Aman iman (33 Ergebnisse)

Hardcover. Zustand: Very Good. See photos. Signed by author in white ink on black FFEP. Signed by Author(s).

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Taschenbuch. Zustand: Neu. Neuware - The Eyes invites Lebanese-born writer Sabyl Ghoussoub to explore the link betweenp hotography and exile. This issue invites us to reflect on how art can help to reconstruct a fragmented identity. This new issue of The Eyes takes a multi-dimensional approach to exile. Exile as a common noun, as a state, as a condition, but also, and above all, as a verb. Exiles are actors in their own destiny, with the capacity to transform their lives and influence their own paths. Far from external representations of exiles, this issue focuses on first-person accounts. This is true not only of Sabyl Ghoussoub, the guest artist in this issue, but also of the other artists.…

Taschenbuch. Zustand: Neu. Neuware.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - The Eyes questions cultural and societal evolutions through the prism of photography and creation and gives carte blanche to experts directly concerned by the subjects addressed. B-Side, the upcoming issue of The Eyes journal, invites its readers to a visual exploration of what it means to be Afropean, a notion of expertise of our guest curator Johny Pitts, British photographer and author. Historical and contemporary photographers, seminal and singular books and journals will explore the diversity of black identities as experienced in Europe. Entitled 'B-Side', this issue is strongly inspired by music, the field that gave birth to the term Afropean. B-Side is also an opportunity to take an offbeat approach and look at the B-side, the one we don't hear much about and see most of the time in a marginal way. ABOUT JOHNY PITTS - THE EYES #12 GUEST CURATORJohny Pitts is the curator of the ENAR (European Network Against Racism) award-winning online journal Afropean. com and the author of Afropean: Notes from Black Europe (Penguin Random House). Translated into French, German, Italian and Spanish, it has been awarded the 2020 Jhalak Prize and the 2020 Bread & Roses Award for Radical Publishing and is the recipient of the 2021 Leipzig Book Award for European Understanding and the 2021 European Essay Prize. TEXTSB-SIDE Taous DahmaniSPECTRES AND TEXTURES: THE B-SIDE WINS AGAINJohny Pitts CONVERSATION WITH MAD PROFESSORMelissa Chemam, Johny Pitts, Mad Professor, Roger Robinson 30 TRACKS FROM THE B-SIDE Johny Pitts' Afropean playlistWHAT DOES AFROPEAN MEAN TO YOU Thomas Chatterton Williams, Marie Daulne, Claude Grunitzky, Anna Lafont, Vittorio Longhi, Caryl Phillips, Minna Salami, Elvan Zabunyan THE EYES X PHOTOCAPTIONIST Johny Pitts, Roger Robinson13 ARTISTS PORTFOLIOS JAZZ GRANT MOHAMED BOUROUISSA JAMES BARNOR EDDIE OTCHERE RÉMY BOURDEAU SILVIA ROSI CÉDRINE SCHEIDIG ZINEB SEDIRA BRUNO BOUDJELALTABITA REZAIREDÉLIO JASSEMAUD SULTERMARVIN BONHEUR SOFIA YALA RODRIGUES 7 BOOKS PORTFOLIOSREVUE NOIRE10 YEARS OF TRACE LIZ JOHNSON ARTUR PARIS BOUT DU MONDE // ANAIK FRANTZ & FRANCOIS MASPERO THE GHOSTS OF SONGS: THE FILM ART OF THE BLACK AUDIO FILM COLLECTIVE // KODWO ESHUN & ANJALIKA SAGARBISO BANA YA POTO // CLAUDIA NDEBELEA SERIES OF UTTERLY IMPROBABLE, YET EXTRAORDINARY RENDITIONS // ARTHUR JAFA.…

Zustand: New.

Zustand: Good. 4to. 208 pp. Softcover with extended flaps. Very Good. Black and white and color plates throughout. From the Collection of the Art Historian Peter Selz (1919-2019).

Buch. Zustand: Neu. Neuware.

