Boydell brewer jun 2019 (13 Ergebnisse)

Buch. Zustand: Neu. Neuware - Known for his orchestral, operatic and choral works, James MacMillan (b. 1959) appeals across the spectrum of contemporary music making.James MacMillan appeals across the spectrum of contemporary music making and is particularly celebrated for his orchestral, operatic and choral pieces. This book, published in time to mark the composer's sixtieth birthday, is thefirst in-depth look at his life, work and aesthetic. From his beginnings in rural Ayrshire and his early work with Sir Peter Maxwell Davies, through the international breakthrough success of The Confession of Isobel Gowdie,the continuing success of works such as the percussion concerto Veni, Veni, Emmaneul and his choral pieces, to his current position as one of the most prominent British composers of his generation, the book explores MacMillan's compositional influences over time. It looks closely at his most significant works and sets them in a wider context defined by contemporary composition, culture and the arts in general. The book also considers MacMillan's strong Catholic faith and how this has influenced his work, along with his politics and his on-going relationship with Scottish nationalism. With the support of the composer and his publisher and unprecedented access to interviews and previously unpublished materials, the book not only provides an appraisal of MacMillan's work but also insights into what it means to be a prominent composer and artist in the twenty-first century. PHILLIP A. COOKE is a Composer and Senior Lecturer and Head of Music at the University of Aberdeen. He has previously co-edited The Music of Herbert Howells for Boydell.…

Buch. Zustand: Neu. Neuware - An insightful look at the urban sensibility that gives the Great American Songbook its pizzazz.Nothing defines the songs of the Great American Songbook more centrally than their urban sensibility. During the first half of the twentieth century, songwriters such as Harold Arlen, Irving Berlin, Dorothy Fields, George and IraGershwin, and Thomas 'Fats' Waller flourished in New York City, the home of Tin Pan Alley, Broadway, and Harlem. Through their songs, these artists described America -- not its geography or politics, but its heart -- to Americansand to the world at large. In City Songs and American Life, 1900-1950, renowned author and broadcaster Michael Lasser offers an evocative and probing account of the popular songs -- including some written originally for the stage or screen -- that America heard, sang, and danced to during the turbulent first half of the twentieth century. Many songs portrayed the glamor of Broadway or the energy and Jazz Age culture of Harlem. But a city-bred spirit -- or even a specifically New York City way of feeling and talking -- also infused other widely known and loved songs, stretching from the early decades of the century to the Twenties (the age of the flapper, bathtub gin, and women's right to vote), the Great Depression, and, finally, World War II. Lasser's deftly written book demonstrates how the soul of city life -- as echoed in the nation's songs -- developed and changed in tandemwith economic, social, and political currents in America as a whole. Michael Lasser, a former teacher and theater critic, is host of the syndicated public-radio show Fascinatin' Rhythm (winner of the Peabody Award) and the author of two previous books. Support for this publication was provided by the Howard Hanson Institute for American Music at the Eastman School of Music at the University of Rochester.…

Buch. Zustand: Neu. Neuware - Essays on aspects of iconography as manifested in the material culture of medieval England.Professor Jane Hawkes has devoted her career to the study of medieval stone, exploring its iconographies, symbolic significances and scholarly contexts, and shedding light on the obscure and understudied sculpted stone monuments of Anglo-Saxon England. This volume builds on her scholarly interests, offering new engagements with medieval culture and the current scholarly methodologies that shape the discipline. The contributors approach several significantobjects and texts from the early and later Middle Ages, working across several disciplinary backgrounds and periods, largely focusing on the Insular World as it intersects with wider global contexts of the period. The chapters cover a wide range of subjects, from the material culture of baptism, to the material, symbolic and iconographic consideration of the artistic outputs of the Insular world, with essays on sculpture, metalwork, glass and manuscripts,to ideas of stone and salvation in both material and textual contexts, to intellectual puzzles and patterns - both material and mathematic - to consideration of the ways in which the conversion to Christianity played out on the landscape. MEG BOULTON is Research Affiliate and Visiting Lecturer in the History of Art Department at the University of York; MICHAEL D.J. BINTLEY is Lecturer in Early Medieval Literature and Culture at Birkbeck, University of London. Contributors: Elizabeth Alexander, Michael Brennan, Melissa Herman, Mags Mannion, Thomas Pickles, Harry Stirrup, Heidi Stoner, Colleen Thomas, Philippa Turner, Carolyn Twomey.…

