barnes foundation press (36 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. Illustrated (illustrator). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. First Edition Assumed. 156 illustrations. Written by the renowned art collector whose home became a museum of his unique collection, later replaced by a new museum in Philadelphia. xviii, 551 pp. Blue gilt lettered cloth.

Trade Paperback. Zustand: Very Good - Cash. Light reader wear and rubbing to the edges, corners, covers, and pages. Spine has a light crease near top. Bottom of spine has light bump. The book is in great condition! Stock photos may not look exactly like the book.

Hardcover. Zustand: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Hardcover. Zustand: Good.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Fair. Fifth Printing. Octavo. 491pp +index, illustrated. Inscribed by de mazia to Robert Woodyard in 1977. A very good copy in a chipped dust jacket Inscribed By Author.

hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. W/ Color Illustrations (illustrator). Inscribed by Judith Dolart, the author, on half-title page. Boards and jacket are in near fine condition, internally clean. Yinka Shonibare MBE (b. 1962), a British artist of Nigerian descent, is best known for his dramatic tableaux of life-size, headless mannequins, gorgeously dressed in eighteenth- and nineteenth-century costumes made from elaborately patterned textiles popular in Africa. Shonibare matches the staggering, opulent beauty of his art with erudition and wit: exploring identity and authenticity, he taps art historical tradition and intellectual history in sly, provocative works that examine class, race, gender, and colonialism. Published to accompany an exhibition organized by the Barnes Foundation, Yinka Shonibare MBE: Magic Ladders presents major works by the artist, including his latest commission. Dr. Albert C. Barnes, the pharmaceutical entrepreneur who assembled one of the world's greatest collections of post-impressionist and early modern art, as well as one of the most historically important holdings of African art in the United States, shared Shonibare's interest in education and social mobility, although their views diverge in important ways. This book is both a catalogue of the exhibition and a reader on Barnes's educational outlook and collecting interests. Signed by Author.

Hardcover. Zustand: Very Good. Cezanne (illustrator). HB 3rd printing. Green leather binding. Gilt titles spine. 24.2 x 16cm. 456 pages. b/w frontis. 171 b/w illusts. Condition: slight rub top of spine, otherwise appears unused. Lovely condition.

Zustand: Good. 8vo. 464 pp. with 151 black and white half-tone illustrations. 4th printing. Fine in wraps.

Hardcover. Zustand: Good.

Paperback. Zustand: Very Good. 79 pages + plates.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. Hardcover. No DJ. Ex-library with usual markings. Pages clean and unmarked. Some page corner bends. Covers show minor shelf wear. Binding is tight, hinges strong.; 100% Satisfaction Guaranteed! Ships same or next business day!

Zustand: Good. Fifth printing. 8vo. Wraps. 456 pp.; 171 black and white half-tone illustrations.

Paperback. Zustand: Near fine in wraps. First Edition. 16 x 23cm near fine paperback journal with black and white reproductions.

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pen & pencil markings. In poor condition, suitable as a reading copy. No dust jacket. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1200grams, ISBN:

hardcover. Illustrated (illustrator). 1st. 8vo, 551 pp. Fine copy in nearly fine dust jacket.

Hardcover. Zustand: Very Good. pgs:464. Barnes Foundation, 1963 3rd print, bright clean copy, no markings, no dustjacket, Professional booksellers since 1981.

Zustand: Gut. 464 pp., octavo, brochure, with 151 illustrations. Sprache(n)/language(s): enCover and edges with traces of wear, otherwise good.

1st edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Physical description; ix, 382 pages: illustrations (some color); 32 cm. Notes; Includes bibliographical references (p. 368-375) and index. Contents; Renoir: between modernity and tradition / John House -- Grappling with Renoir's modernism in the collection of Dr. Barnes / Martha Lucy -- Renoir's studio and its afterlife / Martha Lucy -- Selective catalogue -- Thematic catalogue. Nudes; Landscapes; Figures in landscape; Children; Women with hats; Half-length figures; Still-life -- Documentation and technical information -- Collecting Renoir: a chronology, 1912-1942. Summary; The Barnes Foundation is home to the world's largest collection of paintings by Pierre-Auguste Renoir (1841-1919). Dr. Albert C. Barnes, a Philadelphia scientist who made his fortune in pharmaceuticals, established the Foundation in 1922 in Merion, Pennsylvania, as an educational institution devoted to the appreciation of the fine arts. A passionate supporter of European modernism, Barnes built a collection that was virtually unrivaled, with massive holdings by Paul Cezanne, Henri Matisse, and Pablo Picasso. But it was Renoir that Barnes admired above all other artists; he thought of him as a god and collected his work tenaciously, amassing 181 works by the painter between 1912 and 1942. All of these Renoirs are included in this lavishly illustrated book. Renoir in the Barnes Foundation tells the fascinating story of Barnes's obsession with the Impressionist master's late works, while offering illuminating new scholarship on the works themselves. Authors Martha Lucy and John House look closely at the key paintings in the collection, placing them in the wider contexts of contemporary artistic, aesthetic, and theoretical debates. The first volume to publish the entirety of Barnes's astonishing Renoir collection, Renoir in the Barnes Foundation is also an engaging study of the artist's critical-and often contested-role in the development of modern art. Subjects; Renoir, Auguste 1841-1919 - Catalogs. Barnes Foundation - Catalogs. Painting - Private collections - Pennsylvania - Merion - Catalogs. Painting, French - 19th century - Catalogs. Painting, French - 20th century - Catalogs. Impressionism; Individual artists; Exhibition catalogues and specific collections. Post-Impressionism. ART / History / Modern (late 19th Century to 1945). ART / Collections, Catalogs, Exhibitions / General. ART / Individual Artists / Monographs. Renoir, Pierre-Auguste. 3 Kg.

Hardcover. Zustand: Very Good. No Jacket. 2nd Edition. 1929, 2nd Edition, book, binding and text in very good condition, blue cloth binding with gilt stamped title on spine cover, binding tight and square no damage, no DJ, text with some light pencil underlining and marginalia, some pencil notations on end papers, name of PO and date 1930 on ffep.

23*15 cm. OBroschur. 464 p. with 151 illustrations 4. Auflage 1978. Einband leicht lichtrandig und fleckig. Rücken lichtheller, Ecken leicht bestossen, sonst gut. L24-1 Wichtiger Hinweis: Aufgrund der EPR-Regelung zur Zeit KEIN Versand in EU-Länder. Due to EPR, there is currently no delivery to EU-countries. Sprache: Englisch Gewicht in Gramm: 1200.

Hardcover in jacket. Zustand: Very Good+. Zustand des Schutzumschlags: Very Good+. One Hundred and Fifty-Six Illustrations - Bound in blue cloth with gilt stamping on the spine, in a dust jacket with sunning to the edges and spine, and with wear/chipping to the edges and spine-ends. The binding is solid. The contents are bright and clean with illustrations - 551 pages. Press release 8 x 10 photo of Barnes laid in the book.