Aporetic press (4 Ergebnisse)

- Softcover
Anbieter: World of Books (was SecondSale), Montgomery, IL, USAWorld of Books (was SecondSale)
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Befriedigend
EUR 25,81
Versand gratisVersand innerhalb von USAAnzahl: 1 verfügbar
Paperback. Zustand: Good. 'I have a confession to make. My secret inner reaction to claims of anomalous phenomena is usually this: we haven't yet converged to even a half-decent ontology to explain the ordinary, why bother with the extra-ordinary? What this fascinating book does, however, is to disrupt our attempts to draw neat and smooth boundaries around what we consider real. The damned facts discussed in it spoil our elegant tentative models. Frankly, it's damn annoying. But books like this are also crucially important to keep us honest, insofar as our pursuit is for the truth, not merely intellectual reassurance.' - Bernardo Kastrup, author of Why Materialism is Baloney and More Than Allegory: On Religious Myth, Truth and Belief. 'Jack Hunter's Damned Facts, a collection of well-researched and closely argued essays into all things anomalous, presents some delightful, fascinating, and eye-brow raising evidence that there are more things in heaven and earth-and anywhere in between-than are dreamed of in practically anyone's philosophy. Taking their cue from the original anomalist, Charles Fort, who argued that mystery begins everywhere, Hunter and his contributors plunge headfirst into some deep waters and drag up to the surface enough oddities to satisfy even the most discerning taste in the unusual. It's my bet that Fort himself would have been damned proud.' - Gary Lachman, author of Revolutionaries of the Soul and The Secret Teachers of the Western World. Over the course of four ground-breaking books published between 1919-1932, Charles Fort gathered thousands of accounts of weird events and experiences that seemed to upset the established models of mainstream science and religion. In order to explore these events Fort developed the philosophy of Intermediatism, whereby all phenomena (from the most mundane to the most extraordinary), are understood to partake of a quasi-existence, neither real nor unreal. It is from this indeterminate vantage point that the chapters in this book begin their investigations. Jack Hunter is an anthropologist exploring the borderlands of consciousness, religion and the paranormal. He is the author of Why People Believe in Spirits, Gods and Magic (2012), editor of Strange Dimensions: A Paranthropology Anthology.…

- Softcover
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes KönigreichRia Christie Collections
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 26,59
EUR 11,17 VersandVersand von Vereinigtes Königreich nach USAAnzahl: Mehr als 20 verfügbar
Zustand: New. In English.

- Softcover
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes KönigreichRia Christie Collections
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 27,83
EUR 11,17 VersandVersand von Vereinigtes Königreich nach USAAnzahl: Mehr als 20 verfügbar
Zustand: New. In English.

- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 38,54
EUR 35,00 VersandVersand von Deutschland nach USAAnzahl: 2 verfügbar
Taschenbuch. Zustand: Neu. Neuware - Beyond the Frame: The Films and Film Theory of Andrei Tarkovsky is a vibrant and critically informed exploration of one of the giants of twentieth century film. Despite Tarkovsky's almost canonized position in the pantheon of great directors and his substantial influence on European Art Cinema, writings on him are surprisingly scarce. Compared to his peers like Ingmar Bergman, who described Tarkovsky as 'the greatest, the one who invented a new language,' or Akira Kurosawa, who once said about Tarkovsky, 'Probably there is no equal among film directors alive', there are considerably fewer book length academic studies of his films. However, in just seven completed feature films, two of which were made in exile, Tarkovsky managed to create one of the most cohesive and compelling bodies of work in the history of cinema. Beyond the Frame: The Films and Film Theory of Andrei Tarkovsky is an academic yet accessible engagement with not only Tarkovsky's films but also his often neglected film theory. It features chapters on each of his films from his remarkable debut Ivan's Childhood (1962), through his defining works Solaris (1972), Mirror (1975) and Stalker (1979) before turning to his two films in exile, Nostalghia (1983) and The Sacrifice (1986). It examines and interrogates a range of issues growing in currency in contemporary film theory which are revealed also to be the cornerstones of Tarkovsky's oeuvre, from studies of memory and experience, to representations of autobiography and time. The project explores Tarkovsky's place in film history and theory, revealing him to be both a director and a theorist sui generis.…