Boydell brewer jun 2017 (11 Ergebnisse)

Taschenbuch. Zustand: Neu. Neuware - A groundbreaking examination of one of the most controversial topics within modern archaeology.The invention of metal detecting technology during the Second World War allowed the development of a hobby that has traditionally been vilified by archaeologists as an uncontrollable threat to the proper study of the past. This book charts the relationship between archaeologists and metal detectors over the past fifty odd years within an international context. It questions whether the great majority of metal detectors need be seen as a threat or, as some argue, enthusiastic members of the public with a valid and legitimate interest in our shared heritage, charting the expansion of metal detecting as a phenomenon and examining its role within traditional archaeology. A particular strength of the book is its detailed case studies, from South Africa, the USA, Poland and Germany, where metal detectors have worked with, and contributed significantly towards, archaeological understanding and research. With contributions from key individuals in both the metal detecting and archaeological communities, this publication highlights the need for increased understanding and cooperation and asks a number of questions crucial to the development of a long term relationship between archaeologists and metal detectors. PETER G. STONE is Head of the School of Arts and Cultures and formerly Director of the International Centre for Cultural and Heritage Studies at the University of Newcastle. He has been interested in the public's role and interest in archaeology for over twenty-five years and has published widely on this topic, especially with respect to formal and informal education. SUZIE THOMAS is lecturer in museum studies at the University of Helsinki.…

Buch. Zustand: Neu. Neuware - A richly illustrated examination of food in the Bible, concentrating on the social aspects of eating.Why do we think it was an apple that Eve offered to Adam In fact the Bible tells us nothing of the kind, yet apples figure in the illustrations. Out of literally hundreds of meals mentioned in the Bible, only relatively fewwere ever illustrated. This book discusses the most frequently illustrated scenes, covering the thirteen centuries from Roman catacomb paintings and sarcophagus reliefs to Rembrandt and Poussin. Many of the subjects discussed willbe widely familiar, others, such as the meals of Ruth and of the Parables, perhaps less so. Close attention is paid to the biblical text and its coverage in the illustrations. In rare instances the images have no source in the text. The popular scene of Joseph cooking for the infant Jesus, for example, is never mentioned. It is known only from biblical commentaries and from the extant illustrations. The book contains some 160 colour images illustrating the twenty-two meals discussed. It will provide food for thought for readers interested in the study of the Bible and biblical commentaries, the history of meals and food, and the history of art. C.M. KAUFFMANN was Keeper of Prints & Drawings and Paintings at the Victoria and Albert Museum and then Director of the Courtauld Institute and Professor of the History of Art, University of London. Among his publications are catalogues of paintingsat the V & A and the Wellington Museum and also books and articles on medieval art, including Romanesque Manuscripts (1066-1190) and Biblical Imagery in Medieval England 700-1550.…

Taschenbuch. Zustand: Neu. Neuware - A discussion of the challenges of liberation theology and religious pluralism, in dialogue with two leading Third World theologians.In A Tale of Two Theologians, Ambrose Mong's observant new work, he examines the writings of the Peruvian theologian Gustavo Gutiérrez and the Indian theologian Michael Amaladoss, and gives fresh attention to their main concerns regarding evangelisation and the poor. Why, he asks, is Gutiérrez's liberation theology now accepted and celebrated by the Roman Catholic Church while Amaladoss's Asian theology with a liberation thrust is threatened with censorship Mong argues that the dwindling threat of Communism has made the Marxist overtones of Latin American liberation theology more palatable to the Catholic hierarchy, while the challenge of religious pluralism in Asia is as complex and emotive as ever.How can the Church learn to balance the need for dialogue between religions with their duty to proclaim the Gospel How can the Church inculturate itself in Asia while maintaining its identity Ambrose Mong tackles these questions with the shrewd, clear-eyed view of an active priest and scholar, exploring the long, troubled relationship the Church has with liberation theology and offering guidance for the future.…

