Boydell brewer jun 2018 (8 Ergebnisse)

Buch. Zustand: Neu. Neuware - This is a book to appeal to a wide range of readers - pianists of every level from beginner to professional, piano teachers, musicians of all kinds, and the broader community of music-lovers.In Speaking the Piano, renowned pianist Susan Tomes turns her attention to teaching and learning. Teaching music encompasses everything from putting a drum in a child's hands to helping an accomplished musician unlock the meaning and spirit of the classics. At every stage, some fundamental issues keep surfacing. In this wide-ranging book, Susan Tomes reflects on how her own experience as a learner, in different genres from classical to jazz, hasinfluenced her approach to teaching. She tells us how her performing career has given her insight into what young performers need to know, and how discussions with students have fed into her own practice. She describes the brilliant and intriguing teachers whose masterclasses opened her ears to the many ways in which music can be brought alive and communicated. This is a book to appeal to a wide range of readers - pianists of every level from beginnerto professional, piano teachers, musicians of all kinds, and the broader community of music-lovers. In a passionate contribution to the ongoing debate about the place of music in education, Susan Tomes argues that this most inspiring of arts can play a unique role in personal development. This is a lovely, wise, elegantly written book, filled with tips and anecdotes which could be helpful and encouraging for any pianist, whether a beginner or aprofessional. Above all it is a book in which one senses constantly the deep love the author has for music itself, for its ability to inspire, touch and, indeed, change lives. STEPHEN HOUGH SUSAN TOMES is a multi-award-winning pianist whose career encompasses solo, duo and chamber music playing; she has been at the heart of the internationally admired ensembles Domus, the Gaudier Ensemble and the Florestan Trio. Her lecture-recitals have enabled many listeners to engage with the classics on a new level. She is the author of four acclaimed books about performance: Beyond the Notes (Boydell Press 2004), A Musician's Alphabet (Faber, 2006), Out of Silence (Boydell Press, 2010), and Sleeping in Temples (Boydell Press, 2014).…

Buch. Zustand: Neu. Neuware - Despite much triumph in adversity, illness fuelling composition is a misconception.The health - and especially deaths - of composers excite controversy. Was Mozart really poisoned Did Tchaikovsky commit suicide How did Beethoven lose his hearing Much good previous scholarship has been sullied by unsubstantiated views, and many composers' reputations have been unfairly tarnished by scandalous commentary, often involving alcoholism or syphilis. This book, by a Fellow of the Royal College of Surgeons, charts the disturbed physical and mental health of 70 great composers. It attempts to unpick the evidence forensically and to define the cause of death based on the legal paradigm of a balance of probabilities. The author reviews where the composer was when thefinal illness or death overtook him and considers how many of them would have fared with modern treatment. Chapters are organised thematically, by illness; and numerous misconceptions, such as madness fuelling creativity, are challenged. The book relates the nature of composition to composers' suffering, showcasing much triumph in adversity, and, importantly, rehabilitates reputations. JONATHAN NOBLE is a retired surgeon, who has spent many years researching the illnesses and deaths of composers. He is a Fellow of the Royal College of Surgeons and was President of the British Association of Knee Surgeons as well as the British Orthopaedic Sports Trauma Association. He looked after Test cricketers, Manchester United, and dancers and musicians in the North of England.…

Buch. Zustand: Neu. Neuware - The first book-length study of the famous pre-1600 library at Corpus Christi College, one of the few college libraries to survive in its original form and with many of its original books in contemporary bindings.The library of Corpus Christi College is one of the most famous of all of those in Oxford and Cambridge. It is one of the few pre-1600 libraries to survive in something like its original form, and the only one still in use as a library. Its main space is still the original room built in 1517, and its furniture, if not original, is still early, most of it dating from 1604. A high proportion of its earliest book-stock, whether print or manuscript, still survives, and there is a wealth of documentation that makes it possible to chart the process of acquisition, especially the major donations of the Founder, Bishop Fox, and first President, John Claymond. And yet there is no modern, book-length study of the College Library. The present volume is intended to provide a scholarly but attractive and readable account of the Library from its conception in the mind of Richard Fox, to the appearance of its earliest surviving catalogue in 1589. It is extensively illustrated, highlighting the rarely-seen original bindings of the early books.…

Buch. Zustand: Neu. Neuware - Offers a comprehensive catalogue of all the saints appearing in the monastic litanies, from Abro to Yvo.The litanies of the monastic orders in England, above all those of the Benedictines, are key witnesses of devotion to the saints of the British Isles, whose relics and shrines were mostly in Benedictine abbeys and cathedral priories. However, although many of the calendars of the Benedictines have been published, litanies are more rare, and the majority of those within this volume are presented as text editions for the first time. The majority of the textsare Benedictine, but the few surviving litanies from the other monastic orders, Carthusians, Cistercians and Cluniacs, are included, and also those of the Order of Fontevrault. This volume, the final in a set of three, contains a complete catalogue of all the saints mentioned in the litanies, providing such information as their miracles, their resting-place, and their origins. It also provides full indices to all three volumes. Nigel Morgan is Honorary Emeritus Professor of the History of Art at the University of Cambridge and a Fellow of Corpus Christi College.…

