Asc holding corp (11 Ergebnisse)

Trade Paperback. Zustand: Very Good+. None. Clue: Desert Bloom; Tales from the Darkside. ; 15 X 12 X 1 inches fmc2%262D.

Trade Paperback. Zustand: Very Good+. None. Blink, If You LOve Me; The Whales of August; Someone to Watch Over Me; 15 X 12 X 1 inches fmc2%262D.

Trade Paperback. Zustand: Very Good. None. Cover: Never Say Never Again. Lightly bumped at bottom corner. ; 15 X 12 X 1 inches fmc2%262D.

Magazine. Zustand: Near Fine. (Vol. 79, No. 9). [light handling wear only]. (color & B&W photographs, ads, graphics) Feature stories in this issue: Cinematographer Conrad Hall (interviewed by fellow lenser Caleb Deschanel) discusses the filming of WITHOUT LIMITS, the film about legendary track star Steve Prefontaine; a production article about LOVE IS THE DEVIL, a biopic of the notorious British artist Francis Bacon; an article about the creation of a stylish Ralph Lauren ad campaign; a piece about the collaboration of a professional couple, cinematographer Rolf Kestermann and his director/wife Paula Walker; an article about the latest digital postproduction systems; a profile of a Santa Monica-based commercial company, Fuel; and, most interestingly (to me anyway), an excellent article by historical editor George Turner about the production of Orson Welles's TOUCH OF EVIL, including information about the 1998 re-edit of the film, performed by editor Walter Murch and others to incorporate recently-discovered outtakes in an attempt to create something closer to Welles's original version.…

Magazine. Zustand: Near Fine. (Vol. 64, No. 11). [nice clean copy, faint handling wear only]. (B&W and color photos, graphics) A "Special Lighting Issue," with articles on state-of-the-art equipment, film stock, the differences between lighting for film and video, and other technically-oriented topics. In terms of individual films, there are articles on the production of Wim Wenders's HAMMETT (shot by two veteran cameramen, Joe Biroc and Phil Lathrop), especially focused on "shooting color like black & white," and on two contemporary films shot in B&W: the Steve Martin noir-comedy DEAD MEN DON'T WEAR PLAID (d.p.: Michael Chapman) and Woody Allen's MANHATTAN (d.p.: Gordon Willis). The primary historical article in this issue is a piece by George E. Turner about the work of the great cinematographer Gregg Toland.…

Zustand: Good. Good condition. Volume 56, No. 4. From the collection of Tom Verlaine. Verlaine was a guitarist, singer, and songwriter who was a founding member of the seminal punk rock band Television. He was known for his innovative guitar playing and songwriting, and he is considered to be one of the most important and influential musicians of the past 50 years. (periodicals, film ).…

Paperback. Zustand: Brand New. 2nd edition edition. 132 pages. 7.90x5.00x0.30 inches. In Stock.

Magazine. Zustand: Very Good+. (Vol. 60, No. 6). [light external wear, original subscriber's mailing label on rear cover]. (B&W & color photographs, ads) Monthly magazine of the American Society of Cinematographers, a very technically-oriented publication with plenty of information (articles and advertisements) related to the latest equipment, technical processes and production techniques then in use in the Hollywood motion picture industry. This issue features an article on the production of Terrence Malick's DAYS OF HEAVEN (written by its d.p., the great Nestor Almendros) and two articles about the Frank Lagella-starring DRACULA (directed by John Badham, shot by Gilbert Taylor). In the "60th Anniversary" theme, there is a historical survey of the ASC and an additonal article about the history of its distinctive Hollywood clubhouse. Finally, there are articles about the shooting of two documentaries: ROCKY MOUNTAIN REUNION, an ABC-TV special starring John Denver, and THE CHESSIE STEAM SPECIAL, a filmed celebration of the 150th anniversary of the Baltimore & Ohio Railroad. (We have numerous other issues of this and other film-related periodicals that are not listed online; please inquire if you have particular needs or wants.).…

Magazine. Zustand: Very Good+. (Vol. 59, No. 1). [covers moderately rubbed, a bit of scarring and paper remnants on rear cover (probably from removal of subscriber's mailing label), light soiling to rear cover]. (B&W & color photographs, ads) Monthly magazine of the American Society of Cinematographers, a very technically-oriented publication with plenty of information (articles and advertisements) related to the latest equipment, technical processes and production techniques then in use in the Hollywood motion picture industry. Virtually the entirety of this issue is devoted to the production of the film CLOSE ENCOUNTERS OF THE THIRD KIND, with the magazine's usual "behind the scenes" feature accompanied by articles by cinematographer Vilmos Zsigmond, production designer Joe Alves, supervising sound editor Frank Warner, producers Julia and Michael Phillips, director Steven Spielberg (writing about the production's "unsung heroes"), visual effects supervisor Douglas Trumbull. There's also a lengthy interview with Spielberg, and all of this material is of course profusely illustrated. One of the more sought-after and collectable issues of A.C. (We have numerous other issues of this and other film-related periodicals that are not listed online; please inquire if you have particular needs or wants.).…

Magazine. Zustand: Very Good+. (Vol. 60, No. 8). [moderate wear along spine, slight bumping to corners, faint rubbing to front cover, subscription mailing label on rear cover]. (B&W & color photographs, ads) Monthly magazine of the American Society of Cinematographers, a very technically-oriented publication with plenty of information (articles and advertisements) related to the latest equipment, technical processes and production techniques then in use in the Hollywood motion picture industry. A substantial part of this issue is devoted to the production of Ridley Scott's ALIEN, with a general "behind the scenes" feature plus separate articles by Scott, cinematographer Derek Vanlint, and production designer Michael Seymour. Also in this issue: an article about the creation of the special visual effects for THE CONCORDE--AIRPORT '79, by Abe Milrad; an interview with director Bob Giraldi and cinematographer Eddie Barnett about their "formula for creating award-winning TV commercials"; an article by Tom Frei about techniques for filming tracking shots inside a moving automobile; an article by Stanley Mindel about filming in London's East End; and an account of a visit paid to the film industry in China by a delegation of American film technicians. (We have numerous other issues of this and other film-related periodicals that are not listed online; please inquire if you have particular needs or wants.).…

Magazine. Zustand: Very Good+. [each of the three issues is in VG+ or better condition; one has a subscription address label on the rear cover, another some remnants of a removed label]. A three-part series on the early history of Hollywood studios by one of its most erstwhile chroniclers, featuring dozens of rare photos of studio plants and personnel. Each article is briefly INSCRIBED and SIGNED by the author on its first page, and one of the articles includes a few emendations and corrections in the author's hand; the inscriptions are to another distinguished film historian, Rudy Behlmer, from whose estate these were acquired. The series is contained in three consecutive issues of American Cinematographer magazine, each of which of course is jam-packed with other articles and features of interest, notably: an article on the filming of Stanley Kubrick's BARRY LYNDON, and multiple articles on film production in Hungary (the March 1976 issue); numerous features on the filming of the 1976 Winter Olympics (April 1976); several articles on the filming of ALL THE PRESIDENT'S MEN, and coverage of that year's Oscar nominees and winners for cinematography (May 1976). Signed by Author.…