blanda). 208 pgs. Texto en frances. 671884.

Soft cover. Zustand: Very Good. No Jacket. 1st. Very good booklet in stapled light card covers; slight tanning and spotting to fore edges. Internally fine and free from inscriptions; very well illustrated; text in French.

in-octavo, 135 pp., nombreuses photographies dans le texte, br Ouvrage mis en page par Claude Jaubert et publié avec l aide de l association Les Amis d Antoine Vitez . Très bon état.

Agraphé. Zustand: Bon. 47 pages - nombreuses illustrations - passages soulignés - bon etat general.

Broché. 1 volume In-12 63 pp Couverture souple rempliée : repli inférieur déchiré. Quelques pages brunies. Non rogné Exemplaire moyen Tirage limité à 250 exemplaires numérotés sur vélin de Lana.

Soft cover. Zustand: Very Good. No Jacket. 1st. Very good booklet in stapled light card covers. Internally fine and free from inscriptions; very well illustrated; text in French.

Couverture rigide. Zustand: Très bon. Collection : Les nouveaux cahiers de la Comédie française Code à barres commercial : EAN 97 82749810843 1 vol. (64 p.) : ill., couv. ill. en coul. ; 16x22 cm Broché, couv. souple, comme neuve. Intérieur comme neuf. Légères traces de rousseur sur les tranches. 4C5 300g.

Zustand: Bon. Attention: Ancien support de bibliothèque, plastifié, étiquettes. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Stapled Wrappers. Zustand: Near Fine. Illustrated (illustrator). Reprint. Paris:Comédie-Française, 1969. Monograph on Molière IN FRENCH.12mo. Stapled wrappers, 64 pp. Includes very useful chronology and bibliography as well as index of all characters in Molière's plays. Near fine.

Soft Cover Stapled. Zustand: Very Good. Comédie-Française,1964. Soft Cover Stapled. TEXT IS IN FRECNH. Playbill for the September 17, 1964 performance of Le Cid at the Comédie-Française theater in Paris. Cover has very slight shelfwear. Pages are clean and unmarked, slightly toned. Binding is tight. Beautiful condition.

Soft cover. Zustand: Very Good. 1st Edition. Sm. 8° - 55pp - b/w photo-reproductions. text in French language. original wrappers. Very good condition.

Zustand: Good. Bon état. Sans date. Good.

Zustand: Good. 17 x 23.5 cm. B&W glossy photograph. Very Good. Provenance Paul Paulet, French actor from the 1930s-1970s.

Vintage program for the 1958 film. A filmed version of the 1670 stage play by Molière. A bourgeois man tries to move into aristocratic society by learning music, dance, fencing, and philosophy. 9.5 x 12.25 inches. Very Good plus, with foxing to the front wrapper, and some curling at the right corners.

Collection of 19 original studio still color transparencies from the 1958 French film, here under the original French title. Starring actors Meyer, Seigner, Marie Sabouret, and Micheline Boudet figure prominently in the images, in lavish period costumes. A few have layout annotations either on the glassine sleeve or on an affixed glassine slip. Laid in is a signed typescript letter from "Y. Guillot" addressed to Gay Lussac at Cinedis, the film's distribution company, and dated 1960. Guillot was "Le Chef du Service des Editions," and he thanks Lussac for sending him "ektachromes" from the film, promising to include images in upcoming issues of his publication. Housed in an original French Crumiere paper photo box, with annotations in manuscript ink and pencil on the lid. Based on Moliere's 1670 five-act play, "Le Bourgeois gentilhomme," about social climbing and the bourgeois personality. Seigner plays Jourdain, middle-aged and aspiring to aristocracy. He learns fencing, dancing, music and philosophy, constantly making a fool of himself. The second adaptation of Moliere's play, after Humberto Gómez Landero's "El gran Makakikus (1944), and preceding Roger Coggio's "Le bourgeois gentilhomme" (1982). 18 transparencies 3.25 x 4.5 inches, 1 two-frame transparency 2.25 x 4.75 inches. Near Fine, glassine sleeves with light soil. Letter Very Good plus, folded twice. Box Very Good overall.

Zustand: Good. 12 Cartes de visite, cards and letters all signed with handwritten messages. 21pp. .BORN 28 Oct 1854, Paris: 2, rue Croix des Petits-Champs - DIED 18 Nov 1941, ParisBIRTH NAME Regnault, Jeanne-JuliaGRAVE LOCATION Paris: Passy Cimetière, 2 Rue du Commandant Schloesing (division 15).Julia Bartet was the daughter of the sculptor Charles-Ferdinand Regnault and Marie-Malvina Beck. She was educated at the Conservatory in Paris. Régnier was one of her teachers.In 1872 she started acting at the Vaudeville and in 1879 she was contracted by the Comédie Française, where she became a sociétaire in 1880. In 1874 she gave birth to a son by an unknown father (her son died in 1894). She was the star of the Comédie Française and played in tragedies as well as in comedies. Her nickname was 'la Divine'.In 1906 she was awarded the Légion d'honneur (chevalier). In 1908 she performed in London for a season and in 1919 she left the stage. In 1920 she became Officier de la Légion d'honneur. She died late in 1941. It is possible that she was born in 1851 instead of 1854.The recipient of the letters is:Mme. Edmond Archdeacon (1872-1960), née Anne-Françoise de Rocquigny du Faye) was the widow of Edmond Archdeacon (1864-1906.).She held salons and many of the letters in this collection have to do with these social events often at her salon at no. 3 rue de Tilsitt , Paris.Her late husband (died in 1906): Edmond, Archdeacon, Député de la Seine et homme d'affaires français, né à Paris le 24 décembre 1864, décédé à Paris le 20 février 1906.Edmond Archdeacon était le fils d'un riche agent de change parisien, d'origine irlandaise et d'opinions légitimistes. Grâce à la fortune héritée de son père et à ses vastes propriétés dans l'Yonne, il put vivre plus en rentier millionnaire qu'en homme d'affaires, habiter sur les Champs Elysées l'hôtel fastueux du duc de Morny et surtout faire de la politique à fonds perdus, en finançant avec une rare générosité les mouvements qui lui plaisaient, c'est-à-dire résolument hostiles à la IIIe République.Mme. Edmond Archdeacon (née Anne-Françoise de Rocquigny du Faye).: Selon André Becq de Fouquières, Anne-Françoise de Rocquigny du Fayel, par son mariage Mme Edmond Archdeacon, quitta son hôtel du 15, avenue des Champs-Élysées pour venir résider à no. 3 rue de Tilsitt après la mort de son mari, survenue en 1906. .Fondatrice de la ?Maison de Repos du Clos Savoyard.? .Née le 2 novembre 1872 à Boulogne-sur-Mer.Décédée le 24 octobre 1960 à Veyrier-du-Lac, à l'âge de 87 ans. Sépulture à ParisParents:Robert de Rocquigny du Fayel (1845 - 1929), maire de Neufchâtel;; Marie Connelly (1851 - 1916).Mariée le 20 novembre 1890 à Paris, avec Edmond Archdeacon (1864 - 1906), député de la Seine,: Enfants: Héloïse (1894 - ) Louise (1898 - ). Expertise by: Alain NICOLAS & Pierre GHENO, Experts près la Cour d'Appel de Paris.