Buch. Zustand: Neu. Neuware - Employing close reading of a kind usually associated with the study of lyric poetry, this book offers a general framework for reading African-American (and American) literature.This book springs from two premises. The first is that, with a nod toward Marianne Moore, America is - has always been - an imaginary place with real people living in it. The second is that slavery and its legacies explain how and why this is the case. The second premise assumes that slavery - and, after that fell, white supremacy generally - have been necessary adjuncts to American capitalism. Mark Richardson registers these two premises at the level of style and rhetoric - in the texture as much as in the 'arguments' of the books he engages. His book is written to appeal to a general reader. It begins with Frederick Douglass, continues with W. E. B. Du Bois, Charles Chesnutt, and Richard Wright, and treats works by writers not often discussed in books concerning race in American literature - for example, Stephen Crane and Jack Kerouac. It brings to bear on such books as Douglass's My Bondage and My Freedom, Du Bois's The Souls of Black Folk, and Crane's The Red Badge of Courage a degree and quality of attention one usually associates with the study of lyric poetry. The book offers a general framework within which to read African-American (and American) literature. Mark Richardson is Professor of English at Doshisha University, Kyoto, Japan. He is co-editor of The Letters of Robert Frost (Harvard University Press) and author of The Ordeal of Robert Frost (University of Illinois Press, 1997). …

Buch. Zustand: Neu. Neuware - This edition of the building accounts is put into a wider context with a study of its founder, Richard Fox.Corpus Christi College, Oxford, was founded in 1517 by Richard Fox, bishop of Winchester. He intended it to educate students in classical Greek, Latin and Hebrew, and their literature; Erasmus praised it as a scholarly achievement, and a beacon of Renaissance classical learning. The heart of this book is an edition of the original fortnightly building site accounts of 1517-1518, giving us a window onto a late-medieval building site, with its detailsof early sixteenth-century building materials, craft techniques, project management skills and working conditions, including siesta periods and sub-contracting. The introduction describes Fox's long road to 1517: his motives far more complicated than a bishop looking for worldly fame and heavenly reward. Born into a Lincolnshire yeoman, Fox studied law at Oxford, rebelled against Richard III and became Henry VII's closest political adviser. Taken together,they provide a detailed account of the foundation of the College, both literal and metaphorical. …

Buch. Zustand: Neu. Neuware - Presents essays by leading short-story writers on their favorite American short stories and why they like them. It will send readers to the library or bookstore to read, or re-read, the stories selected.On the assumption that John Updike was correct when he asserted, in a 1978 letter to Joyce Carol Oates, that 'Nobody can read like a writer,' Why I Like This Story presents brief essays by forty-eight leading American writers on their favorite American short stories, explaining why they like them. The essays, which are personal, not scholarly, not only tell us much about the story selected, they also tell us a good deal about the author of the essay, about what elements of fiction he or she values. Among the writers whose stories are discussed are such American masters as James, Melville, Hemingway, O'Connor, Fitzgerald, Porter, Carver, Wright, Updike, Bellow, Salinger, Malamud and Welty; but the book also includes pieces on stories by canonical but lesser-known practitioners such as Andre Dubus, Ellen Glasgow, Kay Boyle, Delmore Schwartz, George Garrett, Elizabeth Tallent, William Goyen, Jerome Weidman, Peter Matthiessen, Grace Paley, William H. Gass and Jamaica Kincaid, and relative newcomers such as Lorrie Moore, Kirstin Valdez Quade, Phil Klay, Viet Thanh Nguyen and Edward P. Jones. Why I Like This Story will send readers to the library or bookstore to read or re-read the stories selected. Among the contributors to the book are Julia Alvarez, Andrea Barrett, Richard Bausch, Ann Beattie, Andre Dubus, George Garrett, William H. Gass, Julia Glass, Doris Grumbach, Jane Hamilton, Jill McCorkle, Alice McDermott, Clarence Major, Howard Norman, Annie Proulx, Joan Silber, Elizabeth Spencer and Mako Yoshikawa.…

