Art collective (19 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Zustand: Very Good.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

0 Includes illustrations. Exhibition June 25 August 31, 1979. Very good. light shelf wear, ex museum stamp.

paperback. Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Zustand: New. In English.

ill. OPappband. / Hardcover. 1. Aufl. Bad Driving is a new book of photographs by British-born photographer and strict passenger Louis Porter. Thats right, Porter doesnt drive. He once attempted it but things didnt end so well. Somewhat perturbed, he began photographing minos accidents, taking a kind of guilty pleasure in the assortment of bingles, dings and bumper scrapes that scarred his adopted hometown of Melbourne. While bright and playful, theres also a quietness to these works. No cars are to be seen; the dramatic and spectacular are off-limits. (Sehr gut erhalten - neuwertig / in very good condition - as new) Sprache: Englisch Gewicht in Gramm: 400.…

ill. OPappband. / Hardcover. 1. Aufl. Comprising recent and never-before-seen works, `Surfaces` counterpoints the romantic against the absurd and the evocative against the surreal, forging a thread of potential narrative, formal and symbolic strands and motifs. Tracing the Melbourne-born artist`s exploration of photorealist watercolour, the book muses on both the physical and allegorical implications of its title. Slattery`s paintings are striking for both their technical acumen and elusive subject matter. The medium of watercolour may be one of the most inflexible, yet here he proves it to be malleable and enigmatic in equal measure. (Sehr gut erhalten - neuwertig / in very good condition - as new) Sprache: Englisch Gewicht in Gramm: 750.…

Taschenbuch. Zustand: Neu. Neuware - saffy's debut collection is a reminder to be who you are no matter the cost. Filled with poems, essays, and short stories written during the peak years of the COVID-19 pandemic, saffy's collection offers a closer look at who they were, who they are, and who they are becoming. Deeper is an invitation for those who are seeking freedom to gift it to themselves.…

Staple-bound Wrappers. Zustand: Fine Condition. Slim volume, unpaginated (24 pages) 26 illustrations in color. Square format. Black stable-bound wraps. Book.

Taschenbuch. Zustand: Neu. Neuware - In The Devil in the Door, poet Xavier Pastrano steps away from his more traditional style of writing and sidles into the world of Dark Poetry.Through original poetry and art, Pastrano shines a wavering light on the things writhing in the dark corners of our minds. Whether it's reflecting on mortality and entertaining dark desires, or exhuming past traumas and confronting what's feared most, he gives readers a guided tour through the haunted house of his psyche.An avid Horror fan, Pastrano delivers an artistic collection that examines the splendor nestled in the macabre and serves as an ode to a genre he greatly admires.…

Buch. Zustand: Neu. Neuware - The Fun Art Manifesto by Theresa Taylor BayerSomewhere between the noble realm of Fine Art and the mighty realm of Illustration, lies a curious little field that is coming to be known as Fun Art.Although Fun Art is neither fine art nor illustration it has elements of both. It doesn't seem to have an official history, although it's probably been around as long as there have been artists. Fun Art may have a future, but no one is betting on it. Fun Art is simply Now.Like fine art, Fun Art is all about being individual, having something interesting to say, and saying it in your own voice. Unlike fine art, Fun Art does not take itself seriously. There are no weighty ponderings about symbolism or realism or abstract outsiderism or any other kind of ism. There are no isms in Fun Art, yet Fun Art embraces all isms. Fun Art is a prism of isms, but not a prisoner of isms.Like illustration, Fun Art is highly accessible, can easily be read and absorbed and has the same immediate visual and popular appeal that good illustration has. It can be cute or corny or even commercially appealing and that's OK. Unlike illustration, Fun Art can stand alone and without a story or product to enhance- although it can also be narrative. Fun Art is joyful, even when veers toward dark and edgy. There is a zingy energy to it that doesn't depend on gravitas; its finest examples express a genuineness that goes beyond any commercial concern, even if the subject matter happens to be highly salable. You might call some of it a glorified doodle, but that's OK too, because there is glory to be found in doodling. Fun Art has its own set of challenges. Just because it's humorous or easy on the eyes does not necessarily mean it's easy to make. Fun Art is of the imagination, and drawing straight from the imagination is a tall order. Foreshortening, perspective, lighting, composition, and fascinating little details are difficult enough when drawing from life. Doing all this from the imagination can be brain wracking indeed-some form of reference is always a help and can inspire an artist greater heights of creative fancy. Any art that is worth looking at issomething an artist has put a lot of work into, and Fun Art is no exception. Composition, color, expression, freshness, detail, and originality are every bit as important in Fun Art as they are in fine art and in illustration.What deep insights can possibly be had out of Fun Art None whatsoever, unless by now you're alive to the notion that joy and humor are meaningful enough to take seriously-in a lighthearted sort of way of course. No angst, no snobbery, no credentials in Fun Art. All it requires is daily practice and a passion for wackiness. Now that's fun.…

Hardcover. Zustand: Fine. First edition. Oblong quarto. 53pp. Illustrated with a black and white portrait of twenty-nine artists, alongside a color reproduction of their artwork. A fine copy, issued without dust jacket. OCLC lists no holdings for this publication. Becoming Independent is a community based organization in Santa Rosa, California, established to promote community inclusion and participation for people with developmental disabilities. The twenty-nine Becoming Independent artists in this collection are each represented by a work of art, a brief biographical note, and an intimate portrait, taken by photographer Christian Peacock.…

Paperback. Zustand: Very Good. Eighteen color plates/photos, various sizes, printed or mounted on 10 x 10" leaves, very nice in a lightly used black cloth clamshell case. Artists include: Miriam Brysk, Nina Hauser, Michelle Hegyi, Alvey Jones, Bob and Sylvia Viglietti, Marsha Rae Wright, etc. LIMITED TO 20 NUMBERED SETS (this is #18), EACH PRINT NUMBERED AND SIGNED BY THE ARTIST. SCARCE. …

Hardcover. Zustand: Fine. First Edition. Australia, Collective 777 (Art Guild of Ordo Templi Orientis Australia), 2014 (first edition). Folio (396 × 286 mm), iv, 42 pages with 17 pages of colour illustrations and 12 pages of text with elaborate colour borders. Red cloth lettered in gilt on the spine, and decorated and lettered in an ornate font in gilt on the front cover; a fine copy with the matching red cloth slipcase lettered and decorated in gilt. 'Created by J. Daniel Gunther between 1977 and 1979 . the series [of images] forms an account of transformation and a gradual realisation of the Great Work' (from the foreword by Robert Buratti). Loosely inserted is a printed card, signed in ink by J. Daniel Gunther, Stephen J. King (who wrote the afterword), and Robert Buratti, stating this is number 121 of only 200 copies. A second edition has subsequently been released by Wennofer House. The publisher (stating in error that this first edition appeared in 2011) describes their production thus: 'second edition - the white edition - limited to 500 copies. A bookshelf size [approximately 300 × 240 mm] . white cloth bound hard cover and slipcase'.…

Zustand: Good. 30 x 38 cm., Suite of 10 color linocuts. Each signed and numbered in pencil by the artist. Soft Covers. Very Good. Toning. Color prints. Loose leaves. In Russian.