Zustand: fine. très bon état. Optez pour nos livres d'occasion en très bon état, et soutenez l'insertion sociale et l'écologie en leur offrant une seconde vie. 336771-1 - Conversations Tome 3, Coignet, Rémi, 2020.

Taschenbuch. Zustand: Neu. Neuware - Red Bloom is the second part of a photographic and artistic project devoted to global warmingand, in particular, the proliferation of green algae in the Côtes d'Armor region of France. Through hundreds of images, Alice Pallot returns to the very essence of the photographic process:making visible what the human eye alone cannot perceive. In this series, she proposes to materialisethe sun's red rays, which contribute to the development of toxic algae. Each work bears witness toan ecosystem threatened by the putrefaction of plants. The creation process takes several weeks:cultures grow on the prints and it is the toxicity itself that is embodied in the photograph andbecomes the substrate for the algae. The artist's aim, through works of great plastic beauty, is to alert the viewer to the non-visible butnonetheless active and deleterious anthropogenic toxicity of our environment. Through the visualexperience, the viewer gains a deeper understanding of this major issue of our time.…

Buch. Zustand: Neu. Neuware - Veri, Orangina & Aperol Spritz is the result of a collaboration between two young Spanish artists,Sofía París and Andreu de Pedro. The book grew out of a summer spent on the coasts of Spain, Italyand France. The book was shaped, forged and written in the moments of photography,contemplation and inactivity. Through the story of a voyage around the Meditarranean Sea, this book tells a love story thattouches on the universal. The images gathered here embody the love between a man and a woman,but also, and above all, the love of men for this 'sea in the middle of the earth', Veri, Orangina &Aperol Spritz its waters, its culture, its history. Inspired by the heroes of antiquity and the Homerictexts, the artist duo propose a visual, sensitive and intimate exploration of a geographical space thatnever ceases to fascinate us. Produced on film, this original work offers a sensual plunge into the world of the Mare Nostrum. Imbued with a Nouvelle Vague aesthetic, as well as the work of Claude Nori, this book is as much anexploration of the plastic - close-ups, fragmented images, landscapes, still lifes - as it is aphilosophical one: what is the nature of the bond that unites us to one another What links us to theMediterranean Sea The book is set in time, that of a summer, while at the same time breaking awayfrom it. It carries the eternal voices of the men and gods who have lived in this land for thousands ofyears.…

Taschenbuch. Zustand: Neu. Neuware - With this new issue entitled '(After)care', The Eyes explores the methods and approaches of photographers who address the most traumatic chapters of our individual and collective histories. After collaborating with SMITH (Transgalactic, 2020) and Johny Pitts (B-Side, 2021), we invited the Spanish artist Laia Abril to take over the content of the magazine. This issue explores the role of responsibility in the process of photography. Many questions are raised in this issue: how do we portray our deepest wounds What is the significance of vulnerability in the creation of photographs How can we ensure that the violence of the world is not repeated through the violence of images This issue of The Eyes features a variety of works and books by artists who all represent, in their own way, a practice of 'photographic care'. The works address subjects as diverse as colonial wars, natural disasters, sexual and gender violence, and disability. Texts and interviews with researchers and artists broaden the reflection on this subject, which is as yet little discussed. TEXTS (AFTER)CARETaous DahmaniHistorian of photography and member of the editorial board of The Eyes THE ORGANIC METHODLaia AbrilArtist, researcher and guest curator of The Eyes #13 (AFTER)CARE Daniela Vicherat MattarCare expert, associate professor of sociology at Leiden University in The Hague. HOW WOULD YOU CONSIDER AFTERCARE IN YOUR WORK The artists published in the magazine give their views on the notion of aftercare in their artistic practice. Ana Vallejo, Hayley Millar Baker, Hoda Afshar, Kitra Cahana, Margo Ovcharenko, Max Pinckers, Robert Andy Coombs, Masina & Gal, Jérémie Danon. NETWORKS OF MUTUAL CAREA conversation between the two artists, Carmen Winant and Laia Abril PHOTOCAPTIONISTLetizia Lopreiato x Laia AbrilFederica Chiocchetti proposes in these pages a dialogue between the unpublished images of Laia Abril and the poet Letizia Lopreiato. PORTFOLIOS12 ARTISTS PORTFOLIOS Hoda AfsharRobert Andy Coombs Kitra CahanaJoana ChoumaliJe re mie DanonMasina & GalHayley Millar BakerMargo OvcharenkoMax PinckersAida SilvestriAna VallejoCarmen Winant.…

