an aperture monograph (16 Ergebnisse)

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. First printing. Cover and binding are worn but intact. A reading copy in fair condition. Covers worn. Secure packaging for safe delivery.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Zustand: Very Good. 1st Edition. Pictorial cover Unpag,pl.

25.0 x 21.5cms c 160pp b/w illusts good paperback & cover (worn spine badly repaired; front hinge reinforced with archival tape) Ansel Adams argues that Smith''s documentary photographs are truly effective because they contain''certain elements of art intensity fine craft and spirituality''.

oblong 4to. pp. [6], 266. many illus. biblio. wrs. (covers worn, chipped & creased). (published on the occasion of the exhib. at Philadelphia Museum of Art).

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. Later printing. 141pp. Quarto [29.5 cm] Tan cloth over boards. In the dust jacket, with moderate rubbing to the panels, and light edge wear. May require extra postage due to weight. His photographs accompanied by excerpts from his diaries and letters. Minor White (1908-1976) was one of the most significant photographic artists active during the thirty years after World War II.

Softcover. Zustand: Very Good. First edition, wrappered issue. Biographical Essay by James Baker Hall. Quarto. 143pp. Heavily illustrated from black and white photographs. Glossy pictorial wrappers. Wraps rubbing and lightly bumped, spine sunned, very good.

trade paperback. Zustand: good; used. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDsm4to; 104 pages; good trade paperback; slight crease, scuff, faint stain, faint tanning to cover; tips bumped; some tanning to edges; otherwise clean pages; prompt shipping with tracking; first edition.

23 cm, kart. 266 Seiten , die Einbandkanten sind bestoßen, der Seitenschnitt ist fleckig, "Dr. Emerson? Wasn't he that irritating man - sort of a fanatic, really-who preceded Stieglitz?" Thus dimly, faceless, the almost forgotten Image of Peter Henry Emerson comes down to us, ringed in the tongues of fire of his own rhetoric. ''He the founder of contemporary photography?" Who else, before, had proclaimed that photography was an independent and potentially great art form capable of expressing thoughts and emotions beyond the scope of the other and older art forms? It was Emerson who was the first to work out an aesthetic based on its unique powers and its then hmitations, which he believed might soon be overcome. It was he who wrote the first manual on straight photography as an art in its own right, Naturalistic Photography for Students of the Art, 1889, which was aptly described as "a bombshell dropped at a tea party." Indeed, apart from the seientists. British photography was at that time quite as polite and superficial as a tea party. But Emerson was a scientist, a naturalist, a physician, and an artist: he was real, and in deadly earnest. (aus dem Buch) Beschreibung vom Antiquariat Ardelt 3e3b Antiquariat Ardelt Sprache: Englisch Gewicht in Gramm: 1000.

Hardcover. Zustand: Near fine. First edition. 4to. 136pp. Pink, photo illustrated d.j., spine lettered in black. Black linen, gilt. Illustrated throughout with black & white photographs. Front flap of d.j. has a $15 price sticker, overlain with one of $20. Fine in near fine d.j. The photographer, was an optician who lived and worked in Lexington, Kentucky. This monograph was begun by Meatyard's friend, James Baker Hall, in 1970, and finished after his death in 1972.

Hardcover. Dust Jacket Included. 4to. pp. 80. numerous illus. biblio. cloth-backed bds. dw. First Edition.

Zustand: Very Good. Profusely Illustrated (illustrator). New York: An Aperture Monograph, 1992. Second Edition, Deluxe Issue. Quarto; 243pp. Black and white photographs. Blue cloth boards stamped in silver; housed in publisher's slipcase. No dust jacket as issued. Rubbing to boards; binding sound; pages unmarked. Slipcase rather worn with minor fraying and brief exposure; structurally sound. Very Good collection of works from the man Ansel Adams called "one of the greatest photographers," citing the dignity and craft his work.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First edition. Quarto. Fine in fine dustwrapper.

Couverture souple. Zustand: bon. RO20175485: 1975? In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 266 pages - nombreuses photos en noir et blanc dans et hors texte - texte en 2 colonnes. . . A l'italienne. Classification Dewey : 928-Ecrivains.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. 1st Edition. 4° - 182 pp. Fully illustrated with gorgeous b/w photo-reproductions. In english, a fine copy. Dorothea Lange (born Dorothea Margaretta Nutzhorn; May 26, 1895 October 11, 1965) was an American documentary photographer and photojournalist, best known for her Depression-era work for the Farm Security Administration (FSA). Lange's photographs influenced the development of documentary photography and humanized the consequences of the Great Depression.