ardis mi (28 Ergebnisse)

First Edition. First edition. Softcover. 162 pages. A collection of poems by from the winner of the 2011 Nobel Prize in Literature. Translated from the Swedish by Robin Fulton. A near fine copy in wrappers.

paperback. Zustand: Very Good. First Edition. Signed by author, with a brief letter from same laid in. Minor wear to exterior; contents clean and sound throughout. Signed by Author. Used.

Zustand des Schutzumschlags: dj. First Edition. First edition. Hardcover. 62 pages. McKain's first collection of poems. An about good copy with foxing to the pages and boards in a very good dust jacket with some wear and foxing. Signed and warmly inscribed by McKain on the front free endpaper to poet Linda Pastan. A nice association copy. Signed.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. First edition. Very good in very good dust jacket. Sticker in middle of front first page. Otherwise nice copy.

Zustand: good, ex-lib., good. 222, footnotes, usual library markings, DJ in plastic sleeve pasted to boards.

Hardcover. Zustand: Very good. first edition. 6 x 9 in. Cloth boards. Condition is VERY GOOD ; no wear, covers have a few spots. Binding tight and text unmarked. Books. Stax.

Hardcover. Zustand: Very Good. Hardcover. Jacket is slightly marked and worn, with inch-long tear at one corner. Page block head is slightly foxed. Pages are clean and sound. Very good in good jacket. TS. Used.

Paperback. Zustand: Very Good. Ann Arbor, 1977; illustrated paper covers; minimal shelf wear; 8vo - over 7 3/4" to 9 3/4" tall; interior clean and unmarked; 95 pages.

Soft cover. Zustand: As New. 335pp; 18 cm x 13 cm. Russian text/Cyrillic. Contents clean and unmarked; no library or ownership markings. B/w illustrations. Kopelev (1912-1997) was a Soviet dissident author.

Original wraps. Zustand: very good. First Edition. 54p octavo, A very good copy in yellow and brown printed wraps. Name on front fly leaf.

Zustand: Very Good. First edition. Very good plus. Name on front endpaper; spine edges lightly rubbed.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: No Dust Jacket. Light wear. Solid hardcover.; Russian language. Facsimile reprint of 1970 edition published Voronezh : Izd-vo Voronezhskogo universiteta. ; 245 pages.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. 8vo., 400pp. Beautiful Stated First Printing. Beautifully bound in full blue faux leather with spine titles in gilt. Illustrated end-papers. Photographs and illustrations. Square, tight and clean throughout with no discernible wear. Written date on front end-paper. Very attractive unclipped, though unpriced, dust-jacket, has short closed edge-tear on the front panel and some mild toning to the rear panel edges. Fresh and bright with no creases or chipping. A sharp collectable copy of an uncommon title.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. First Edition. Signed and dedicated. Boards unmarked; jacket showing some light wear; contents clean and sound throughout. Signed by Author. Used.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: No Dust Jacket. First Thus. Translated with a preface by John Glad, as part of the University of Iowa's Translation Series. With notes and an appendix with the Russian text of 'Pogorel'shchina'. Light green cloth cover with slight edgewear and bumped corners to head. Within, contents clean, sound, bright throughout. Frontispiece of Klyuev. Used.

Zustand: Good. 8vo. 405 pp. Trade Paperback, Very Good with minor creasing on covers. Photographs, illustrations. Text in English, some Russian.

Zustand: Good. 8vo. 504 pp. Trade Paperback, Very Good with minor wear on covers, slight tear on spine, else Near Fine. Photographs, illustrations. Text in English, some Russian.

Zustand: Good. 8vo. 526 pp. Trade Paperback, Very Good with minor wear on covers. Photographs, illustrations. Text in English, some Russian.

Zustand: Good. 8vo. 463-734 pp. Trade Paperback, Very Good with minor wear on covers. Photographs, illustrations. Text in English, some Russian.

Zustand: Good. 8vo. 385 pp. Trade Paperback, Very Good. Photographs, illustrations. Text in English, some Russian.

Zustand: Good. 8vo. 450 pp. Trade Paperback, Very Good with minor creasing on covers. Photographs, illustrations. Text in English, some Russian.

Hardcover. Zustand: Very Good+. First U.S. 203 pages in very good, clean condition. Illustrated with b/w photographs. Clean green endpapers. Beige, textured cloth with gilt titles on the spine. Some minor rubbing on the titles. Corners not bumped. No dust jacket, as issued. VG+. Book.

Zustand: good. 473, wraps, illus., notes, chronology, appendices, bibliography, slight weakness to front cover. Some text in Russian (majority of text is in English). The Russian Literature Triquarterly started publication in 1971, and ceased publication in 1991 with Volume 24. This volume contains translations of poetry by Alexander Pushkin, Evgeny Baratynsky, Denis Davydov, Mikhail Lermontov, and Fyodor Tyutchev, among others; fiction by Mikhail Lermontov and Vladimir Odoevsky, among others; and criticism, articles, texts and documents, humor, and Soviet literary journals. Contains illustrations by Favorsky, Pushkin (self-portrait), Fyodor Tyutchev, Lermontov, and many others.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. First Edition. Volume 1: 268 pages, plus index. Volume 2: 226 pages, plus index. Pages are in excellent condition. Burgundy cloth with gilt titles on the spine. Corners not bumped. Pink dust jackets with illustration and black titles. Spines faded. Light wear on the corners and edges. Minor scuffing on the jackets. NEAR FINE/VG. Book.

