Casa lago press (21 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Zustand: Very Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: New. In English.

Zustand: New. In English.

Zustand: Very Good. : Este libro propone una investigación profunda sobre cinco películas (Pan y chocolate, El embrollón, La reina de corazones, El Mediterráneo para siempre y Toro salvaje) que abordan la realidad italiana fuera de Italia. A través de un examen detallado segmento por segmento, el autor Antonio D'Alfonso revela los parámetros que definen lo que él denomina la 'cultura itálica', una identidad cultural desterritorializada.La obra funciona como una herramienta académica esencial para estudiantes y estudiosos del cine, permitiendo comprender mejor la narrativa cinematográfica de las películas étnicas y la representación de la etnicidad en la gran pantalla. El análisis cronológico y sincrónico ayuda a desentrañar cómo se construye el relato de la identidad italiana en contextos internacionales. EAN: 9781955995092 Tipo: Libros Categoría: Arte y Cultura|Películas Título: I Could Have Been a Contender (On Five Films) Autor: Antonio D'Alfonso Editorial: Casa Lago Press Idioma: en Páginas: 366 Formato: tapa blanda.…

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | This book looks at the world from which the Italian woman came in order to understand how she was able to adjust to her new life and role in the United States. The first section of this study is dedicated to "La via vecchia." Using Sgritta family oral histories and private papers, as well as the memoirs of other Italian women, we look at what life was like for an Italian woman coming to the United States at the turn of the century. We compare and contrast the experiences of Jennie and Candida Sgritta and investigate why they had different experiences, even though they were both "second-generation" Italian Americans. We also compare their experiences to women of other Italian families. In conclusion, we look at ways in which Italian women, in general, and the women of the Sgritta family, in specific, adjusted their ideals and customs to those of the American community around them.…

Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | This book is a collection of essays in honor of Luigi Fontanella. Living more than fifty years in the United States and writing his innumerable works in Italian surely underscores a certain characteristic that distinguishes him from the majority of writers in Italy. First, it is geographical: Luigi lives in the US, whereas the majority of poets who write in Italian live in Italy. (2) It is geo-cultural; for while Luigi lives in the United States, he is engaged for sure in its cultural milieu. Indeed, Luigi has always been in direct dialogue with Italy and all that it pertains. It is this continued intellectual conversation - this to-and-fro - that places him hermeneutically and linguistically under the greater umbrella of "Italian.".…

Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | This collection of essays looks at all aspects of Coppola's "classic," as the late Dr. Anne Paolucci called it. The individual studies examine a series of issues that are both thematic and structural. How did the lm speak to us in 1972, and how does it speak to us now? What narrative devices did Coppola adopt to bring forth his communiqué? Can we decipher what his communiqué was? In viewing the lm from a more theoretical perspective, what can the spectator take away from the film? -FROM THE "PREFACE".…