Buch. Zustand: Neu. Neuware - Cutting-edge scholarly articles on diverse aspects of Goethe and the Goethezeit, featuring in this volume a special section on acoustics around 1800.The Goethe Yearbook is a publication of the Goethe Society of North America, encouraging North American Goethe scholarship by publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit while also welcoming contributions from scholars around the world. Volume 25 features a special section on acoustics around 1800, edited by Mary Helen Dupree, which includes, among others, contributionson sound and listening in Ludwig Tieck's Der blonde Eckbert (Robert Ryder) and on the role of the tympanum in Herder's aesthetic theory (Tyler Whitney). The volume also contains essays on Goethe and stage sequels(Matthew Birkhold), on figures of armament in eighteenth-century German drama (Susanne Fuchs), on the dialectics of Bildung in Wilhelm Meister (Galia Benziman), on the Gothic motif in Goethe's Faust and 'Von deutscher Baukunst' (Jessica Resvick), on Goethe and Salomon Maimon (Jason Yonover), on Goethe's 'Novelle' (Ehrhard Bahr), and on Schiller's Bürger critique (Hans Richard Brittnacher). Contributors: Ehrhard Bahr, Galia Benziman, Matthew H. Birkhold, Hans Richard Brittnacher, Linda Dietrick, Mary Helen Dupree, Susanne Fuchs, Deva Kemmis, Jessica C. Resvick, Robert Ryder, Patricia Anne Simpson, Chenxi Tang, Tyler Whitney, Jason Yonover, Chunjie Zhang. Adrian Daub is Associate Professor of German at Stanford University. Elisabeth Krimmer is Professor of German at the University of California Davis.…

Buch. Zustand: Neu. Neuware - Interdisciplinary study of chapels provides a more complex and fuller picture of engagement with the Church and Christianity in the Middle Ages.From the eleventh and twelfth centuries, Latin Christendom was increasingly focussed, both institutionally and culturally, on Rome and the papacy. A key element of these changes was a growing concern with the provision of pastoralcare and the standardisation of practices and beliefs. However, whilst parish churches have received considerable scholarly attention, chapels have been largely neglected, despite the fact that they were widespread in the landscape of medieval Britain and Norway, found in locations ranging from villages to castles, and central to the life of many. This book, the first major comparative study of the subject, begins by examining what a chapel was, whoused them, and their purpose. Using archaeological remains, the wider parish landscape - settlements, transport and geography - and historical records such as papal letters, it then categorises chapels according to function and their relationship with the parish church, showing that they served a far greater range of purposes than has previously been assumed. The author also considers whether the drive for uniformity had an impact on religious landscapesin Britain and Norway, arguing that there is little evidence of a Viking impact on chapel organisation in the British Isles, with the evidence pointing towards Scandinavian adoption of pre-existing organisation and local cults. Sarah Thomas gained her PhD from the University of Glasgow; she is currently a postdoctoral researcher at the University of Stirling.…

Buch. Zustand: Neu. Neuware - A multi-disciplinary approach to two of the most important legal institutions of the Middle Ages.The wars waged by the English in France during the fourteenth and fifteenth centuries led to the need for judicial agencies which could deal with disputes that arose on land and sea, beyond the reach of indigenous laws. This led to the jurisdictional development of the Courts of Chivalry and Admiralty, presiding over respectively heraldic and maritime disputes. They were thus of considerable importance in the Middle Ages; but they have attracted comparatively little scholarly attention. The essays here examine their officers, proceedings and the wider cultural and political context in which they had jurisdiction and operated in later medieval Western Europe. They reveal similarities in personnel, institutions and outlook, as well as in the issues confronting rulers in territories across Europe. They also demonstrate how assertions of sovereignty and challenges to judicial competence were inextricably linked to complex political agendas; and that both military and maritime law were international in reach because they were underpinned by trans-national customs and the principles and procedures of Continental civil law. Combininglaw with military and maritime history, and discussing the art and material culture of chivalric disputes as well as their associated heraldry, the volume provides fresh new insights into an important area of medieval life and culture. ANTHONY MUSSON is Head of Research at Historic Royal Palaces; NIGEL RAMSAY is Honorary Senior Research Associate in the Department of History at University College London. Contributors: Andrew Ayton, Richard Barber, John Ford, Laurent Hablot, Thomas K. Heebøll-Holm, Julian Luxford, Ralph Moffat, Philip Morgan, Bertrand Schnerb, Anne F. Sutton, Lorenzo Tanzini.…

Buch. Zustand: Neu. Neuware - This collection provides an in-depth look at musical criticism between the mid-nineteenth and the mid-twentieth century.British music between the mid-nineteenth and the mid-twentieth century reflected changes and developments in society, education, philosophy, aesthetics, politics and the upheaval of wars, often signifying a distinctively British national history. All of these changes informed the published work of contemporary music critics. This collection provides an in-depth look at musical criticism during this period. It focusses on major figures such as Grove,Parry, Shaw, Dent, Newman, Heseltine, Vaughan Williams, Dyson, Lambert and Keller, yet does not neglect less influential but nevertheless significant critics. Sometimes a seminal work forms the subject of investigation; in otherchapters, a writer's particular stance is highlighted. Further contributions closely analyse the now famous polemics by Shaw, Heseltine and Lambert. The book covers a range of themes from the historical, scientific and philosophical to matters of repertoire, taste, interdisciplinary influence, musical democratisation and analysis. It will be of interest to scholars and students of nineteenth- and early twentieth-century British music and music in Britain as well as to music enthusiasts attracted to standard works of popular music criticism. JEREMY DIBBLE is Professor of Music at Durham University. JULIAN HORTON is Professor of Music at Durham University.Contributors: KAREN ARRANDALE, SEAMAS DE BARRA, PHILIP ROSS BULLOCK, JONATHAN CLINCH, SARAH COLLINS, JEREMY DIBBLE, JULIAN HORTON, PETER HORTON, CHRISTOPHER MARK, AIDAN J. THOMSON, PAUL WATT, HARRY WHITE, BENNETT ZON, PATRICKZUK. …