Ashmolean museum united kingdom (31 Ergebnisse)

Paperback. Zustand: Very Good. From 1923 onwards, until overtaken by the onset of colour photography, the Radio Times commissioned and reproduced work by some of the finest illustrators of the twentieth century -- wood engravings, scraperboard, line drawing and watercolour. Amongst the more well-known names in the list of over 150 artists are those of Edward Ardizzone, Quentin Blake, Val Biro, David Gentleman, Charles Keeping, Paul Nash, W Heath Robinson, Gerald Scarfe, Ronald Searle and C F Tunnicliffe. This book, by Martin Baker, himself one of the select band of artists, will include a section on the History of the Radio Times and its patronage of fine illustrators; the reminiscences of an art student in the l930s and of an art teacher in the sixties, with almost 100 reproductions of some of the well-remembered illustrations. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Zustand: Very Good. The Egyptians are one of the most fascinating among the peoples of the ancient world. They are also in many ways the most easily misunderstood. Ancient Egypt seeks to explain their distinctive culture in its historical context. Covering the essential aspects of Egyptian prehistory and history, life and literature, religion and art, and including a concise bibliography. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Zustand: Very Good. In 1875 John Ruskin gave a large collection of drawings to the University of Oxford. These works, now in the Ashmolean Museum, form the basis for this fascinating study. Selecting the finest drawings in the colection, Nicholas Penny traces Ruskin's career as an artist and reveals the elaborate, but unfulfilled, educational programme that lay behind his gift. The Ashmolean's collection of Ruskin's drawings is unrivalled, and this selection includes architectural drawings, landscapes, and studies of trees, flowers and birds. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. This is the first comprehensive look at the Ashmolean Museum's significant Japanese painting collection, featuring works that range in date from the seventeenth to the twentieth centuries, many of which are illustrated in colour. A full sixty of the finest paintings are discussed in detail individually, divided into sections based on the major schools of painting active in Japan from the Edo period (1615 to 1868) to the modern era. Throughout the discussion, the book highlights the work of artists outside the traditional cultural centres of Edo and Kyoto by including artworks by Nagasaki and Osaka-based artists whose paintings will be less familiar to a western audience. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Zustand: Very Good. This creative collaboration between artist Naoko Matsubara and poet Penny Boxall celebrates in words and colours the beauty and variety of the human hand. The series of dynamic woodcuts at the heart of this book was initially inspired by the artists wonder at the busy hand movements of her baby son and grew into a wider celebration of hands in all their extraordinary variety hands engaged in music, sport, prayer, or creative acts. The woodcuts convey a sense of joy and energy, whether exploring the symbolism of gestures, playing with form and colour, or expressing a mood or emotion. Penny Boxalls new poems were specially written to accompany the woodcuts. In their clarity and playfulness, their range of mood and their deceptive simplicity, they form a remarkable creative synergy with the art works. During the coronavirus pandemic the subject of hands and the idea of touch or its absence has taken on a new significance. Many of the images in the series have taken on powerful new meanings: healing hands, hands finding ways to occupy hours of furlough, or hands clapping in support of those working to keep us safe. We are particularly delighted that this elegant book has been designed by Yoshiki Waterhouse, Naoko Matsubaras son, whose baby hands were the original inspiration for the series. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Zustand: Very Good. Edward Lear, born in 1812, was a British artist, illustrator, author, and poet, renowned today primarily for his literary nonsense, in poetry and prose, and especially his limericks, a form that he popularised. Lear produced the illustrated poetry collection Book of Nonsense (1846) for the Earl of Derby's grandchildren. His other works include Nonsense Songs, Stories, Botany and Alphabets (1871), containing "The Owl and the Pussy-Cat", and "Laughable Lyrics" (1877). Three illustrated nonsense alphabets were published in Lear's lifetime, and a further three in the fifth, posthumous edition of Nonsense Botany and Nonsense Alphabets of 1889. A number survive in manuscripts. Lear seems to have begun making nonsense alphabets in the mid-1850s, usually for children of his friends and acquaintances. The present alphabet was created for Ruth Decie. Lear had met her parents, Captain Richard Decie and his wife Bella, in Corfu in the preceding winter, and later stayed with Bella's parents, William and Arabella Prescott, at their home, Clarence House, Roehampton. It was during a visit to Roehampton that Lear noted in his diary for 22 June 1862 that he had 'made an alphabet for the Decie baby', who was only a few days old at the time. It is one of the most charming of all Lear's alphabets, typically drawn on sheets of blue writing paper backed with linen. The alphabet was bequeathed to the Ashmolean by a descendant of Ruth Decie, James Farquharson, who died in December 2011. This beautiful facsimile features a short introduction about Edward Lear, written by the Ashmolean curator, Colin Harrison. Following this is a replica of each page of the original publication featuring the letters of the alphabet with the short poem underneath each drawing. This will be accompanied by each poem again, this time written in a more accessible font so that children may read this too. The Ashmolean have utilised this recent acquisition to recreate a stunning classic. