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Taschenbuch. Zustand: Neu. Neuware - PrefaceThe CHURCH Concerto - For PianoChurch buildings for millennia was, and is, man's greatest technological, architectural, and artistic of all creations. A physical, solid structure on planet Earth to represent the maker and container of infinity. Yes, one's very existence has been kissed upon. Your most intimate has been kissed. Just consider the term Omni. Omni means all. Within this contains every imaginable power - and imaginable love No. The unimaginable.The solo instrument in this concerto must be one with gigantic magnificence; the king of instruments: the organ. According to scholars and academics, the term church originates from the Greek word for ecclesia: an assembly; the people. Therefore, the word Church has two meanings that has become interchangeable: Christians, and a meeting place for Christians.An Excellent Transcription!The CHURCH Concerto was originally composed for organ. When I embarked on transcribing the piece, I did not foresee any issues. Both organ and piano scores were open in different windows of the composing software. The outcome was, not a transcription, but an arrangement: to the extent that I recomposed using notes at either end of both instrument's compass. Now, one can play this gigantic, monumental music on 88 b&w keys.…

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Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | In the first poem, The Blazon And The Sword,we are immersed into the realms of ancientsecrets that can set captives free. After fouresoteric limericks about Albert Einstein,we find ourselves racing on a horsein the middle of a dream. The ElementsMysterious poem is about the three heavens,which is followed by a torrid, atom splitting dive into Love.Have you ever wondered about the agonies some poetsgo through? Well, in the poem, The Bees. The Flowers.The Breeze., I take you through a personal experience.As with the previous two poetry books, there is once againcomedy. Including, as before, Mr Spock tickling your funnybone. The last few poems are about my adventures withGod - these are not plain religious experiences,but real exclamations! Intrigued!.…

4pp., 4to. Bifolium. Aged and creased, with chipping and closed tears to edges. Engraved title-page states that the work is 'Copyright 2/- net | No. 1 Low Voice | No. 2 Medium Voice'. Inscribed at top left-hand corner of title-page: 'To my friend Sir Courtenay Mansel with kindest regards from | Julius Harrison | Oct. 26th. 1920'. Moore's poem is printed on the reverse of the first leaf, and facing it, on the recto of the second leaf, is the score. On the reverse of the second leaf is a 'Revised List' of 'The Enoch Art Song Library', with the date of issue ('June, 1920.') at bottom left. There is no copy of this edition in the National Library of Ireland. The only copies on COPAC are at the British Library, the Royal College of Music and the Royal Academy of Music. 'To Chloe' had previously been published by Harrison in the collection 'Six Short Songs' (London: Breitkopf & Hartel, [1907]).…

°°° FIRST EDITION, ELABORATE ARTIST'S CELEBRATION BY THE WHO-IS-WHO OF FRENCH TWENTIETH-CENTURY ARTISTS IN VARIOUS FIELDS; WITH A TOTAL OF 29 ORIGINAL LITHOGRAPHS, COMPLETE: ''Il a été tiré des cet ouvrage 25 . . . [+] 975 exemplaires sur vélin B. F. K. de Rives . . . [+] 5000 exemplaires sur vélin Arjomari numérotés de 1001 à 6000. . . Exemplaire No 3982''['Justification du tirage on page (6)']. ''La typographie de cet ouvrage est due à L'IMPRIMERIE NATIONALE, Monsieur André Brignole étant Directeur & Paul Lajuncomme responsable de la typographie. La composition à été faite avec le Garamont corps 20 propriété exclusive du grand Établissement d'État sur les presses duquel lìmpression a été achevée le 22 juillet 1965. Les lithographies en couleurs et les dessins en noir ainsi que les manuscrits sortent des presses de Fernand Mourlot. Henri jadoux a été l'ouvrier responsable de l'ouvrage.''[colophone on page (195)]. - Loose sheets in cardboard-cover with titled cardboard-dustjacket in a gilt-titled strong half-leatherette folder with marbled panels which again is protected by the publishers stiff cardboard-slipcase with fullsize colour-lithographs by Marcelle Oury on both sides; Folio (ca. 32 x 25 x 6 cm; ca. 3 kg.). --- A BEAUTIFUL COPY; ALSO IN STOCK 'RAOUL DUFY / Louis CARRÉ: DESSINS ET CROQUIS EXTRAITS DES CARTONS ET CARNETS'(Paris 1944); the artists copy 'hors commerce #I', lengthly inscribed and signed by Dufy to the art-collectors and artist's-patrons ''. . . Madame et au Monsieur Bernard Reis. . .'' on the occasion of their meeting at Louis Carné's house in New York. . .…