ape dez 2021 (2 Ergebnisse)

Taschenbuch. Zustand: Neu. Neuware - BIRDS OF A FEATHER is a publication that gives an insight into the organisation and functioning of OpStap, a group-based program for people with drug addictions and people in recovery. The focus lays on the guests of OpStap, who are given a meaningful use of time and meaning through meetings, activities and voluntary work. BIRDS OF A FEATHER is a collaboration between the organisation of OpStap, photographer Vincen Beeckman, writer Colin Pantall, designer Lien Van Leemput, publisher Art Paper Editions (APE) & the city of Ghent. The project started with several workshops, hosted by Vincen Beeckman & Lien Van Leemput. They interacted with the guests at OpStap, and Beeckman also joined them on their weekly activities outdoors. Conversations took place where questions were posed about the dreams and memories of the guests, but also about their everyday concerns and their opinion about OpStap. Colin Pantall acts as a moderator and questions the goal of the project, the way in which people are portrayed, and the role of each person involved. This results in a series of interviews that will be a part of the publication. Besides this, doctor in pedagogical sciences Wouter Vanderplasschen and Aline Pouille, researcher at the Faculty of Psychology and Educational Sciences of UGent will contribute a text. Also Charlotte Colman, professor in drug & criminal policy, will give her vision on recovery and treatment.

Buch. Zustand: Neu. Neuware - 'Replica' suggest a new reading of the body and the model as a pure image, a pure tool, without referring to any representative identity, hereby ignoring today's contemporary society of what the self should be. Lino refers strongly to American mid-century photographer William Mortensen, who states that a body is simply considered to be 'a machine that needs adjustments. ' According to Mortensen the body must be the basis, 'representation of personality and emotion [.] are irrelevant and misleading'. There is a certain dehumanization in Mortensen's approach to the model, a return of the body to an object without meaning, in front of the camera. Mortensen saw models as clay that form the image, a body was articulated only by the operator's intention. He wanted to strip the figure from its emotion and personality, so that we, as an audience, could consider the body as a formed prop and stare at the image as the essence, and not the subject. In Lino's case she is the model, the operator / photographer, the subject and the image at the same time. She is in complete control. She found a way to remove herself from representation and reduced her own body to a pure object and image, almost like a machine. 'Replica' is a manifestation of the artist's understanding of her role in front of and behind the camera. 'Replica' is a prescient of an approaching future in which identity will surrender to the carefree machine of image magnification.