Couverture souple. Zustand: Très bon. Cet exemplaire est en très bon état général, sans défaut majeur en dehors de quelques mots soulignés sur six pages du 1er entretien. N'hésitez pas : je vous l'envoie d'ici après-demain, bien emballé dans du film bulles et une enveloppe imperméable. Détails : Aman Iman 2014 - Français - Broché, 255 pages - Couverture souple - 20,0x13,0x2,0cm - 295g. ISBN : 9791092727067 REF : COIG-CONV-01. …

27 x 19 cm 104 pp with b&w illustrations throughout. English and French dual text. Boards, fine copy. Catalogue to an exhibition and project based on the photojournal of the photographer Van Der Elsken.

hardcover. Zustand: Gut. 112 Seiten; 9782953391091.3 Gewicht in Gramm: 1.

Zustand: gut. 2013. Ed Van Der Elsken - Looking for Love on the Left Bank In deutscher Sprache. pages.

Buch. Zustand: Neu. Neuware - This book is published within the framework of the Prix Niépce to which The Eyes Publishing is associated since 2019. The publishing house offers to the winner the publication of an artist's edition limited to 400 copies. Part of this publication is supported by Picto Foundation. In 2021, The Prix Niépce was awarded to Grégoire Eloy. OMALO presents a series of photograms by Grégoire Eloy made during a residency in Georgia. The photographer questions time, memory and life in this recluse of the Caucasus, while continuing to propose his vision and to question the image itself. Alternating photograms and their setting in situation, Grégoire Eloy shakes up our perception of what the image is: each shot leading to a photogram (action of the light of the flash on the photosensitive paper placed in the space) and to a view of the setting in situation (image captured by the camera). Extending this feeling of the image of the inside and the outside, or more broadly of what the image is, the model of the book proposes a pathway playing with subtlety on these different surfaces of the photograph. OMALO features a set of photograms from a series of 30 unique prints, made by photographer Gregoire Eloy in 2019 and 2020 in the Caucasus, Georgia, as part of the Tbilisi Photo Festival residency. The silver paper is placed in the landscape, at night, by the light of the red headlamp, and is exposed by the light of the camera flash. Two images of the same moment are then created: the one of the triggering making the scene appear and the photogram itself. The silver paper is then revealed on the spot, in an improvised night laboratory. The photogram thus becomes an 'imprint of the landscape' entirely produced and revealed in situ. Born in 1971, Grégoire Eloy has been a documentary photographer since 2003. For 10 years, he traveled in Eastern Europe and Central Asia for long term projects on the Soviet legacy and the wars in the South Caucasus, notably his series Les Oubliés du Pipeline (2006) and Ressac (2008-2013). In 2010, he collaborated with the scientific community on a trilogy on the science of matter, which was the subject of a series of monographic books including A Black Matter (Journal 2012) and The Fault (RVB Books, 2017). The latest installment, on glaciology, is in progress. Since 2015, he has been interested in our relationship to the environment and the wild during immersive residencies in natural environments: Residencies of the Guernsey Photography Festival (2016-2017), the Tbilisi Photo Festival (2018-2020), the Champ des Impossibles (2020-2022) and the festival l'Homme et la Mer du Guilvinec (2021). In 2022, his career is rewarded by the Prix Niépce Gens d'Images.…