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Zustand: Very Good. 'The Hunt in the Forest' is the foundation of the Ashmolean's distinguished collection of old master paintings, and a magical and enigmatic picture. The artist, Paolo Uccello, had a lifelong interest in geometry and perspective, and together with his skill in depicting animals and landscape this helped to form this jewel-like swansong from the last decade of his career. This book, written by Dr Catherine Whistler, examines Uccello's life and work, the process of making 'The Hunt in the Forest', the subject of the painting, its original setting, and its use of perspective and rhythm. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Zustand: Very Good. Drawing has long been revered as the most basic skill of the artist and as the foundation of all other arts, for it is in the act of drawing that the artist's creativity finds its first expression. This book traces the historical development of all the major techniques of drawing in European art from the 15th to the 19th centuries, including metalpoint, charcoal, natural chalk, pastel, crayon, graphite, pen and ink, watercolour and gouache. The text is illustrated with examples from the magnificent collection of drawings at the Ashmolean Museum, Oxford, which includes works by Michelangelo, Raphael, Albrecht Durer, Rembrandt van Rijn, J.M.W. Turner and Edgar Degas. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Zustand: Very Good. "I couldn't think of a better place to have a dialogue about art today and what it can be" - Jeff Koons Curated by Koons himself, together with guest curator Norman Rosenthal, this show features seventeen important works, fourteen of which have never been exhibited in the UK before. They span the artist's entire career and his most well-known series, including Equilibrium, Statuary, Banality, Antiquity and his recent Gazing Ball sculptures and paintings. This exhibition will provoke a conversation between his creations and the history of art and ideas with which his work engages. Jeff Koons burst onto the contemporary art scene in the 1980s. He has been described as the most famous, important, subversive, controversial and expensive artist in the world. From his earliest works Koons has explored the 'ready-made' and 'appropriated image', using unadulterated found objects and creating painstaking replicas of ancient sculptures and Old Master paintings which almost defy belief in their craftsmanship and precision. Throughout his career Koons has pushed at the boundaries of contemporary art practice, stretching the limits of what is possible. This publication accompanies an exhibiton, running from February to June, 2019 at the Ashmolean. Koons will be in conversation with Martin Kemp at the Sheldonian Theatre, Oxford, in May 2019. Contents: Director's Foreword; interview with Jeff Koons (by Xa Sturgis); Jeff Koons and the Sheen and Shine of Time (Sir Norman Rosenthal); catalogue entries; Jeff Koon biography. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Zustand: Very Good. Qu Leilei now stands as a technically accomplished master, capable of handling brush and ink with the utmost competency and photographic-like quality. His visual language is well established, and it represents a fusion of east and west. Some ink painters have chosen to push boundaries by making traditional styles more abstract or ornamented. By contrast, Leilei has sought to blend the descriptive, realistic styles of the European Renaissance with Chinese ink painting. Moreover, he has constantly worked to achieve profound concepts in his work, ideas that have universal application. This catalogue is a retrospective, an overview of the body of work Qu Leilei has produced up to the present day. Certain broad themes can be divined: a burning interest in the history of China, and what can be learned from it; a loving concern for human beings and their individual achievements; an absorption in the anatomy and depiction of the human body; an urge to warn against the perils of the world; and a heartfelt desire to integrate Chinese and western art practice and techniques. These themes have been pursued with ever-growing skill throughout the years. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Zustand: Very Good. Oxford has a special place in the history of Pre-Raphaelitism. Thomas Combe (superintendent of the Clarendon Press) encouraged John Everett Millais and William Holman Hunt at a crucial early stage of their careers, and his collection became the nucleus of the Ashmolean collection of works by the Brotherhood and their associates. Two young undergraduates, William Morris and Edward Burne-Jones, saw the Combe collection and became enthusiastic converts to the movement. With Dante Gabriel Rossetti, in 1857 they undertook the decoration of the debating chamber (now the Old Library) of the Oxford Union. The groups champion John Ruskin also studied in Oxford, where he oversaw the design of the University Museum of Natural History and established the Ruskin School of Drawing. Jane Burden, future wife of Morris and muse (probably also lover) of Rossetti, was a local girl, first spotted at the theatre in Oxford. Oxfords key role in the movement has made it a magnet for important bequests and acquisitions, most recently of Burne-Joness illustrated letters and paintbrushes. The collection of watercolours and drawings includes a wide variety of appealing works, from Hunts first drawing on the back of a tiny envelope for The Light of the World (Keble College), to large, elaborate chalk drawings of Jane Morris by Rossetti. It is especially rich in portraits, which throw an intimate light on the friendships and love affairs of the artists, and in landscapes which reflect Ruskins advice to go to nature. More than just an exhibition catalogue, this book is a showcase of the Ashmolean's incredible collection, and demonstrates the enormous range of Pre-Raphaelite drawing techniques and media, including pencil, pen and ink, chalk, watercolour, bodycolour and metallic paints. It will include designs for stained glass and furniture, as well as preparatory drawings for some of the well-known paintings in the collection. