Butler gallery (14 Ergebnisse)

Zustand: Very Good. 1997. Paperback. Very good clean copy. Minor shelf wear on covers. . . . . Books ship from the US and Ireland.

Soft cover. Zustand: Fine. 1st Edition. 144 pages. Illustrated. 225x210mm. Original printed card covers. A fine copy without any library stamps, inscriptions, or other markings.

Soft cover. Zustand: Near Fine. 1st Edition. 168 pages. illustrated. 225x210mm. Original pictorial card covers with flaps. A near fine copy.

Zustand: Very Good. 1997. Paperback. Very good clean copy. Minor shelf wear on covers. . . . .

cloth, dustjacket, 4to 324 pp., ca. 300 ills. Tony O'Malley was born in 1913 in Kilkenny, Ireland; lived and worked in Cornwall, and Isles of Scilly and the Bahamas; very good condition.

Soft cover. Zustand: Near Fine. 1st Edition. French Style Cover. Copiously illustrated in color. A clean and unmarked copy. Unpaginated. 8vo.

Zustand: Good. 2018. No Edition Remarks. Unpaginated. No dust jacket. Signed by the author. Black cloth covered boards. Signed by the author with dedication to front free end paper. Pages remain clear with minimal tanning and foxing. Binding remains firm. Boards have moderate edge-wear with bumping to corners and rubbing to surfaces. Cloth has moderate damp and dust stains. Mild crushing to spine ends. Brown mark across rear board.…

Soft cover. Zustand: Very Good. Very close to new condition with no damage or markings to pages and only very slight shelf wear to cover. The photo is of the actual book you will receive. Fast dispatch from UK seller.

First edition, first printing. Fine stiff card paperback exhibition catalogue of the artist's retrospective catalogue.

First edition, first printing. Fine in near fine dustjacket.

Softcover/Taschenbuch. Zustand: Sehr gut. kA. Auflage. Anzahl Bände: 1 - Bd.Nr.: kA - Sprache: de - Einband: Broschur - Gewicht: 200 - Illust.: kA - Zustand: Sehr gut - neuwertig. kA (illustrator).

Hardcover. Zustand: Very Good. No Dust Jacket. Very good condition hardcover with printed boards, no dust jacket, signed and dedicated by the artist. Boards are marked, and edges, corners and spine ends are slightly bumped and rubbed. Binding is sound and content is clear with colours vivid. LW. Signed and Dedicated By Artist. Used. …

Single pentagonal card. (c. 100 mm x 100 mm). Pentagonal piece of white card gilded on one side. On the gilded side, text printed offset in red: 'This is the Ghost of James Lee Byars Calling. 615 N. La Cienega Blvd, Los Angeles, California, U.S.A.'. Scarce and ephemeral invitation card for 'This is the Ghost of James Lee Byars Calling' at Eugenia Butler Gallery (Los Angeles), 1969, with the artist's own handwritten note. For 'This is the Ghost of James Lee Byars Calling' Byars transformed the gallery into an entirely red room with a sole light source from a two-and-a-half inch hole cut in the ceiling. The only entrance into the dark gallery space was through a two-and-a-half foot hole, and participants were asked to read various communications (describing Byars) that were sent to the gallery from people around the world to audibly reconstruct the artist. In addition to the mailed cards, the artist also wrote out various statements on the back of the gallery's pentagonal card invitations. Please ask for a transcription of the Byars note. [see James Lee Byars, Bücher, Editionen, Ephemera, Neues Museum Weserburg Bremen, no. 53a].…

Three pentagonal cards. (each c. 100 mm x 100 mm). Pentagonal pieces of white card gilded on one side. On the gilded side, text printed offset in red: 'This is the Ghost of James Lee Byars Calling. 615 N. La Cienega Blvd, Los Angeles, California, U.S.A.'. A scarce series of invitation cards for 'This is the Ghost of James Lee Byars Calling' at Eugenia Butler Gallery (Los Angeles), 1969, each with the artist's own handwritten note. James Lee Byars' cryptic notes, written and numbered (seemingly at random) in red, reads as follows: (Card 1): ''(65) I loved Balenciaga's dresses' '60' The double OO is Berdorf's sign' / (Card 2): '(61) The first produce I made in sch. was a red bird with revolving wings and total rotation (62) The last was my Phd. fic.' and (Card 3): '(63) My newest taste is snails (64) I like Black silk sheets'. For 'This is the Ghost of James Lee Byars Calling' Byars transformed the gallery into an entirely red room with a sole light source from a two-and-a-half inch hole cut in the ceiling. The only entrance into the dark gallery space was through a two-and-a-half foot hole, and participants were asked to read various communications (describing Byars) that were sent to the gallery from people around the world to audibly reconstruct the artist. In addition to the mailed cards, the artist also wrote out various statements on the back of the gallery's pentagonal card invitations. [see James Lee Byars, Bücher, Editionen, Ephemera, Neues Museum Weserburg Bremen, no. 53a].…