Hardcover. Zustand: As New. First printing thus. Small 8vo, 79 pp. In Russian. First separate appearance in the West of the original text, known in English as "Conversation about Dante." One of only 150 hardcover copies, issued without jacket, and quite uncommon. As new.

Wraps. Zustand: Good. Published in English and Russian. The format is approximately 8.5 inches by 11 inches. 70, [2] pages. The illustrated cover has some wear and soiling. Profusely illustrated. RARE. Ellendea Proffer Teasley (born 1944) is an American author, publisher, and translator of Russian literature into English. She received her Ph.D. from Indiana University, taught at Wayne State University and University of Michigan, Dearborn. She is a well-known Bulgakov expert, translator and publisher. She is known for Mikhail Bulgakov: Life & Work (1984); translations of Bulgakov's plays and prose; numerous articles and introductions, most prominently the Notes and Afterword to the Burgin-O'Connor translation of Bulgakov's The Master and Margarita. She married Carl R. Proffer (19381984), and co-founded Ardis Publishers in 1971, a publishing house specializing in Russian literature, both in English and Russian. As a publisher, she was responsible for the collected works of Bulgakov in Russian, which then triggered a Soviet edition. Proffer Teasley edited a series of well-received photo-biographies, including those devoted to Evreinov, Nabokov, Tsvetaeva and Bulgakov. Her memoir of Joseph Brodsky, Brodsky Among Us, was published in English in 2017, after the Russian translation was published in Moscow in 2015, where it became a bestseller. Ellendea Proffer was on the first judges' panel for the Booker Russian Novel Prize, and in 1989 received a Macarthur Fellowship for her work with Ardis. The Ardis archives, including Carl and Ellendea Proffer's papers, are held at University of Michigan. Nikolai Nikolayevich Evreinov (February 13, 1879 September 7, 1953) was a Russian director, dramatist and theater practitioner associated with Russian Symbolism. Evreinov developed a keen interest in theater from an early age, penning his first play at the age of 7. Six years later, he performed in a wandering circus as a clown. He attended a gymnasium in Pskov, before moving to the School of Jurisprudence in Saint Petersburg. It was there that he staged his first full-fledged play, The Rehearsal, followed by an opéra bouffe, The Power of Charms (1899). Having matriculated from the school in 1901, Evreinov turned his attention to music and studied with Nikolai Rimsky-Korsakov at the Moscow Conservatory for a couple of years. In 190708 and 191112 he was involved in reconstructing the world of medieval plays and those dating from the Spanish Golden Age at the Starinny Theatre in Saint Petersburg. The foremost Russian actress, Vera Komissarzhevskaya, asked him to cast her in the leading role for his version of Francesca da Rimini (1908). Later that year, Evreinov's production of Oscar Wilde's Salomé was suppressed on the orders of Nicholas II. Evreinov's association with the Komissarzhevsky family continued for several years. Together with Theodore Komisarjevsky, he staged a number of "harlequinades" and "monodramas" as part of his new project, "The Merry Theatre for Aged Children". His concept of monodrama was exemplified in The Theater of the Soul, a 1915 production set inside the human breast as the repository of the soul. In 1910, Evreinov took the helm as producer, dramatist, and composer of the False Mirror Theatre in Saint Petersburg. It was there that he staged more than one hundred plays, including fourteen pieces written by himself. His production of The Government Inspector was a milestone in the history of Russian theater: each act was staged so as to parody one of the following aesthetics: provincial realist theatres, the Moscow Art Theatre of Constantin Stanislavski, the techniques of Edward Gordon Craig and Max Reinhardt, and slapstick comedy films. In 1922 and 1923 Evreinov visited Berlin and Paris. He spent the rest of his life in Paris, working with the Opéra Russe, Sorbonne, and Serge Lifar. He prepared a comprehensive monograph tracing the History of Russian Theatre through the centuries. Many of his later plays have never been staged. The anti-Stalinist drama The Steps of Nemesis, with such characters as Alexei Rykov, Nikolai Bukharin, Genrikh Yagoda, and Nikolai Yezhov was performed in 2022 (Staatstheater Braunschweig) for the first time. The director sought to reinvigorate the theater (and through it life itself) through the rediscovery of the origin of theater in play. He was influenced by the philosophies of Schopenhauer, Nietzsche and Bergson, and, like Meyerhold, the aesthetics of symbolism and the commedia dell'arte (particularly in its use of mask and spontaneity). Evreinov developed his theatrical theories in An Introduction to Monodrama (1909), The Theatre as Such (1912), The Theatre for Oneself, and Pro Scena Sua (1915). Presumed First Paperback Edition, First printing.

Softcover/Paperback. Zustand: Gut. 4th printing. 114 S., 22x14 cm OBroschur, kart. Kanten leicht berieben/bestoßen; ohne Eintragungen; gutes bis sehr gutes Exemplar. ru Gewicht in Gramm: 200.

Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. First Edition. First edition, first printing. Advance review copy with publisher's slip laid in. 196 pp. Bound in publisher's oatmeal cloth lettered in gilt on the spine. Fine, tony tear to lower end of front hinge in a Near Fine unclipped dust jacket with slightly sunned spine panel, a few tiny tears with tape mends to verso. Bobbie Ann Mason's critique of Nabokov's Ada or Ardor. The Kentucky author's first book. Mason's memoir and history of her family's farm, Cold Springs, was a finalist for the Pulitzer Prize.