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Zustand: Very Good. Developed from the author's talks for children, describing the origin and use of hieroglyphs, how texts were written on papyrus by scribes or inscribed on statues and monuments and how they were finally deciphered in the 19th century. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Zustand: Very Good. The rise of Modernism, from the early nineteenth century to the middle of the twentieth, was played out with particular intensity in France, especially in Paris where international artists were drawn by salons and dealers, the creative exchanges between poets and painters, and the bohemian atmosphere of such places as Montmartre and Montparnasse. This catalogue traces a course from Neo-Classical and Romantic artists like David, Ingres, Gericault and Delacroix, through Impressionists and Post-Impressionists like Degas, Monet and Seurat, to the ground-breaking experiments of Picasso and Braque; but it also shows that there was no straight line leading from tradition to the shock of abstraction. The story is altogether more interesting as academic artists and members of the avant-garde exchanged ideas and as rivalries developed between different schools and powerful characters. In works by Manet, Cezanne, Degas, Cassatt, van Gogh, Matisse, Leger and Picasso, this catalogue explores the artists who created Modernism and how they did it. At the heart of the story is a choice group of works by Picasso, Braque and other artists who first experimented with Cubism. Examples include an early study by Picasso for Les Demoiselles d Avignon of 1906 7, and oil paintings and works on paper produced by artists who exhibited at the first public showing of Cubism, the Salon des Independants of 1911, and other landmark exhibitions, including Leger and important, but now lesser-known figures like Juan Gris, Albert Gleizes, Jean Metzinger and Jacques Villon. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Zustand: Very Good. The Alfred Jewel is probably the single most famous archaeological object in England and one of the greatest treasures of the University of Oxford. This handbook describes the Jewel and discusses the many questions it raises, not least whether it was made for King Alfred the Great (871-99). The jewel has received much attention from scholars since its discovery in 1693. The Ashmolean Museum also houses many of the objects that belong to the same late Anglo-Saxon period, and they help to set the Jewel in context. Some material in other collections is included for comparison; in particular, pictures are brought together for the first time of recent discoveries that have particular relevance to the Jewel. The handbook's text has been written by David A. Hinton, formerly an Assistant Keeper in the Department of Antiquities in the Ashmolean, now a Professor of Archaeology at the University of Southampton. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. In 2019 Ali Kazim, one of the most exciting contemporary artists working in Pakistan today, became the first South Asian artist-in-residence at the Ashmolean Museum. Drawing inspiration from the objects in the Eastern Art collections, and their contextual history, he saw his time in the Museum as an opportunity to reimagine the objects in his own work and practise. Thus, the exhibition and accompanying catalogue will focus mainly on Kazims engagement with the Ashmolean collections and the works created between 2019 and 2021. Widely exhibited and collected internationally (including the British Museum, V&A, Metropolitan Museum, Queensland Art Gallery, etc.), Kazim lives and works in Pakistan. The exhibition and book provide the Museum an opportunity to engage wider diverse audiences, while also presenting the works of a contemporary multidisciplinary artist who reflects and draws strength from the Ashmolean collections. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Zustand: Very Good. In the course of its two hundred years history, from c1570 to the 1770s when cream-ware came into fashion, English delfware played an increasingly important part in the everyday life of a mainly middle class clientele. By its nature bright and colourful, it was also extremely versatile, adapting itself to the practical needs of the households, and in its decoration, responding to the fashion of the time. Above all, it lent itself admirably to the demand for personalised pieces of all kinds. It is these qualities which have made it so attractive to collectors, especially in recent years. This book illustrates fifty-one examples, the majority from the important collection formed by Robert and Jean Warren but with a selection of pieces, mainly unpublished, from other benefactions, together with purchases and objects excavated in Oxford. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Soft cover. Zustand: Very Good. No Jacket. 2nd Edition. paperback, pictorial card covers, a tightly bound copy, date inked to the head of the half-title page otherwise with clean and unmarked contents. Illustrated throughout in colour, 120pp.