Taschenbuch. Zustand: Neu. Neuware - The book PATRIA is a moving account of the mourning of the father, of the questions of identity that it raises, and more generally of the history of Venezuela and its exiles since 2015, the date of the artist's last trip to his native country. 'On June 9, 2020, I received a call. On this side of the Atlantic, it must have been ten o'clock, yes, it must have been ten o'clock. He's dead, she shouted at me. I found him dead. ' On June 9, 2020, artist Oleñka Carrasco learned through a video call that her father had died. The book Patria is the moving story of this mourning, of the identity questions it raises, and more generally of the history of Venezuela and its exiles since 2015, the date of the artist's last trip. in his native country. A human experience par excellence, the confrontation with death is told here through the artistic re-appropriation of family archives; photographs, videos, audios. thousands of documents sent by WhatsApp on which the artist intervenes and creates works in themselves. In addition, Oleñka Carrasco takes shots of her place of life in France, the 'loaned house', clichés that she transforms, manipulates, alters by using a typewriter. The typewritten text dialogues with the images and seems, as the story unfolds, to reveal the mystery of these human lives while intensifying it.…

Zustand: New.

Buch. Zustand: Neu. Neuware - Almost a century later, at a time when young artists are coming back to ancient processes for contemporary expression, how can we reinterpret and extend this face-to-face encounter between the artist and the glass plate, its light and its material In the same way, in an era that claims the place of women in the history of art, how can we question or shake up this so ordinary phenomenon of domination, whether it is the relationship to women of the artists themselves, or a certain form of resistance still today to place women artists at the heart of the creation. We have chosen to ask Anaïs Boudot to take up this challenge, that of an artistic confrontation around the cliché under glass, as well as that of a response to the veil that has long been imposed on women artists. Anaïs Boudot has created a series of works on a set of anonymous glass plates from her collection, all of which represent female figures. A modernity in the materials, in the light as well as in the tone that both challenges and imposes itself in this vis-à-vis with Picasso and Brassaï. It was following a glass plate forgotten by Brassaï in Picasso's studio that the latter began to develop a particular work on this medium. 'And indeed, it is no longer virgin,' exclaimed Brassaï when he discovered the plate reworked by Picasso, as Héloïse Conésa recalls in her introduction. Taking up the words of Anne Baldassari, she continues: 'The artist-toro bends over the mortal wound that he inflicts on reality so that the figure so beautiful on the silver plate may emerge. A few years later, Brassaï began his Transmutations series in which he engraved not on blank plates but on original negatives. Faced with these two sacred monsters of modern art, Anaïs Boudot responds to an invitation from The Eyes, by taking her own collection of anonymous faces on glass, to rework them with gelatin. Among these portraits of anonymous people from the 20s, 30s and 40s, women's faces stand out. Where Picasso and Brassaï's scratching of the gelatin is similar to a 'surgical act much more intrusive to bring out the plasticity of the work', Anaïs Boudot chooses gilding to restore these images of unknowns, to sublimate the image of these women, these muses so little considered by these masters and forgotten by the history of art. Anaïs Boudot's work is part of this instinctive and experimental approach, that of making the invisible visible. 'Spending time with these women's faces, while rubbing shoulders with two historical (male) artists with a singular relationship to women, I felt the need to react. In the end, they are the 'forgotten' ones, because they have been sidelined for years in the history of art, relegated to the rank of muses, models and companions. Their absence is glaring and it is undoubtedly this absence that these images attempt to highlight'. Anaïs Boudot ABOUT ANAÏS BOUDOTBorn in Metz in 1984, Anaïs Boudot graduated from the École nationale supérieure de la photographie in 2010 and from Le Fresnoy - studio national d'art contemporain - in 2013. Anaïs Boudot pursues a work around the processes of appearance of the image and the exploration of photographic techniques. The artist is represented by the Binome gallery.…

Buch. Zustand: Neu. Neuware.