Buch. Zustand: Neu. Neuware - Charles R. Cockerell (1788-1863) was one of the most significant nineteenth-century British architects and a major player in the cultural shift from the Georgian eighteenth to the Victorian nineteenth century.Charles R. Cockerell (1788-1863) was one of the most significant nineteenth-century British architects and a major player in the cultural shift from the Georgian eighteenth to the Victorian nineteenth century. Cockerell's travelsin the eastern Mediterranean between 1810 and 1817 were the formative experience of his life. His forty letters from this period, held in the archives of the Royal Institute of British Architects and published here for the first time, give crucial day-to-day insights into his actions, thoughts and feelings in relation to the intricate histories of the re-discovery and sales of the Aegina and Bassae marbles and, equally importantly, illuminate his hugely significant work on temple architecture and sculpture in mainland Greece, the great cities of Asia Minor, and the significant temples of Sicily. Drawing on these letters, and on some 150 unpublished letters sent by his friends while they were all in Greece and now held in the British Museum, this book elucidates what Cockerell did and why by analyzing his methods of work and their significance. It discusses Cockerell's aesthetic and conceptual development during his time abroad, particularly his influential part in the changing vision of Greek sculpture and architecture, from Winkelmann's static ideal to one rooted in dramatic tension and contextual contingency. The book unravels the emergence of Cockerell's crucial historical perspective and shows how he arrived at a new view of the ancient Greek past as made up of real lived lives, rather than just existing as a back drop to the present. By offeringa complete edition of the RIBA letters, this book fills a significant gap in our understanding of the thought and work of one of the formative spirits of nineteenth century visual historical culture. SUSAN PEARCE is Professor Emeritus of Museum Studies, University of Leicester. THERESA ORMROD has extensive experience in archival research, manuscript transcription and editing.…

Buch. Zustand: Neu. Neuware - Examines the genesis of Ernest Newman's major publications in the context of prevailing intellectual trends in history, criticism and biography.Ernest Newman (1868-1959) left an indelible mark on British musical criticism in a career spanning more than seventy years. His magisterial Life of Richard Wagner, published in four volumes between 1933 and 1946, is regarded as his crowning achievement, but Newman wrote many other influential books and essays on a variety of subjects ranging from early music to Schoenberg. In this book, the geneses of Newman's major publications are examined in thecontext of prevailing intellectual trends in history, criticism and biography. Newman's career as a writer is traced across a wide range of subjects including English and French literature, evolutionary theory and biographical method, and French, German and Russian music. Underpinning many of these works is Newman's preoccupation with rationalism and historical method. By examining particular sets of writings such as composer-biographies and essays from leading newspapers such as the Manchester Guardian and the Sunday Times, this book illustrates the ways in which Newman's work was grounded in late nineteenth-century intellectual paradigms that made him a unique and at times controversial figure. PAUL WATT is Senior Lecturer in Musicology in the Sir Zelman Cowen School of Music at Monash University. …

Buch. Zustand: Neu. Neuware - Ranging from Ireland to India and from the first to the third millennium, this collection brings together essays written from the perspective of gender, politics and national and cultural identities as well as the sociology of religion.Saints are more than distant figures from legends and wall paintings. Their lives and cults have been rewritten over and over again to suit changing cultural preconceptions and social and political agendas. The obscure Cambro-Breton saint Armel became a badge of loyalty to the Tudor dynasty; Eastern European countries have competed to lay claim to Cyril and Methodius, founding fathers of eastern Christianity; the Indian mystic and poet Kabir came from a Muslim background but was appropriated by both Hindus and Sikhs. And perhaps most bizarrely, right-wing groups in England march under the badge of the Middle Eastern saint George. While these ideas are familiar to historians of'popular' religion (that slippery term) in western Europe, they have a clear relevance to the study of religion in other continents and other faith traditions. Ranging from Ireland to India and from the first to the third millennium, this collection brings together essays written from the perspective of gender, politics and national and cultural identities as well as the sociology of religion. The main thrust is medieval and Christian but it also considers more recent developments in Sikh, Hindu and Muslim cults and in the heritagisation of religion. A substantial introduction offers an overview of the literature, sets out theoretical frameworks and suggests further avenues for exploration. Madeleine Gray is Professor of Ecclesiastical History at the University of South Wales. Contributors: Diane Auslander, Slavia Barlieva, Karen Casebier, Adam Coward, James M. Hegarty, Kate Helsen, Andrew Hughes, John R. Black, Madeleine Gray, Svitlana Kobets, Samantha Riches, Anne Schuchman, Jayita Sinha.…