Buch. Zustand: Neu. Neuware - Sir Henry J. Wood (1869-1944), co-founder and chief conductor of the Proms, is often noted for his championing of the leading composers of the day, including Richard Strauss, Debussy, Rachmaninov, Ravel and Vaughan Williams. He also played pivotal role in advocating and performing the music of J.S. Bach.Sir Henry J. Wood (1869-1944), co-founder and chief conductor of the Proms for nearly half a century, is often noted for his championing of the leading composers of the day, including Richard Strauss, Debussy, Rachmaninoff, Ravel,Sibelius, and Vaughan Williams. Less known is the part Wood played in advocating and performing the music of J.S. Bach, much of which, incredibly, was unknown in England at the turn of the twentieth century. This book uncoversWood's pivotal role in the English Bach revival. Wood's performances of works such as the St Matthew Passion and B Minor Mass caused a stir; the Brandenburg Concertos and Orchestral Suites became staple fixtures in the musical calendar; and his orchestral arrangements of Bach's solo works and cantata arias were key to the popularisation of the composer in England. Largely untouched, the hundreds of Bach scores individually marked up by Wood, now preservedin his archive at the Royal Academy of Music, London, reveal the minutiae of his thoughts on performance and offer a fascinating parallel to his available recordings from the period. Illuminating a significant new aspect of the musical life of England before World War II, the book also demonstrates that Wood's advocacy continues to influence perceptions of Bach even today. DR HANNAH FRENCH is an academic, broadcaster, and Baroque flautist based in London. She broadcasts regularly on Radio 3 and has appeared as a TV presenter and commentator for the BBC Proms.…

Buch. Zustand: Neu. Neuware - The work of an unjustly neglected antiquarian brought to life, showing his contribution to the field.After his military career, Major Hayman Rooke undertook detailed studies of landscape, ancient trees, natural history, meteorology, and ancient and Roman Britain. He was linked into a broad network of friends and correspondents, including landowners such as Earl Bathurst and the Duke of Portland, and their agents (among them Humphry Repton); he was also connected to numerous learned societies. Information from these sources, coupled with his wide-ranging reading and first-hand observations, gave him a unique perspective on the landscape. This book examines Rooke's work, showing how landscapes were interpreted and understood in the eighteenth century; more broadly, it offers new insights into the antiquarian movement of the time. It is richly illustrated, making use of many of Rooke's own sketches and drawings. EMILY SLOAN gained her doctoral thesis from the University of Nottingham.…

Buch. Zustand: Neu. Neuware - Kitty Clive (1711-1785) was a top London stage star. She dominated spoken as well as musical comedy. From the 1740s onwards, her reputation suffered a sharp decline. For anyone curious about star production in eighteenth-century Britain, her story is not to be missed.Honourable Mention, 2020 RMA/CUP Monograph PrizeKitty Clive (1711-1785) was a top London stage star. Singing powered her ascent and, for twenty years, was foundational to her success as she came to dominate spoken as well as musical comedy. Her protean powers transfixed audiences, whether in low-style productions or in works by masters like Purcell, Shakespeare, and Dryden. Celebrities such as Handel and Henry Fielding wrote vehicles for her. Clive's career was unique. Despite a sometimes awkward biography - her father was a disgraced Irish Catholic; she defied managers; her marriage was almost certainly a social ruse and her 'husband' a homosexual - her musical voice helped her to become the champion of British song, of patriotism, and of propriety. Yet in the 1740s, critical opinion turned against Clive and the financial power she wielded. Salvaging her career with David Garrick's help, Clive gutted her legacy. She quit serious song and took to caricaturing herself on stage, winning back audiences by disparaging her earlier achievements. Altering works mid-performance, creating and re-shaping stage genres, and leveraging press coverage while seeming not to, she was above all a shrewd manager and a fascinating stage artist. Clive's career reveals to us gorgeous song otherwise lost and perspectives previously unknown. For music historians, musicologists, theatre scholars, and anyone curious about performance history and star production in eighteenth-century Britain, her story is not to be missed. BERTA JONCUS is Senior Lecturer in Music at Goldsmiths, University of London.…

Buch. Zustand: Neu. Neuware - A wide-ranging study of the significance of swords throughout the whole Anglo-Saxon period, offering valuable insights into the meaning of and attitude towards swords.Swords were special in Anglo-Saxon England. Their names, deeds and pedigrees were enshrined in writing. Many were curated for generations, revealed by their worn and mended condition. Few ended their lives as casual discards, placed instead in graves, hoards and watercourses as part of ritualised acts. Contemporary sources leave no doubt that complex social meanings surrounded these weapons, transcending their use on the battlefield; but they have yet to transcend the traditional view that their primary social function was as status symbols. Even now, half a century after the first major study of Anglo-Saxon swords, their wider significance within their world has yet to be fully articulated. This book sets out to meet the challenge. Eschewing modern value judgements, it focuses instead on contemporary perceptions - exploring how those who made, used and experienced swords really felt about them. It takes a multidisciplinary and holistic approach, bringing together insights from art, archaeology and literature. Comparison with Scandinavia adds further nuance, revealing what was (and was not) distinctive of Anglo-Saxon views of these weapons. Far from elite baubles, swords are revealed to have been dynamic 'living' artefacts with their own identities, histories and places in social networks - ideas fuelled by their adaptability, durability and unique role in bloodshed. …