Illustrated Card Covers. Zustand: Very Good. None. 136 pages, illustrated in black and white and colour plates. Includes list of Fellows, Associates and Honorary Fellows of the Society, Bibliography. Illustrated Card Covers, a very good copy.

Soft cover. Zustand: Near Fine. No Jacket. pictorial gloss card covers, second edition revised, a very well preserved tightly bound copy, clean and unmarked. Illustrated, 64pp.

paperback. Zustand: Very Good. No Jacket. pictorial gloss card covers, previous owner dated signature to the verso of the front cover else a clean and unmarked copy, illustrated, 96pp.

paperback. Zustand: Very Good. No Jacket. large paperback, 11" x 8 3/4", pictorial card covers, light score mark to the foot of the front cover else a very good tightly bound copy with a clean and unmarked text, illustrated in full colour, 240pp. A heavy volume which may require additional postage if ordered from locations outside the United Kingdom, Please enquire for details prior to placing an order.…

Soft cover. Zustand: Very Good. No Jacket. paperback, pictorial card covers, a tightly bound copy with an unmarked text.

Paperback. Zustand: Very Good. Camille Pissarro (18301903) is one of the most celebrated artists of 19th-century France and a central figure in Impressionism. Considered a father-figure to many in the movement, his work was enormously influential for many artists, including Claude Monet and Paul Cezanne. This major exhibition, of works drawn from the Ashmolean's collections as well as international loans, will span Pissarro's entire career. Pissarro continued to explore and refine his approach and technique throughout his life. The exhibition will look at how he responded to the previous generation of artists including Corot and Daubigny, to his relationship with the Impressionists with whom he allied himself and encouraged in the face of rejection by the established art world. Never ceasing to question his method, he developed close working relationships with Gaugin, for whom he was a mentor, and Cezanne for whom he was both teacher and pupil. It also includes a section on his family life he was a devoted husband and father and his four sons all became artists. The Ashmolean has numerous sketches and photographs of the family. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Soft cover. Zustand: Very Good. No Jacket. paperback, pictorial gloss card covers, 11" x 8 3/4", a very good tightly bound copy with a clean and unmarked text, illustrated in colour, 278pp. A heavy volume which may require additional postage if ordered from locations outside the United Kingdom, Please enquire for details prior to placing an order. …

paperback. Zustand: Very Good. No Jacket. 1st Edition. paperback, 11" x 9 3/5", faintly creased to spine, a very good tightly bound copy with a clean and unmarked text, illustrated in colour and b&w, 160pp, Because of weight a request for additional postage will be made if ordered from certain locations outside the United Kingdom, please enquire before placing an order.…

HARDCOVER. Zustand: As New. 1st Edition. 1st printing. Extra large and heavy Square 4to in colour printed thick boards, 237pp on glossy art paper, colour plates, etc . [CONDITION: A well preserved AS NEW unmarked and unread copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. 110pp. 23 screens are illustrated in colour and great detail.