Buch. Zustand: Neu. Neuware - Reveals the importance of the jazz craze in France between the two world wars and the French construction of jazz as a 'black music' - an exoticization which had wide-reaching effects on the artistic output of the African diaspora and on contemporary perceptions of black writers, musicians and film makers.What are the cultural implications of Louis Armstrong's 1960 visit to Africa Why are so many postcolonial novels in French fascinated with jazz In defining jazz as 'black music', France's 'jazzophilia' has had wide-reaching effects on contemporary perceptions of the artistic and political efficacy of black writers, musicians, and their aesthetic productions. Scoring Race explores how jazz masters Louis Armstrong, Duke Ellington, Charlie Parker, and John Coltrane became touchstones for claims to African authorship and aesthetic subjectivity across the long twentieth century. The book focuses on how this naturalization of black musicality occurred and its impact on Francophone African writers and filmmakers for whom the idea of their own essential musicality represented an epistemological obstacle. Despite this obstacle, because of jazz's profound importance to diaspora aesthetics, as well as its crucial role in the French imaginary, many African writers have chosen to make it a structuring principle of their literary projects. In Scoring Race Pim Higginson draws on race theory, aesthetics, cultural studies,musicology, and postcolonial studies to examine the convergence of aesthetics and race in Western thought and to explore its impact on Francophone African literature. How and why, Pim Higginson asks, did these writers and filmmakers approach jazz and its participation in and formalization of the 'racial score' To what extent did they reproduce the terms of their own systematic expulsion into music and to what extent, in their impossible demand for writing(or film-making), did they arrive at tactical means of working through, around, or beyond the strictures of their assumed musicality Pim Higginson is Professor of Global French Studies at the University of New Mexico,Albuquerque.…

Buch. Zustand: Neu. Neuware - Cutting-edge scholarly articles on diverse aspects of Goethe and his age, featuring in this volume a special section on the poetics of space in the Goethezeit.The Goethe Yearbook is a publication of the Goethe Society of North America, encouraging North American Goethe scholarship by publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit while also welcoming contributions from scholars around the world. Volume 24 features a special section titled 'The Poetics of Space in the Goethezeit,' co-edited by John Lyon and Elliott Schreiber, with contributions on blind spots in Goethe's Elective Affinities; on the topography and topoi of Goethe's autobiographical childhood; on disorientation and the subterranean in Novalis; on selfhood, sovereignty, and public space in Die italienische Reise and Dichtung und Wahrheit; on Goethe's theater of anamnesis in Wilhelm Meisters Lehrjahre; and on spatial mobilization in Kleist's Berliner Abendblätter. There are also articles on the horror of coming home in Caroline de la Motte Fouqué's 'Der Abtrünnige' and on Friedrich Heinrich Jacobi's Eduard Allwills Papiere. Contributors: Colin Benert, Stephanie Galasso, Tove Holmes, Edgar Landgraf, Sara Luly, John B. Lyon, Anthony Mahler, Monika Nenon, Joseph O'Neil, Elliott Schreiber, Inge Stephan, Gabriel Trop, Christian P. Weber. Adrian Daub is Associate Professor of German at Stanford. Elisabeth Krimmer is Professor of German at the University of California Davis. Book review editor Birgit Tautz is Associate Professor of German at Bowdoin College.…