Buch. Zustand: Neu. Neuware - This year's volume is highlighted by a special section on Goethe's narrative events in addition to a range of other articles from emerging and established scholars.The Goethe Yearbook is a publication of the Goethe Society of North America, encouraging North American Goethe scholarship by publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit while also welcoming contributions from scholars around the world. Volume 26 features a special section on Goethe's narrative events, with contributions on 'Narrating (against) the Uncanny: Goethe's 'Ballade' vs. Hoffmann's Der Sandmann,' 'The Absence of Events in Die Wahlverwandtschaften,' and 'Countering Catastrophe: Goethe's Novelle in the Aftershock of Kleist.' This issue also showcases work presented atthe 2017 Atkins Goethe Conference (Re-Orientations around Goethe), including contributions by Eva Geulen on morphology and W. Daniel Wilson on the Goethe Society of Weimar in the Third Reich. In addition there are articles by emerging and established scholars on Klopstock, Schiller, Goethe and objects, dark green ecology, and texts of the Goethezeit and beyond through the lens of world literature. Book reviews conclude the volume. Contributors: Lisa Marie Anderson, Thomas O. Beebee, Fritz Breithaupt, Christopher Chiasson, Patrick Fortmann, Sean Franzel, Eva Geulen, Willi Goetschel, Stefan Hajduk, Samuel Heidepriem, Bryan Klausmeyer, Lea Pao, Elizabeth Powers, James Shinkle, Heather I. Sullivan, Christian P. Weber, W. Daniel Wilson, Karin A. Wurst. The Goethe Yearbook is edited, beginning with this volume, by Patricia Anne Simpson, Professor of German and Chairperson of Modern Languages at the University of Nebraska-Lincoln, and Birgit Tautz, George Taylor Files Professor of Modern Languages at Bowdoin College. Book Review Editor is Sean Franzel, Associate Professor of German at the University ofMissouri-Columbia.…

Buch. Zustand: Neu. Neuware - A radical re-interpretation of the chivalric biography of Boucicaut.The Livre des fais du bon messire Jehan le Maingre (1409) is one of the most famous chivalric biographies of the Middle Ages. It presents Jean II Le Meingre, known as Boucicaut (1366-1421), as an ideal knight and role model, and has frequently been seen by modern scholars as a last-ditch effort to defend traditional chivalric values that were supposedly in decline. Here, however, Craig Taylor argues that the biography is a much more complex and interesting text, fusing traditional notions of chivalry with the most fashionable new ideas in circulation at the French court at the start of the fifteenth century. Rather than a nostalgic criticism of contemporary knighthood, it should be seen as a showcase of the latest ideas on chivalry, written to renew the enthusiasm of the great French princes for a man who was in grave danger of falling out of favour: its purpose was to celebrate and to defend a beleaguered Boucicaut against his critics at the royal court, and to explain his actions as governor of Genoa, his failed crusading enterprises in the Eastern Mediterranean and his unsuccessful efforts to broker a solution to the Papal Schism. CRAIG TAYLOR is a Reader in Medieval History at the University of York; he was Director of its Centre for Medieval Studies from 2010 to 2011 and from 2014 to 2017.…

Buch. Zustand: Neu. Neuware - The first cohesive Faust narrative in facsimile form, German transcription, and (first-ever) English translation, plus a history of Faust illustrations and an assessment of Faust's historicity.The Faust legend, which has come down to us most famously in Goethe's tragedy but also in countless other incarnations since the late sixteenth century, was first collected and presented as a cohesive narrative (in manuscript) byChristoph Rosshirt during the 1570s. Rosshirt was also the first to provide illustrations of Faust, hand-colored by Rosshirt himself. This book offers a critical edition of Rosshirt's six tales, including an introductory chapter,a facsimile of the manuscript, a transcription and first-ever English translation on facing pages, as well as a history of Faust illustrations, with Rosshirt's own illustrations and other examples up through Delacroix, the most complete survey of such illustrations to date. A final chapter rounds out the study with an assessment of Rosshirt's significance for the Faust tradition, a review of the evidence for a historical Faust, and a rejection of his historicity (because it is unprovable) in favor of his existence only in his story - a story Rosshirt helped to tell - and in our imaginations that animate that story. J. M. van der Laan is Professor Emeritus of German at Illinois State University.…