Buch. Zustand: Neu. Neuware - This book is published within the framework of the Prix Niepce, with which The Eyes Publishing is associated since 2019. The publisher offers the winner the publication of an artist's edition limited to 400 copies. It is supported by Picto Foundation. In 2020, the Prix Niépce was awarded to Marina Gadonneix. From the series 'Phénomènes' that the artist pursued between 2014 and 2019, 'Tornades' stages and reconstructs these isolated wind vortices that often make the news. Produced in a scientific research facility dedicated to the analysis and reconstruction of natural phenomena, the photographs gathered in this book draw inspiration from the scientific and the spectacular to extract an evanescent form of disorder, a kind of poetic atmosphere and enveloping atmosphere. The voluptuousness of the milky wind in contrast with the austerely black background, the delicacy of the grey levels sketching the architectural models, everything is highlighted by the artist in such a way as to let us be absorbed by the magic, the rhythm and the attraction of these extraordinary natural phenomena. A photographer fascinated by the reverse side of photographic images, or more precisely by the hollow, erased device that invites a particular representation, the artist has been thwarting so-called documentary photography since her first photographic series. Instead of photographing works of art, she shows us the invisible devices (plinths, backdrops, etc. ) that are in the process of disappearing as soon as the expected photograph is taken. The inlay backgrounds of film studios become these blue or green monochrome landscapes, perceptual spaces close to the immateriality of James Turrell's immersive luminous pieces. Materiality and immateriality, lights and colored spectres, but also presence and absence, reality and fiction are recurring photographic dualities that will be found in 'After the image' and will discover their artistic maturity in the 'Phenomena' series, images of what appears, but also of what can hypnotise the gaze and sharpen the imagination as much by the incomprehension of what is seen as by the conceivability of the unknown. Thus, these latest images, resulting from research work carried out in scientific laboratories that reconstitute the operations of natural phenomena, become spaces of projections as poetic as the names of the scientific objects of which they are the theaters of our imaginations. supernova, dark matter, vortex. In the introduction, the text of the photographer and writer Marcelline Delbecq describes with force and effectiveness the apprehension of this threatening moment of the catastrophe. 'We have to tell ourselves that in this place there was something and that suddenly there was nothing left, in an extreme speed and slowness, as if in the middle of sleep someone had erased our memory. There was something, a place, lives, gigantic towers and tiny plants, and all that was shifted from one instant to another, or rather from one time to another, because the instant was not so brief, as if it had slowed down, on the contrary, a before that became after, extended in a duration that no one tried to calculate, because it was necessary to understand what was happening, to find a shelter. Something was there and then not. It was night, a black night such as only exists in certain remote places, deep in the plains, where only the glow of the stars makes you feel the presence of the sky above you - their lights so frail, as if ready to break, to fade away'. Marcelline Delbecq ABOUT Marina GadonneixMarina Gadonneix was born in 1977 in Paris, where she lives and works. A graduate of the École nationale supérieure de la photographie d'Arles, Marina Gadonneix got HSBC Photography award in 2006 and Dummy Book award from Luma Foundation and the Rencontres d'Arles in 2018. Her work has been exhibited in many institutions in Europe and the United States, particularly at the Centre Photographique d'Île-de-France, th.…

Buch. Zustand: Neu. Neuware - This book, produced in collaboration with the Tara Océan Foundation, is a retrospective of the artists who have been on board the Tara schooner over the past 20 years. It's a unique opportunity to shed light on the Ocean, its little-known biodiversity, its role in the climate machine and the pollution that impacts it today, through the prism of art.…

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Französisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Couverture souple. Zustand: Très bon. Cet exemplaire est en très bon état général avec un intérieur proche du neuf. N'hésitez pas : je vous l'envoie d'ici après-demain, bien emballé dans du film bulles et une enveloppe imperméable. Détails : Aman Iman Publishing 2016 - Français, anglais - Broché, 154 pages - Couverture souple - 21,0x28,0x1,0cm - 610g. ISBN : 9791092727203 REF : EYES-07PO-01. …