Buch. Zustand: Neu. Neuware - Leading scholars show how laughter and satire in early modern Britain functioned in a variety of contexts both to affirm communal boundaries and to undermine them.This interdisciplinary collection considers the related topics of satire and laughter in early modern Britain through a series of case studies ranging from the anti-monastic polemics of the early Reformation to the satirical invasion prints of the Napoleonic wars. Moving beyond the traditional literary canon to investigate printed material of all kinds, both textual and visual, it considers satire as a mode or attitude rather than a literary genre and is distinctive in its combination of broad historial range and thick description of individual instances. Within an over-arching investigation of the dual role of laughter and satire as a defence of communal values and as a challenge to political, religious and social constructions of authority, the individual chapters by leading scholars provide richly contextualised studies of the uses of laughter and satire in various settings - religious, political, theatrical and literary. Drawing on some unfamiliar and intriguing source material and on recent work on the history of the emotions, the contributors consider not just the texts themselves but their effect on their audiences, andchart both the changing use of humour and satire across the whole early modern period and, importantly, the less often noticed strands of continuity, for instance in the persistence of religious tropes throughout the period. MARK KNIGHTS is Professor of History at the University of Warwick. ADAM MORTON is Lecturer in the History of Britain at the University of Newcastle. Contributors: ANDREW BENJAMIN BRICKER, MARK KNIGHTS, FIONA MCCALL, ANDREW MCRAE, ADAM MORTON, SOPHIE MURRAY, ROBERT PHIDDIAN, MARK PHILP, CATHY SHRANK.…

Buch. Zustand: Neu. Neuware - Examines key contemporary Austrian literary texts, films, and memorials that treat Nazism and the Holocaust for what they reveal about the country's contemporary politics of memory.2018 CHOICE Outstanding Academic Title The process of coming to terms with its National Socialist past has been a long and difficult one in Austria. It is only over the past thirty years that the country's view of its role during the Third Reich has shifted decisively from that of victimhood to complicity, prompted by the Waldheim affair of 1986-1988. Austria's writers, filmmakers, and artists have been at the center of this process, holding upa mirror to the country's present and drawing attention to a still disturbing past. Katya Krylova's book undertakes close readings of key contemporary Austrian literary texts, films, and memorials that treat the legacy of Nazism and the Holocaust. The analysis focuses on texts by Robert Schindel, Elfriede Jelinek, and Anna Mitgutsch, documentary films by Ruth Beckermann and by Margareta Heinrich and Eduard Erne, as well as recent memorial projects inVienna, examining what these reveal about the evolving memory culture in contemporary Austria. Aimed at a broad readership, the book will be a key reference point for university teachers, undergraduates, and postgraduates engagedin scholarship on contemporary Austrian literature, film, and visual culture, and for general readers interested in confrontations with the National Socialist past in the Austrian context. KATYA KRYLOVA is Lecturer in German, Film and Visual Culture at the University of Aberdeen, UK. The Long Shadow of the Past is her second book.…

Buch. Zustand: Neu. Neuware - Bringing together established authorities and new voices, this book takes off the 'protective arm' around Britten.Benjamin Britten Studies brings together established authorities and new voices to offer a fresh perspective on previous scholarship models and a re-contextualization of previously held beliefs about Britten. Using the mostrecent and innovative historical, musicological, sociological, psychological, and theoretical methodologies, the authors take off the 'protective arm' around Britten and disclose an unprecedented amount of previously unpublishedand disregarded primary source materials. The collection considers difficult questions of identity such as Britten's retreat to America, his re-entry into the British musical scene, and late-life revisions of his American works; scrutinizes the fraught establishing of the English Opera Group contemporaneous with the founding of the Aldeburgh Festival of Music and the Arts; explores his break with Boosey & Hawkes and inspects international copyright concerns in the Soviet Union' investigates sensitive issues of intimacy and Britten's relationships; and combines closer analysis of Britten's musico-rhythmic, harmonic, and compositional practices with a description of the more overtlypolitical context within which he found himself. Benjamin Britten Studies ends by asking what we can actually know about the composer in a reconsideration of the materials he left behind. All of this coalesces into avolume that not only serves as a model of on-going and future Britten research but which generates a greater understanding of the overall trends within the ever-synthesizing and interdisciplinary musicological field of the twenty-first century. VICKI P. STROEHER is Professor of Music History at Marshall University. JUSTIN VICKERS is Assistant Professor of Voice at Illinois State University. Contributors: Byron Adams, Nicholas Clark, Jenny Doctor, Paul Kildea, Christopher Mark, Thornton Miller, Louis Niebur, Philip Reed, Colleen Renihan, Philip Rupprecht, Kevin Salfen, Vicki P. Stroeher, Justin Vickers, Lucy Walker, Danielle Ward-Griffin, Lloyd Whitesell.…